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Gwoemul (2006)
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Overview
Tagline:
It is Lurking Behind You morePlot:
A monster emerges from Seoul's Han River and focuses its attention on attacking people. full summary | full synopsis (warning! may contain spoilers)Awards:
18 wins & 12 nominations moreUser Comments:
Funny, scary, emotional, intense, thrilling, sad. And then funny some more. moreCast
(Credited cast)| Kang-ho Song | ... | Park Gang-Du | |
| Hie-bong Byeon | ... | Park Hie-bong | |
| Hae-il Park | ... | Park Nam-il | |
| Du-na Bae | ... | Park Nam-Joo | |
| Ah-sung Ko | ... | Park Hyun-seo | |
| rest of cast listed alphabetically: | |||
| David Joseph Anselmo | ... | Donald | |
| Martin E. Cayce | |||
| Cristen Cho | |||
| Philip Hersh | ... | Additional Voices (voice: English version) | |
| Paul Lazar | ... | US Doctor trying to operate Gang-Du | |
| Brian Lee | |||
| Kurt Leitner | ... | Additional Voices (voice: English version) | |
| Clinton Morgan | ... | Agent Yellow | |
| Dal-su Oh | ... | Voice of the monster | |
| No-shik Park | |||
| Brian Rhee | ... | Young Korean Doctor (as Brian Lee) | |
| Scott Wilson | ... | US Doctor in Morgue | |
| Pil-Sung Yim | |||
Additional Details
MPAA:
Rated R for creature violence and language.Parents Guide:
View content advisory for parentsRuntime:
119 min | Croatia:110 min (DVD)Country:
South KoreaColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby Digital EXCertification:
Finland:K-15 | New Zealand:R13 | UK:15 | Hong Kong:IIA | Germany:16 | Norway:15 | Ireland:15A | Malaysia:U | Portugal:M/12 | Sweden:11 | Netherlands:16 | Singapore:PG | Brazil:14 | Argentina:16 | South Korea:12 | Australia:M | USA:R | Philippines:PG-13 | France:U (with warning)MOVIEmeter: 
Fun Stuff
Trivia:
Joon-ho Bong was impressed with Scott Wilson after having seen him in, among other films, Monster (2003). He approached the actor by sending him a copy of the script and a DVD of his previous film, Memories of Murder (Salinui chueok (2003)). The actor later agreed to be in the film. moreGoofs:
Revealing mistakes: When Kang-ho Song's character receives a tissue sample, there is no wound in the remaining scenes, even though he was screaming in pain. moreQuotes:
Park Nam-il: Look at that... Isn't that amazing? In this situation?Park Nam-Joo: Wake him up, there's no time.
Park Hie-bong: Let him sleep a minute. He needs to sleep every so often.
Park Nam-il: Should we leave him here? He's no help anyway?
Park Hie-bong: Kids, wait a minute. Sit down. In your view, is Gang-du really so pathetic?
Park Nam-il: Yup.
Park Nam-Joo: Yes.
Park Hie-bong: You wouldn't know it, but he was a really smart kid. For example, when he was two, he'd sit in front of the village store, and everyone walking by would ask him directions. That's how smart he looked. As you know, when he was young, I was out of my mind, hardly ever coming home, staying out all night. And this poor boy with no mother, he must have been so hungry. Going around, doing seo-ri all the time. Raising himself an organic farm. Whenever he got caught, he'd get beaten up. In this way, he lacked protein when he needed it most. So that's why, every now and then, he dozes off like a sick rooster. I think something up there
[gesturing to his brain]
Park Hie-bong: must have gone wrong too.
[...]
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What else is there to say? The Host elicits every feeling, every sense of urgency, dread, sadness and happiness with ease. And somehow it manages to cram all of that into the first fifthteen minutes. After that it speeds along and doesn't let up. I was with it till the end, laughing when I was supposed to, crying, and even cheering. It is one of those rare films that blends all the respective genres into one with an almost scary simplicity. I shouldn't be surprised, it is from writer and director Joon Ho Bong whose last films the equally brilliant Memories of Murder and the excellent black comedy Barking Dogs Never Bite featured a similar feeling.
How does the man do it? Like with his other films particularly Memories of Murder he manages to break the conventions of the genre by frequently poking fun at the rather stale "monster" genre and by taking a fresh, appealing perspective. It's funny at all the right moments and even in moments when you feel you shouldn't be laughing you cant help but laugh. It's full of vibrantly realized characters, who each have their "moment" that make you laugh at the ridiculousness or gasp at the coolness. It is written with care and love, the pace never stagnates and the dialogue is never forced. The CG monster effects are nice and appropriately unrealistic in appearance. Perhaps too unconventional for American audiences but it really works in the context of the films rather serious yet quirky atmosphere. The acting is excellent, Kang Ho-Song continues to impress, star in the making Ah-sung Ko gives a very good first performance, and the rest of the cast give great performances. All managing the frequent dips into serious and comical and even both at the same time.
The Host is a brilliant, brilliant film. I'm so pleased I had the pleasure of seeing it at the cinemas, the way it deserves to be seen. Despite fitting into a rather common genre, The Host is an original. It is a unique and refreshing film, full of charming characters, awesome action sequences and even an emotional poignancy that weaves itself into the film at the most appropriate of times.
The Host is undoubtedly my favourite film of the year and one of the most entertaining films I have seen in recent years. If you like your films to be highly enjoyable, but also smart and even emotional, you will love what The Host has to offer.