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Directed by | |||
| Jason Reitman | |||
Writing credits(WGA) | ||
| Diablo Cody | (written by) | |
Produced by | |||
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Daniel Dubiecki | .... | executive producer | |
| Lianne Halfon | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| John Malkovich | .... | producer | |
| Jim Miller | .... | co-producer | |
| Mason Novick | .... | producer | |
| Russell Smith | .... | producer | |
| Brad Van Arragon | .... | co-producer | |
Original Music by | |||
| Matt Messina | (as Mateo Messina) | ||
Cinematography by | |||
| Eric Steelberg | (director of photography) | ||
Film Editing by | |||
| Dana E. Glauberman | |||
Casting by | |||
| Kara Lipson | |||
| Mindy Marin | |||
Production Design by | |||
| Steve Saklad | |||
Art Direction by | |||
| Michael Diner | |||
| Catherine Schroer | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Monique Prudhomme | |||
Makeup Department | |||
| Sandy Cooper | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Monica Huppert | .... | makeup artist | |
| Toby Lindala | .... | special makeup effects artist | |
| Sherry Linder-Gygli | .... | key hair stylist (as Sherry Gygli) | |
| Ann Pala | .... | makeup artist: J. Garner | |
| Robert A. Pandini | .... | hair stylist (as Robert Pandini) | |
| Lance Webb | .... | special makeup effects artist | |
Production Management | |||
| Jack Schuster | .... | post-production supervisor | |
| Michael Williams | .... | unit production manager | |
Art Department | |||
| John Beatty | .... | construction coordinator | |
| Josephine Bleuer | .... | key greensperson (as Josi Bleuer) | |
| Mike Carter | .... | greens person | |
| Michael Church | .... | set dresser (as Mike Church) | |
| Alex Cram | .... | assistant property master | |
| Doug Currie | .... | paint coordinator | |
| Paul Arthur Hartman | .... | set dresser (as Paul Hartman) | |
| Michael Jovanovski | .... | set dresser | |
| Dusty Kelly | .... | lead painter | |
| Bryan Korenberg | .... | property master | |
| Sergio Lavilla | .... | set dresser | |
| Johanna Manders | .... | greens person | |
| Dale Menzies | .... | carpenter (as Dale Manzies) | |
| D.J. Miller | .... | greens person | |
| Melissa Olson | .... | assistant set decorator (as Melissa Grace Olson) | |
| Susan Spaid | .... | set dresser (as Susan Spade) | |
| Kevin Tomecek | .... | lead carpenter | |
| Lori West | .... | art department coordinator | |
| Christopher Wishart | .... | set dresser | |
Sound Department | |||
| Barney Cabral | .... | supervising adr editor | |
| Rickley W. Dumm | .... | sound editor | |
| Richard Dwan Jr. | .... | sound editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| J. Stanley Johnston | .... | sound re-recording mixer | |
| Bradley Kita | .... | sound assistant (as Brad Kita) | |
| Michael Kreple | .... | foley mixer | |
| James Kusan | .... | sound mixer | |
| Travis MacKay | .... | adr recordist | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Andy Potvin | .... | sound consultant: dolby | |
| Perry Robertson | .... | supervising sound editor | |
| Scott Sanders | .... | sound re-recording mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabe Serrano) | |
| Frederick H. Stahly | .... | sound editor (as Fred Stahly) | |
| Eric Thompson | .... | adr mixer | |
| Tony Wyman | .... | boom operator | |
| Kevin Zimmerman | .... | first assistant sound editor (as Kevin A. Zimmerman) | |
| David Hingorany | .... | sound mix engineer (uncredited) | |
Special Effects by | |||
| Michael Bolan | .... | special effects technician (as Mike Bolan) | |
| Rory Cutler | .... | special effects technician | |
| Ian Korver | .... | special effects technician | |
| Ken Reynolds | .... | special effects technician | |
| John Sleep | .... | special effects supervisor | |
| Attila Vaski | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Go Aoyama | .... | CG artist: CosFX | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor: CosFX | |
| James Chu | .... | CG artist: CosFX | |
| Patrick Clancey | .... | digital opticals: Efilm (as Pat Clancey) | |
| Brandon Flyte | .... | CG artist: CosFX | |
| Owen Holdren | .... | CG supervisor: CosFX | |
| Ken Locsmandi | .... | visual effects production coordinator: CosFX | |
| Sharon Stetzel | .... | visual effects producer: CosFX | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
Stunts | |||
| Scott J. Ateah | .... | stunt coordinator (as Scott Ateah) | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Vancouver | |
| Coreen Mayrs | .... | casting: Vancouver | |
| Tiffany Mak | .... | casting assistant (uncredited) | |
| Trica Thompson | .... | casting coordinator: Canada (uncredited) | |
Costume and Wardrobe Department | |||
| Maria Bradley | .... | costumer: J. Garner | |
| Christine Coutts | .... | assistant costume designer | |
| Summer Eves | .... | truck costumer | |
| Lise Hache | .... | costumer | |
| Paul Lavigne | .... | costume set supervisor (as J. Paul Lavigne) | |
Editorial Department | |||
| Yanosh Cuglove | .... | editorial intern | |
| Omar Hassan-Reep | .... | post-production assistant | |
| Tim Krubsack | .... | digital intermediate consultant: Efilm | |
| Natasha Leonnet | .... | colorist | |
| Loan Phan | .... | digital intermediate producer: Efilm | |
| Martha Pike | .... | digital intermediate editor: Efilm | |
| Clay Rawlins | .... | first assistant editor | |
| Tom Reiser | .... | color timing assistant: Efilm | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Jason Faulkner | .... | guitar teacher | |
| Oren Hadar | .... | score mixer | |
| Hodges | .... | guitar teacher | |
| Alison Litton | .... | music coordinator | |
| Nick South | .... | music editor | |
| Margaret Yen | .... | music supervisor | |
| Robert Scott Crane | .... | music engineer (uncredited) | |
Transportation Department | |||
| Scott Delaplace | .... | transportation captain | |
| Clif Kosterman | .... | transportation coordinator | |
| Shawn O'Hearn | .... | transportation co-captain | |
Other crew | |||
| Rachel Chapman | .... | assistant: Mr. Kahane | |
| Samantha Christian | .... | assistant chef | |
| Sandra Cinelli | .... | chef | |
| Peter Cummings | .... | clearance coordinator | |
| Dave Daniels | .... | production assistant | |
| Shelly Darden | .... | assistant: Mr. Mudd (as Shelley Darden) | |
| Alex Dias | .... | production assistant | |
| Karyn Edwards | .... | production legal: Canada | |
| Helen Estabrook | .... | assistant: Mr. Dubiecki | |
| Helen Estabrook | .... | assistant: Mr. Reitman | |
| Evan Godfrey | .... | assistant: Mr. Reitman | |
| Saskia Gould | .... | stand-in | |
| Soo Hugh | .... | assistant: Mr. Drake | |
| Kris Kadzielski | .... | trainee assistant location manager | |
| Krista Kelloway | .... | on-set assistant to producers | |
| Katya Krotenko | .... | stand-in | |
| Sidney LeClaire | .... | assistant accountant | |
| Jenny Lee | .... | title designer | |
| Mary Lee | .... | creative executive: Mandate Pictures | |
| Sue Levens | .... | production accountant | |
| Christopher McDonell | .... | location scout (as Christopher MacDonnell) | |
| Emily Millard | .... | assistant: Ms. Garner | |
| Keli Moore | .... | location coordinator | |
| Darrin Pearson | .... | security coordinator (as Darren Pearson) | |
| Corby-Lynn Pinder | .... | production assistant (as Corby Pinder) | |
| Holly Pinder | .... | key location production assistant | |
| Matthew Reis | .... | assistant: Mr. Novick (as Matt Reis) | |
| Melissa Repka | .... | stand-in | |
| Sheryl Rhodes | .... | assistant production coordinator | |
| Kyle Riefsnyder | .... | stand-in (as Kyle Reifsnyder) | |
| Lawra Robertson | .... | on-set assistant to producers | |
| Neil Robertson | .... | location manager | |
| Tania Rosa | .... | assistant accountant | |
| Stephanie Rossel | .... | script supervisor | |
| Ari Sachter-Zeltzer | .... | main title producer | |
| Helen Sideris | .... | post accounting | |
| Rhonda Simpson | .... | craft service (as Ronda Simpson) | |
| Rhonda Simpson | .... | first aid (as Ronda Simpson) | |
| Troy Sitter | .... | on-set assistant to producers | |
| Gareth Smith | .... | title designer | |
| E. Michael Stankevich | .... | assistant: Mr. Mudd (as Michael Stankevich) | |
| Chris Thoma | .... | assistant location manager (as Christian Thoma) | |
| Nicole Vaughan | .... | assistant chef | |
| Jeremy Walker | .... | unit publicist | |
| Trevor Westerhoff | .... | production coordinator | |
| Terri Willan | .... | craft service | |
| Terri Willan | .... | first aid | |
| Terry Wong | .... | production assistant | |
| Jeff Wonnenberg | .... | second assistant production coordinator | |
| Claudia Costa | .... | assistant to producers (uncredited) | |
| Claudia Costa | .... | production assistant to assistant director (uncredited) | |
| Ryan Mains | .... | assistant location manager: re-shoots (uncredited) | |
| Shaun Moskie | .... | key production assistant (uncredited) | |
| John T.L. Tang | .... | production assistant (uncredited) | |
| Jeff Warden | .... | production assistant (uncredited) | |
Thanks | |||
| Ethan Berger | .... | thanks | |
| David Choe | .... | thanks | |
| Rick Clark | .... | special thanks | |
| Melissa Havard | .... | thanks | |
| Angie Hensley | .... | thanks | |
| Eddie Lin | .... | thanks | |
| Tara McPherson | .... | thanks | |
| Eleanor O'Connor | .... | thanks | |
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The thing that separates "Juno" from so many other films about teen pregnancy is that, in this case, the 16-year-old who finds herself in that predicament refuses to become a victim of her circumstances. From the moment she confirms the unwelcome news, Juno studies her options - abortion, raising the child as a single teen parent, adoption - then takes matters into her own hands. Like the Roman goddess who is her namesake, Juno is a bright, often sharp-tongued individual who prides herself on her observant cynicism and her way with a sarcastic quip. However, she's not above appealing to the adults in her life when the problems of the world get to be too much for her (though, in some cases, the grownups are coping with more serious issues than she is). Yet, Juno makes certain that it is she and she alone who will have the final say when it comes to determining the course of her own future and that of her child.
"Juno" is that rare low-budget, independent feature that finds unexpected success in the mainstream by striking a chord of recognition in audiences across the demographic spectrum. First-time screenwriter Diablo Cody hits pay dirt with a clear-eyed, largely unsentimental script that is not afraid to go off in unexpected and interesting directions and that avoids patronizing its Middle American characters. Juno's father and stepmother manage to take the news in stride, while the yuppie couple Juno alights on to be the child's adoptive parents are given a depth and complexity far beyond what a lesser writer might have afforded them. Director Jason Reitman keeps the quirkiness to a minimum and allows the scenes to play out in a naturalistic, unhurried way. Confident in the strength and appeal of his material, he lets the gentle human comedy speak for itself.
In a star-making turn, young Ellen Page takes a daring approach to her character, often bringing Juno right to the brink of un-likability, then pulling back at just the crucial moment, making us see how utterly likable she truly is. As the child's father, Michael Cera is virtually the same lovably passive nerd we found so endearing in "Superbad," while J.K. Simmons and especially Allison Janney give rich shadings to Juno's supportive parents. Jason Bateman and Jennifer Garner also make their mark as the couple who post their picture in the "baby wanted" section of the local throwaway.
"Juno" faces the downside of any independent film that unexpectedly finds itself ripped from the confines of the art houses and suddenly duking it out at the multiplexes with all those high-budget, high-octane, testosterone-laden blockbusters - namely the risk of over-inflated expectations. Thus, my advice is to look beyond all the hype and box office records and simply let "Juno" sneak up on and take a hold of you in its own quiet, inimitable fashion. I think it works best that way.