In 1939, young Professor Bruttenholm destroyed Erzsebet Ondrushko, a female vampire who bathed in the blood of innocents to stay young. Now someone in upstate New York is trying to bring ... See full summary »
Grandpa Sam Dracula is essentially Dracula who assembled Herman because no man was good enough for his daughter Lily, a sexy vamp. Lily's niece Marilyn the freak is actually normal and Lily... See full summary »
Portia de Rossi,
A dangerous mission reunites STINGRAY SAM with his long lost accomplice, The Quasar Kid. Follow these two space convicts as their earn their freedom in exchange for the rescue of a young ... See full summary »
Forever Plaid is an affectionate musical homage to the close-harmony 'guy groups' that reached the height of their popularity during the 1950s. This quartet of high-school chums, and their ... See full summary »
Jaye Tyler is a loner living in Niagara Falls who, after graduating college, has fallen into a care-free comfortable rut living in a trailer park and working as a retail clerk in the Falls ... See full summary »
Based on the beloved novella by Bohumil Hrabal, and containing all the magic still present in the twisted streets of Old Town Prague, TOO LOUD A SOLITUDE spins a tale of passion, beauty, ... See full summary »
A decrepit bomb shelter. Two young women, Abby and Tara, have kidnapped a guy. Tara is clearly having more fun than Abby. As the pair wait for the right time to call in, the situation gets ... See full summary »
After the departure of Rube Sofer, a new head reaper named Cameron Kane takes over. He's a slick businessman who couldn't care less about helping the newly dead. Chaos ensues and brings out... See full summary »
Set in the future where the countries of Earth have established colonies to mine the Moon's resources. When a new life form is discovered, chaos erupts as various factions race to uncover and exploit its powerful secrets.
The comic book story from which the animation was based finished with four random drawings of three horrible old women (labeled as "werewolf", "cannibal" and "criminal lunatic") and a monkey. The monkey and two of these women are featured in the animation as actual characters, the woman left out being the 'criminal lunatic'. See more »
I was not so excited to watch The Amazing Screw-On Head because I was visiting a friend from out of town and he insisted that I sit at the computer and watch this online rather than other things we were planning to do. But I was fascinated by it. The animation, firstly, seemed like it would not draw me in, however it is perfect for the noncomformist comic tone of the cartoon. There are so many pitch-black shades of definition in the images and at times, it's as if over two thirds of the screen consists of shadows. The creatures are watered- down Gothic with a coating of the physical presence of sci-fi and anime-loving, computer- savvy quasi-Goth-dressing teenagers. The colors are never bright or positive, always swampy, antiquated, and moody. Mike Mignola's visual style is carried through motion by director Chris Prynoski, who creates a grungy little onslaught.
It begins as if it were a serious cartoon, violence preparing to break out, but then there is a hilarious German accent, played very incidentally. The show progresses into a very offbeat farce with a witty, creative sense of humor that grows elementally out of the material.
The material is founded by terrific comic book concept, a robotic head that screws onto compatible bodies who works as a secret agent serving under Abraham Lincoln during the Civil War, and fighting battles that lead to points in history in completely different ways than how the nation believes. America having two histories is not something so far-fetched, and it latently satirizes the self-secrecy of this country's history.
It's very troubling to think that network heads (no pun intended) didn't find this pilot worthy of a series, because there are many less intelligent and imaginative cartoon shows that have been turned into successful series, and that actually may be the reason why this show was turned down. However, in a sense, it may not be so bad that The Amazing Screw-On Head never grew beyond this twenty-two-minute passage. Perhaps the impact of such ideas that seem so fresh coming straight out of left field is greater and will stay as great rather than becoming old hat after awhile as the creators scramble to concoct more premises and build on the show's substance. The animation, like with many cartoon shows, might have scaled up the ladder to smooth, state-of-the-art, computer-assisted animation, and with a style like Mike Mignola's, it must be preserved in the grungy sketchiness that is present forever in this maintained little cartoon.
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