With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
An infamous 'psychic' abandons his public persona, outing himself as a fake, to focus on his work as a consultant for the California Bureau of Investigation in order to find "Red John," the madman who killed his wife and daughter.
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
S. Epatha Merkerson,
Jesse L. Martin
Hastings returns to Britain after a long absence to find Poirot anxious for a new case which will challenge his gray cells. Poirot quickly gets his wish in the form of taunting letters from a serial killer who has dubbed himself ABC and who leaves an ABC railroad schedule at the scene of each crime. The victims as well as the crime scenes appear to be chosen randomly, but maintain an obsessive adherence to alphabetical order. However, Poirot grows to believe that the killer is not the madman the authorities believe, but a methodical murderer with a very tangible motive. Written by
G. Taverney (email@example.com)
The St Leger scenes are a clever combination of newly-shot footage and archive material. However in the archive footage, the jockey of horse number 8 wears chocolate and blue hoops, whilst in the newer footage he wears red and green. See more »
Train now boarding.
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I love episodes like Sad Cypress, Five Little Pigs and Peril At End House, but The ABC Murders deserves to be up there with the best of them. It was a near-perfect, top notch and thrilling episode. There are one or two slow moments, and before I realised that there was half an hour left I had the impression as I haven't read the book that I had been told too much, but these are the only problems I had with it. The plot is complicated with plenty of surprises, but is well constructed and well explained. The adaptation looks splendid, not in a sumptuous visual style like say Sad Cypress but in a dark haunting visual style like something like Hickory Dickory Dock. The music is enough to make the hairs stand up on your neck, it certainly did that to mine. The acting from all involved is exceptional, whilst David Suchet gives an impeccable performance as always as Poirot, it is Donald Sumpter who walks away with the acting honours in one of the best supporting performances in the history of the Poirot run. It is considered as one of Suchet's favourite Poirots, and you know what, it is easy to see why. It is superb. 9/10 Bethany Cox
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