With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Jesse L. Martin,
Hastings returns to Britain after a long absence to find Poirot anxious for a new case which will challenge his gray cells. Poirot quickly gets his wish in the form of taunting letters from a serial killer who has dubbed himself ABC and who leaves an ABC railroad schedule at the scene of each crime. The victims as well as the crime scenes appear to be chosen randomly, but maintain an obsessive adherence to alphabetical order. However, Poirot grows to believe that the killer is not the madman the authorities believe, but a methodical murderer with a very tangible motive. Written by
G. Taverney (firstname.lastname@example.org)
The action music from the contemporary film showing at the cinema in Doncaster is also featured in Monty Python and the Holy Grail (1975), for the scene where Sir Robin encounters the three-headed knight. The piece is 'Desperate Moment' by Kenneth Essex. See more »
The second victim worked at the De La Warr Pavilion in Bexhill, and her employer is interviewed and reveals that she had worked there for two summers. However this cannot be right as the De La Warr Pavilion only opened in December 1935 and the murders are set in 1936. See more »
Train now boarding.
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The book is a good one and it has been well dramatized here. Donald Sumpter is excellent as the travelling salesman, Cust.
It's unlike other Christies in that most of the victims are not wealthy or aristocratic. The scenes in the Andover shop and at Bexhill are (perhaps unintentionally) touching. The deaths are really sad -- which is almost never the case in a Christie book, where murder is only a chance for an interesting puzzle and the victim is quite often a nasty tyrant whom almost everyone wants dead. When Hastings is moved by the scene in Andover, Poirot brushes his comments aside, saying they must not succumb to sentimentality.
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