Jake Groden is the black sheep of his family. Ankle deep in fish guts, he serves out his parole in Alaska. Then, after a decade of self-imposed exile, he is forced to return to his Brooklyn...
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A frantic young woman begs a stranger to help save her marked husband, not realizing that the stranger is the hit man hired to kill him. Experimental digital movie shot entirely in one take and in real time.
With her husband away indefinitely, a young mother struggles to nurture her son in the face of poverty, isolation and incarceration. FLUTTER explores the truest love on earth-the love of a mother and child.
Jake Groden is the black sheep of his family. Ankle deep in fish guts, he serves out his parole in Alaska. Then, after a decade of self-imposed exile, he is forced to return to his Brooklyn family. He soon discovers that his perfect brother, Michael is dead, and he begins trying to take what Michael had- a beautiful wife, adoring son, control of the family furniture business and the love of their gruff father. For Jake, the price of a new life is his identity. Written by
I understand this film to be a debut feature and as such, it is very impressive. It has the feel and pacing of a "true indie", yet director Todd Yellin clearly possesses the photographic and editorial vision, command and judgment of a mature and seasoned professional. The shots are well framed and thought out and serve to move the story forward. He, and screenwriter Ivan Solomon deliver a story that has much more depth and lyricism than typical "paint by numbers" type scripts. It's a story that needs Judd Hirsch caliber character talent to have a shot at working. Judd is fantastic as usual; as are Scott Cohen and the beautiful Susan Floyd. The real surprise though is Elliot Korte who plays Adam Groden. Yellin was able to coax nuance out of the young actor in a role that could have been easily devalued by stereotype or overreach. Anyway, I found the film refreshing and entertaining.
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