A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
Young Caucasian Dan Dunne teaches history and coaches the girls basketball team at a Brooklyn high school populated primarily by black and Hispanic students. To the chagrin of his superiors, Dan bucks the outlined curriculum of historical facts in favor of the philosophy of historical events, generally discussing the concept of dialectics. As such, he captures the imagination of his students, at least in the classroom. Outside of the classroom, Dan's life is in shambles. He has a distant but cordial relationship with his family. He uses illicit drugs rampantly. Although his former girlfriend Rachel was able to clean up her drug habit, Dan believes that rehab will not work for him. Due to a combination of these issues, he treats women poorly. Thirteen year old Drey is a student in his class and a player on his basketball team. Drey has her own problems. Her parents are divorced, with her father a virtually non-existent figure in her life and her EMT mother generally absent as she is ... Written by
Can't You See
Written by Tom Caldwell
Performed by The Marshall Tucker Band
Courtesy of Marshall Tucker Entertainment d/b/a Ramblin' Records
Under exclusive license to Shout Factory LLC
Under license from Spirit One Music/Spirit Music Group See more »
Ryan Gosling gives an off-the-charts, startling, emotionally charged performance as Dan Dunne, a young and unhappy man who is disenchanted with the world and himself.
The camera follows every emotion that surfaces in Dan's mind and face and soul; we watch him spend every waking moment pondering life and its intricate hypocrisies, intolerance, and continuous disappointments, we watch him spend every waking moment pondering his own personal failings and let-downs, we watch him spend every waking moment trying to escape his anguish through drug abuse, and we watch him spend every waking moment mentally and physically punishing himself for his failings by engaging in drug abuse.
In addition to the abuse of drugs, his emotional decline is accelerated by his career as a history teacher (and coach) in an inner-city run-down school where a few, if any, students graduate highschool, let alone advance to college. We readily discern that he has given up all attempts at trying to reach out and inspire his students to fight against the injustices and misinformation that exist in the world.
His mental anguish and desolation and severe alienation, melded with rampant drug use, has nearly destroyed him.
His only hope of survival is being inspired by one of his own students, Drey - whom he has made an incongruous connection with - to save himself.
As Drey (Shareeka Epps) struggles to accept Dan's failings - in the hope that a friendship with him will help both of them overcome their circumstances - she unwittingly leads Dan further down the path of self-destruction, which can only end with a clarifying moment of salvation or untimely death...
Half Nelson is a masterpiece film, emotionally purgative and hypnotically realistic; its depiction of people who only experience fleeting moments of happiness in a retrogressive, bleak world is so realistic that it is visually and spiritually and emotionally soul-shattering.
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