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Ricki and the Flash follows a woman (Streep) who lost her family while chasing her dream of becoming a rock star.
Ricki and The Flash is scheduled for a 2015 release at cinemas. »
Sebastian Stan is on his way to becoming just as much of a household name as his Captain America co-star Chris Evans. After his badass performance as the titular badguy in The Winter Soldier, it looks like his stock went up considerably. Just yesterday we brought you the news that the actor had joined the immense cast of Ridley Scott’s sci-fi adaptation, The Martian, and today he’s gone and signed onto another corking pic! Thanks to Deadline, we now know he’ll be joining Meryl Streep in Ricki And The Flash.
In the film, set to be directed by Jonathan Demme (Silence Of The Lambs), Stan will play Streep’s estranged son. The Oscar-winning actress will topline the movie as ageing rocker, Ricki, who plays in a local dive bar with her band The Flash. After a chat with her ex-husband (Kevin Kline), she decides she wants to »
- Gem Seddon
Jennifer Garner shares her firsthand experience with sexism in Hollywood.
The super-sweet Jennifer Garner is calling out Hollywood's treatment of women.
Attending the Elle Women of Hollywood event Monday night, Garner, 42, got blunt when sharing her sexist experiences in the business.
"We got home at night and we compared notes," she explained. "And I told him every single person who interviewed me, I mean every single one... asked me, 'How do you balance work and family?' And he said the only thing that people asked him repeatedly was about the tits on the Blurred Lines girl [model Emily Ratajkowski, his co-star in Gone Girl]."
Video: Oops! Jennifer Garner Has the Most Adorable Wardrobe Malfunction
She goes on, "As for work-life balance, he said no one asked him about it that day. As a matter »
Much of the power of the extraordinary film "Whiplash" comes from the interaction between two remarkable performers. This is a star-making role for Miles Teller, an actor who has previously appeared in films like "Rabbit Hole" and the "Footloose" remake, and he's soon to make a further splash in the big-budget "Fantastic Four" reboot and "Divergent" sequel.
J.K. Simmons may be known to most as the dad from "Juno" or J. Jonah Jameson in the previous "Spider-Man" series, but his roles in a series of films by the Coen Brothers, or his inimitable portrayal of Vernon Schillinger on HBO's "Oz" has ably demonstrated his capacity to play almost any role. With a fearsome, nuanced performance, Simmons' role of Terrance Fletcher should, with any justice, garner J.K. a nod at Oscar time.
Moviefone Canada spoke to the two performers during the 2014 Toronto International Film Festival.
This film's director, Damien Chazelle, »
- Jason Gorber
Diablo Cody is an Oscar-winning screenwriter, an acclaimed author, and one of the big reasons Twitter is worth tolerating, but we mainly love the "Juno" scribe because she's a great interviewee. On the first episode of HitFix's new interview series But What I Really Want To Know Is..., we caught up with Cody (a.k.a. Brook Maurio) to discuss her least favorite screenwriting cliches, the filming of her next movie "Ricki and the Flash" with Meryl Streep, and the woman who warned her to put her Oscar away for good. We also play a round of our favorite game called Who's In Your Coven? Pick five living women who represent, for lack of a better term, your "spirit animals." Mine are Jane Fonda, Jane Curtin, Lesley Ann Warren, Lee Grant, and Cynthia Nixon. Who did Diablo Cody pick? Your head will spin. »
- Louis Virtel
Brad Pitt's Fury was able to usurp first place from Gone Girl this weekend, though it was a closer race than anticipated.Meanwhile, Birdman opened at four locations in New York and Los Angeles and scored one of the best per-theater averages ever for a live-action movie.Opening at 3,173 theaters, Fury rolled in to first place this weekend with $23.7 million. This debut is in the same general ballpark as movies like Captain Phillips ($25.7 million), Act of Valor ($24.5 million) and The Monuments Men ($22 million). That's a fine range to be in, though it's a bit disappointing considering how far off it is from recent R-rated thrillers Gone Girl ($37.5 million) and The Equalizer ($34.1 million).Sony's marketing played up Fury's intense tank-on-tank action, which made it a strong option among male moviegoers. Unfortunately, the movie never really connected with women, who wound up accounting for just 40 percent of the audience on opening weekend. »
- Ray Subers <email@example.com>
Jason Reitman is a hard filmmaker to pin down. He’s made six features, and when a director has made that many films, it’s usually not terribly difficult to find themes or ideas that tie a filmography together. Besides generally following smart but naive characters, you can’t really do that with Reitman’s pictures. The element that comes closest to defining Reitman’s body of work is his passion for self-reflective stories. After his past two divisive efforts, Labor Day and Men, Women & Children, it’s obvious his voice and interests go beyond one story or one specific idea. What’s missing from those films, for starters, is Reitman’s comedic wit. That’s not to say they don’t have his sense of humor, albeit in much smaller doses, but they wear a more serious face than his earlier work. Critics certainly aren’t used to this side of Reitman. “It »
- Jack Giroux
A better title for Men, Women & Children might be The Terrible, Horrible, No Good, Very Bad Internet. Another might be The Terrible, Horrible, No Good, Very Bad Movie.
I had hoped Jason Reitman's latest film would be up to the lofty standards of his best work, Juno and Up in the Air. But what could have been an insightful look at how the Internet has shaped our lives is instead a slight, heavy-handed and melodramatic cautionary tale about the dangers (at least from the film's point of view) that lurk online.
Shot in Austin, Men, Women & Children follows a group of teens and adults whose online activities land them in a heap of trouble. Among them are a mostly happy couple, Helen (Rosemarie DeWitt) and Don Truby (Adam Sandler), who let their sexual boredom get the better of them; Helen finds extramarital action thanks to hookup site Ashley Madison, »
- Don Clinchy
<< Continued from "Weekend Forecast"Opening at 2,936 theaters, The Best of Me is the ninth Nicholas Sparks adaptation to hit the big screen. Sparks adaptations have been fairly consistent*the last four movies opened between $16 million and $30.5 million. However, the highest-grossing entry remains 2004's The Notebook, which ended its run with just north of $81 million.The Best of Me seems to fit nicely in to the Sparks playbook. It's a romance (of course), and posters feature essentially the same image (two lovers touching faces) as virtually every other Sparks movie poster.There's reason to believe that The Best of Me may fall a bit short of the standard Sparks range, though. James Marsden and Michelle Monaghan are respected actors, but don't necessarily fit in to the genre as naturally as Josh Duhamel and Julianne Hough (of last year's Safe Haven). Also, the movie's split timeline has been hard to pin down »
- Ray Subers <firstname.lastname@example.org>
J.K. Simmons has spent the last 20 years as one of Hollywood's most in-demand character actors, making an outsize impression in films like Spider-Man and Juno and on TV shows including Oz, Law & Order, and The Closer, but his role in the acclaimed new film Whiplash may be the juiciest of his career — and, if the pundits' early predictions are borne out, it could earn him an Oscar. In the Damien Chazelle–directed music drama, Simmons plays the tyrannical Fletcher, an epithet-spitting, frequently screaming music instructor who zeroes in on Andrew Nieman (Miles Teller), a jazz-drumming student who becomes both Fletcher's pet project and punching bag. It's one of the scariest performances of the year, and among the most fascinating, too: Chazelle and Simmons reveal just enough of Fletcher to suggest even more, and earlier this month, Simmons sat down with Vulture in Los Angeles to discuss some of »
- Kyle Buchanan
By the end of its theatrical run, Jason Reitman's Internet drama "Men, Women & Children" will likely amount to the director's least financially successful picture. No, not every film can click with the zeitgeist like "Juno" and haul in $143.5 million. But when Reitman's Kate Winslet-Josh Brolin drama "Labor Day" tapped out at $13.4 million this past winter, analysts considered it a disappointment. This weekend's specialty box office reports pin "Men, Women & Children" just under $128,500 after its second weekend — something beyond mere disappointment for Reitman and Paramount Pictures. The silver lining: With "Men, Women & Children," Reitman found actors that ignite him and perhaps vice versa. The door for future collaborations appears to remain open, with the first already in motion. As part of his on-going live-read series with the Los Angeles County Museum of Art, Reitman is set to direct a staged reading of Alan Ball's Academy Award-winning script "American Beauty. »
- Matt Patches
Director: Jason Reitman; Screenwriter: Jason Reitman, Erin Cressida Wilson; Starring: Adam Sandler, Jennifer Garner, Rosemarie DeWitt, Judy Greer, Ansel Elgort, Kaitlyn Dever; Running time: 120 mins; Certificate: 15
Sex and other intimacy issues are ripe for re-examination in the age of social media, and writer/director Jason Reitman gives the subject epic treatment in Men, Women & Children. Adam Sandler does his serious face in one of multiple strands and he's fairly convincing. Unfortunately, Reitman and co-writer Erin Cressida Wilson (adapting Chad Kultgen's novel) fumble through the plot like groping teenagers.
With its loosely interwoven stories, the structure represents the most complicated aspect of the film, otherwise the individual threads lead to numbingly obvious points about the way we relate to each other in the modern world.
Opening the action with images of space and clipped, cutting narration by Emma Thompson is the first (worrying) sign that Reitman is aiming for profundity. »
• Joaquim de Almeida (Fast Five) has signed on to play the male lead opposite Sandra Bullock in David Gordon Green’s Our Brand Is Crisis. Zoe Kazan (What If) has also signed on for the political dramedy. In addition to Bullock, they’re joining Scoot McNairy, Billy Bob Thornton, Anthony Mackie, and Ann Dowd. The film is based on Rachel Boynton’s 2005 documentary of the same name, which explored American political campaign strategies in Bolivia. Green’s film stars Bullock as “Calamity” Jane Bodine, a retired American political consultant, with de Almeida as Castillo, the former president of Bolivia who is running for office again. »
- C. Molly Smith
Chances are Jennifer Garner realized early on that the two films she was starring in this fall would appeal to two very different audiences. What she probably didn't expect was that the Disney family film "Alexander and the Terrible, Horrible, No Good, Very Bad Day" would be the one that would have the bigger impact on her career, especially considering her other movie, "Men, Women & Children," features an ensemble cast with talent such as Adam Sandler, Rosemarie DeWitt, Judy Greer and up-and-comer Ansel Elgort. Oh, and did we mention that movie is directed by four-time Oscar nominee Jason Reitman, who she previously collaborated with on Best Picture nominee "Juno?" Yes, sometimes life has a way of throwing expectations completely out the window. "Alexander" is currently headed toward a $20 million-plus weekend at the box office. "Men, Women & Children," on the other hand, opened in 17 theaters last weekend with a tepid $47,553 for »
- Gregory Ellwood
Exclusive: Olivia Thirlby (Juno, Dredd) and Nelsan Ellis (True Blood) have joined the ensemble cast of The Stanford Prison Experiment, about the infamous 1971 psychological exercise in which college students exhibited shocking cruel and sadistic behavior when divided into camps of prisoners and prison guards.
Helmed by Kyle Alvarez (C.O.G.), the Tim Talbott-scripted film stars Ezra Miller, Michael Angarano, and Billy Crudup as Dr. Philip Zimbardo, the Stanford professor who would later write the book on the psychology of good and evil behavior. Thirlby will play Christina Zimbardo, Professor Zimbardo’s wife and fellow academic. She’s currently starring in O.P.C. at the American Repertory Theater with Melissa Leo and next appears onscreen in The Wedding Ringer in January. Ellis, who had a beloved run as Lafayette Reynolds on HBO’s True Blood, will play Jesse Fletcher in Stanford. He appeared as Martin Luther King, Jr. in Lee Daniels »
- Jen Yamato
J.K. Simmons has been in hundreds of films and TV shows over a flourishing two-decade year career as a character actor, but he's rarely been able to sink his teeth into a part as juicy as the one he has in Damien Chazelle's “Whiplash.” Playing a brutal music teacher in the Sundance hit, the guy who might be best known as a neo-Nazi skinhead convict in the HBO series “Oz,” Juno's dad in Jason Reitman‘s “Juno” and Peter Parker's editor in Sam Raimi‘s “Spider-Man” movies has put himself in unexpected company: among the leaders in this year's Best Supporting. »
- Steve Pond
"I remember when I first met J.K. Simmons, I just sort of told him, 'Remember how you were in Oz? I want to make that guy look like the teacher in Mr. Holland’s Opus." —Whiplash director Damien Chazelle Terence Fletcher, the intimidating music teacher in Whiplash, isn't a sadistic member of the Aryan Brotherhood, like Oz's Vern Schillinger. But for Miles Teller's high-school drum prodigy, Fletcher is practically evil incarnate, a bully whose primary methods of motivation are tossing chairs and playing cruel psychological mind games. He wants his school's jazz ensemble to be the best in the country, »
- Jeff Labrecque
Jennifer Garner, Zoe Saldana, Elizabeth Banks, Tina Fey and more cover Elle's 21st annual Women in Hollywood issue, in which the actresses get candid on everything from their career goals to where their confidence comes from.
In particular, Garner, 42, admits that her smaller, more indie roles in films since starting a family with Ben Affleck are no coincidence.
"My ambition shifted when I had kids in a way that I didn't anticipate," the Juno actress says. "I became more ambitious for my life as a whole, and for that kind of health and happiness of the overall family unit. And that very much includes my husband and very much includes me."
But if you think Affleck is the one telling her to stay at home to watch their three kids »
If you've seen one of Jason Reitman's movies, you know that he's very willing to go to some very extreme and, at times, uncomfortable places. From the cigarette industry ("Thank You for Smoking") to teen pregnancy ("Juno") to arrested development ("Young Adult," still his very best and most complicated film), there's a fearlessness with which he treats his subject matter that is positively intoxicating.
His new film, "Men, Women & Children," which expands nationwide this week, is centered around our relationship with technology (and how that relationship can mess with our interpersonal lives). It stars Adam Sandler, Rosemarie DeWitt, Judy Greer, Jennifer Garner and Dean Norris, and takes a kind of "Traffic"-like structural approach, showing characters crisscrossing into each others lives (and, of course, web browsers).
We got a chance to talk to Reitman about what it was like asking Emma Thompson, who plays a narrator in the style »
- Drew Taylor
Jason Reitman is keenly aware of what makes audiences squirm. This is a director who has tackled the cigarette industry ("Thank You For Smoking"), teen pregnancy ("Juno"), the recession ("Up in the Air") and what happens when gruff escaped convicts break into a family's home and make pies in the sensual manner of the pottery scene from "Ghost" ("Labor Day"). His newest film, "Men, Women & Children," which opens wider release this week, continues in this vein, with its frank depiction of the ways in which the internet intersects with our own sexuality. Similarly, Reitman was willing to address pretty much anything in an interview with the Playlist. He talked about the disappointing reception for "Labor Day," what it was like to cowrite his current movie with another writer, and how involved he was with the festival darling "Whiplash" (he has an executive producer credit). It's refreshing to ask »
- Drew Taylor
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