A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
Young Caucasian Dan Dunne teaches history and coaches the girls basketball team at a Brooklyn high school populated primarily by black and Hispanic students. To the chagrin of his superiors, Dan bucks the outlined curriculum of historical facts in favor of the philosophy of historical events, generally discussing the concept of dialectics. As such, he captures the imagination of his students, at least in the classroom. Outside of the classroom, Dan's life is in shambles. He has a distant but cordial relationship with his family. He uses illicit drugs rampantly. Although his former girlfriend Rachel was able to clean up her drug habit, Dan believes that rehab will not work for him. Due to a combination of these issues, he treats women poorly. Thirteen year old Drey is a student in his class and a player on his basketball team. Drey has her own problems. Her parents are divorced, with her father a virtually non-existent figure in her life and her EMT mother generally absent as she is ... Written by
The school used in the film (with the bright "Neon Celery" and "Key Lime" colored classroom doors), was painted by students from the school through an innovative nonprofit youth development program called Publicolor in NYC. See more »
[after watching Mario Savio's speech about The Machine]
What is this machine that he's walking about? It's keeping us down, what is it?
Like, robots and stuff, right?
Umm... it could be robots. It could be robots, but let's say it's a metaphor. He's saying this machine is keeping you down. Now, what is that? What keeps us from being free? Ms. Drey?
Absolutely. Absolutely, prisons. OK? Prisons are definitely a part of it. What else?
White is definitely a part of it. The Man.
[...] See more »
Anyone who has experienced addiction in their lives, whether your own or someone close to you, will find this film cutting. It is not about the reasons leading to addiction or the recovery, rather it is about the experience of the addiction in its raw reality. Even if you have not experienced addiction in your life, the story is worthwhile and the photography stellar. Ryan Gosling is the perfect portrait of a good person who got lost. His portrayal of a crack head is almost too good. The dialog is not pretentious or assuming and not overused. The story unfolds itself in a very natural manner.
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