| Photos (See all 43 | slideshow) | Videos (see all 14) |
Directed by | |||
| Justin Chadwick | |||
Writing credits | ||
| Peter Morgan | (screenplay) | |
| Philippa Gregory | (novel) | |
Original Music by | |||
| Paul Cantelon | |||
Cinematography by | |||
| Kieran McGuigan | (director of photography) | ||
Film Editing by | |||
| Paul Knight | |||
| Carol Littleton | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| David Allday | (supervising art director) | ||
| Matthew Gray | (as Matt Gray) | ||
| Emma MacDevitt | |||
| Kevin Phipps | |||
Set Decoration by | |||
| Sara Wan | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Louise Fisher | .... | makeup artist | |
| Paul Gooch | .... | hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Barbara Olvera | .... | hair stylist: Ms. Johansson | |
| Peter Owen | .... | wig designer | |
| Lisa Pickering | .... | hair stylist | |
| Lisa Pickering | .... | makeup artist | |
| Ivana Primorac | .... | hair designer | |
| Ivana Primorac | .... | makeup designer | |
| Nikita Rae | .... | makeup artist: Ms. Portman | |
| Heba Thorisdottir | .... | makeup artist: Ms. Johansson | |
| Christine Whitney | .... | hair stylist (as Chrissie Whitney) | |
| Christine Whitney | .... | makeup artist (as Chrissie Whitney) | |
| Suzanne Jansen | .... | crowd hair stylist (uncredited) | |
| Suzanne Jansen | .... | crowd makeup artist (uncredited) | |
| Camilla Kirk-Reynolds | .... | makeup trainee (uncredited) | |
| Andy Seston | .... | hair trainee (uncredited) | |
| Andy Seston | .... | makeup trainee (uncredited) | |
| Barbara Taylor | .... | crowd hair stylist (uncredited) | |
| Barbara Taylor | .... | crowd makeup artist (uncredited) | |
Production Management | |||
| Tania Blunden | .... | post-production supervisor | |
| Mally Chung | .... | unit manager | |
| Rachel Neale | .... | unit production manager | |
Art Department | |||
| Ken Barley | .... | hod plasterer (as Kenny Barley) | |
| Gary Crosby | .... | chargehand painter | |
| Mark Goodman | .... | stand-by stagehand | |
| David Haberfield | .... | hod painter (as Dave Haberfield) | |
| Katy Harvey | .... | stand-by art director | |
| Catherine Haugh | .... | construction coordinator | |
| Springer Horrill | .... | property master (as David Springer Horrill) | |
| Dougie Lankston | .... | dressing props | |
| Thomas Martin | .... | construction manager | |
| Tom Martin | .... | construction manager | |
| Dan Maslen | .... | storyboard artist | |
| John McGee | .... | stand-by carpenter | |
| John O'Brien | .... | hod carpenter | |
| Alan Payne | .... | graphic artist | |
| Sui Rajakaruna | .... | assistant art director | |
| Claire Nia Richards | .... | leadman (as Claire Richards) | |
| Sophie Tyler | .... | assistant set decorator | |
| David Weller | .... | stand-by rigger (as Dave Weller) | |
| Penny White | .... | assistant property mistress | |
| Derek Whorlow | .... | hod stagehand | |
| Eddie Wolstencroft | .... | stand-by painter | |
| Giles Asbury | .... | storyboard artist (uncredited) | |
| Dean Coldham | .... | plasterer: reshoots (uncredited) | |
| Chris Cull | .... | property master: additional photography (uncredited) | |
| Laurent Ferrie | .... | drapesman (uncredited) | |
| Nick Gottschalk | .... | art director: additional photography (uncredited) | |
| Rohan Harris | .... | scenic artist (uncredited) | |
| Stuart Headley-Read | .... | dressing props: dailies, additional photography (uncredited) | |
| Lee Hedges | .... | dressing prop daily (uncredited) | |
| Mark Hedges | .... | dressing prop daily (uncredited) | |
| Shay Leonard | .... | props key (uncredited) | |
| Niall Moroney | .... | supervising art director: additional photography (uncredited) | |
| Andrew Palmer | .... | junior draughtsman (uncredited) | |
| Bill Thomas | .... | propmaker (uncredited) | |
| Remo Tozzi | .... | set designer (uncredited) | |
| Oli van der Vijver | .... | props (uncredited) | |
| Peter Woods | .... | chargehand dressing prop (uncredited) | |
| Jackie Yau | .... | assistant buyer (uncredited) | |
Sound Department | |||
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| Daniel Crowley | .... | boom operator (as Danny Crowley) | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Mike Dowson | .... | sound re-recording mixer | |
| Michael Fentum | .... | foley editor | |
| Paul Govey | .... | sound re-recording mixer | |
| Arthur Graley | .... | foley editor | |
| Charlotte Gray | .... | sound assistant | |
| James Harrison | .... | sound effects editor | |
| Nigel Heath | .... | sound re-recording mixer | |
| John Midgley | .... | production sound mixer | |
| Clive Osborne | .... | boom operator | |
| James Seddon | .... | dolby consultant | |
| Julian Slater | .... | supervising sound editor | |
| Mike Stewart | .... | adr mixer | |
| Ian Wilkinson | .... | adr editor | |
| Ian Wilkinson | .... | dialogue editor | |
| Harry Barnes | .... | additional foley editor (uncredited) | |
| Antony Bayman | .... | adr recordist (uncredited) | |
| John Casali | .... | sound mixer: additional shooting (uncredited) | |
| Ed Colyer | .... | sound mixer (uncredited) | |
| James Corless | .... | sound mix technician (uncredited) | |
| Gary Dodkin | .... | boom operator: additional photography (uncredited) | |
| Robert Edwards | .... | adr recordist (uncredited) | |
| Glen Gathard | .... | assistant adr & foley mixer (uncredited) | |
| Ashley Haller | .... | sound mix technician (uncredited) | |
| Chris Murphy | .... | assistant sound: additional photography (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Joseph Geday | .... | special effects technician | |
| Mark Haddenham | .... | special effects senior technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Nigel Wilkinson | .... | special effects technician | |
| Paul Clancy | .... | special effects senior technician (uncredited) | |
| Steve Knowles | .... | senior special effects technician (uncredited) | |
| Ian Lowe | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Lucy Ainsworth-Taylor | .... | visual effects producer: Moving Picture Company | |
| Jonathan Attenborough | .... | visual effects lighting technical director: Moving Picture Company (as Jon Attenborough) | |
| Angela Barson | .... | visual effects supervisor: Moving Picture Company | |
| Stuart Bullen | .... | compositor: Moving Picture Company | |
| Jon Capleton | .... | matchmover: Moving Picture Company | |
| Helen Clare | .... | visual effects production coordinator: Moving Picture Company | |
| Michael Elson | .... | visual effects executive producer: Moving Picture Company | |
| Martin Hession | .... | visual effects modeler: Moving Picture Company | |
| John Leonti | .... | cg supervisor: Moving Picture Company | |
| Elliot Newman | .... | texture artist: Moving Picture Company | |
| Tony Peck | .... | compositor: Moving Picture Company (as Anthony Peck) | |
| Ben Perrott | .... | visual effects artist | |
| Olivier Pron | .... | digital matte painter: Moving Picture Company | |
| Ollie Rankin | .... | visual effects animator: Moving Picture Company | |
| Steve J. Sanchez | .... | compositor: Moving Picture Company (as Steve Sanchez) | |
| Pat Wintersgill | .... | on-line editor | |
| Luke Butler | .... | roto/prep: MPC (uncredited) | |
| Ben Gillingham-Sutton | .... | paint and rotoscope artist (uncredited) | |
| Ryan Hutchings | .... | roto/prep artist: MPC (uncredited) | |
| Owen Jones | .... | matchmove artist (uncredited) | |
| Begoña Lopez | .... | digital lab producer: MPC (uncredited) | |
| Marlin McGlone | .... | data operative (uncredited) | |
| Stuart Messinger | .... | asset department manager: MPC (uncredited) | |
| David Swift | .... | digital matte artist: MPC (uncredited) | |
| Neil Szymanski | .... | data operative (uncredited) | |
| Aaron Taylor | .... | data operative: MPC (uncredited) | |
| Adam Walker | .... | modeller (uncredited) | |
Stunts | |||
| Andy Butcher | .... | horse stunts (uncredited) | |
| Derek Lea | .... | stunts | |
| Tony Lucken | .... | stunts | |
| Ally McClelland | .... | horse stunts | |
| Gerard Naprous | .... | stunt coordinator | |
| Paul Hornsby | .... | horse stunts (uncredited) | |
| Paul Hornsby | .... | horse wrangler (uncredited) | |
| Lee Sheward | .... | stunt coordinator (uncredited) | |
Casting Department | |||
| Anna Cooper | .... | casting assistant | |
| Ilenka Jelowicki | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jeeda Barford | .... | specialist costume buyer | |
| Sue Casey | .... | costumer | |
| Annie Hadley | .... | chief pattern cutter | |
| Helen Ingham | .... | costumer | |
| Joe Kowalewski | .... | assistant costume supervisor | |
| David Otzen | .... | costumer | |
| Debbie Scott | .... | assistant costume designer (as Deborah Lynn Scott) | |
| Sunita Singh | .... | costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | wardrobe mistress | |
| Sheara Abrahams | .... | costume trainee (uncredited) | |
| David Bethell | .... | costume prop (uncredited) | |
| Barbara Brady | .... | costume assistant (uncredited) | |
| Simon Brindle | .... | costume props (uncredited) | |
| Rob Brown | .... | costume assistant (uncredited) | |
| Melanie Carter | .... | costume maker (uncredited) | |
| John Cowell | .... | head costume painter (uncredited) | |
| Naomi Critcher | .... | jewellery maker (uncredited) | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Caroline Fallon | .... | costume production assistant (uncredited) | |
| Oliver Garcia | .... | costume assistant (uncredited) | |
| Rose Gardner | .... | costume trainee (uncredited) | |
| Vidya Krishnamurthy | .... | costume assistant: additional photography (uncredited) | |
| Linda Lashley | .... | costumer (uncredited) | |
| Charlotte Law | .... | costume assistant (uncredited) | |
| Jane Law | .... | costumes: Eric Bana and Ana Torent (uncredited) | |
| Rachel Lilley | .... | costume trainee (uncredited) | |
| Martin Mandeville | .... | costume coordinator (uncredited) | |
| Stephen Miles | .... | costume maker (uncredited) | |
| Jacqueline Mulligan | .... | costume maker (uncredited) | |
| Liannah Pile | .... | costume trainee (uncredited) | |
| Lora E. Revitt | .... | junior costume assistant (uncredited) | |
| Sharon Robertson | .... | costume assistant (uncredited) | |
| Jackie Thomas | .... | costume assistant (uncredited) | |
| Wyn Vaughan-Humphreys | .... | costume assistant (uncredited) | |
| Michael Weldon | .... | costume assistant: additional photography (uncredited) | |
| Dominic Young | .... | costume maker (uncredited) | |
Editorial Department | |||
| Matthew Bristowe | .... | digital intermediate supervisor: Moving Picture Company | |
| Hannah Godwin | .... | post-production coordinator | |
| Jaime Leonard | .... | on-line editor | |
| Faye Morgan | .... | post-production coordinator (as Faye Stevens) | |
| Mark Neale | .... | first assistant editor | |
| Rob Redford | .... | second assistant editor (as Robert Redford) | |
| Ben Renton | .... | second assistant editor | |
| Jean-Clement Soret | .... | digital colorist: Moving Picture Company | |
| Lorene Dewett | .... | apprentice editor (uncredited) | |
| Hanh Nguyen | .... | editor trainee (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | orchestrator (as Geoffrey Alexander) | |
| Gary Chester | .... | score mixer | |
| Gary Chester | .... | score recording engineer | |
| Matt Dunkley | .... | orchestrator | |
| Matt Robertson | .... | music pre-production | |
| James Shearman | .... | conductor | |
| James Shearman | .... | orchestrator | |
| Graham Sutton | .... | music editor | |
| Youki Yamamoto | .... | music programmer | |
| Paul Cantelon | .... | musician (uncredited) | |
| Anne Pope | .... | score consultant (uncredited) | |
| Miroslav Vilímec | .... | musician (uncredited) | |
Transportation Department | |||
| Gary Birmingham | .... | transportation captain | |
| Jimmy Carruthers | .... | transportation co-captain (uncredited) | |
| Alan Emanuel | .... | unit driver (uncredited) | |
| Lee Isgar | .... | driver: Scarlett Johansson (uncredited) | |
| Roy Kirkman | .... | driver (uncredited) | |
Other crew | |||
| Sheara Abrahams | .... | production assistant | |
| Samantha Barber | .... | script supervisor assistant: main unit | |
| Andy Brunskill | .... | assistant: Ms. Owen | |
| Andy Butcher | .... | horse supplier | |
| Noel Butler | .... | etiquette coach | |
| Roisin Carty | .... | dialect coach | |
| Francesca Castellano | .... | production coordinator | |
| T. Rafael Cimino | .... | story editor | |
| Andrea Coles | .... | assistant: Mr. Rudin | |
| Taryn Cox | .... | assistant: Ms. Johansson | |
| Tom Crooke | .... | location manager | |
| Cathy Doubleday | .... | script supervisor: additional shoot unit | |
| Caroline Fallon | .... | production assistant | |
| Elton Farla | .... | medic | |
| Polly Fletcher | .... | assistant accountant | |
| Linda Gamble | .... | unit publicist | |
| Jen Gasson | .... | assistant: Mr. Bana | |
| Jacquie Glanville | .... | assistant: Mr. Chadwick | |
| Synnöve Godeseth | .... | production assistant | |
| Paul Harris | .... | choreographer | |
| Jo Harrop | .... | assistant production coordinator: Los Angeles | |
| Katie Heller | .... | assistant: Ms. Portman | |
| Emily Hobbs | .... | production assistant | |
| Martin Joy | .... | location manager | |
| Robert Karn | .... | production assistant | |
| Nathan Kelly | .... | assistant: Mr. Rudin | |
| Adam Klaff | .... | assistant: Mr. Rudin | |
| Rowan Laidlaw | .... | assistant: Mr. Cooper | |
| Alex Levenson | .... | assistant: Mr. Rudin | |
| Felix Levinson | .... | production assistant | |
| Joe Lloyd | .... | stand in: mr banner | |
| Duncan Manning | .... | chef | |
| Garry Marriott | .... | medic: second unit (as Gary Marriott) | |
| Garry Marriott | .... | medic: second unit | |
| Jill McCullough | .... | dialect coach | |
| Sanaz Missaghian | .... | assistant production coordinator | |
| Nathan Najor | .... | adr loop group | |
| Camilla Naprous | .... | assistant horse master | |
| Nathan Naylor | .... | loop group coordinator | |
| Emma Owen | .... | assistant: Mr. Chadwick | |
| Gill Raddings | .... | animal handler | |
| Norman Campbell Rees | .... | stand-in: eric banna: reshoots | |
| Lee Robertson | .... | assistant location manager | |
| Isaac Sananes | .... | assistant accountant | |
| Shruti Shah | .... | production controller | |
| Sam Smith | .... | production assistant | |
| Jayne Spooner | .... | script supervisor | |
| Ashley Tyas | .... | title designer: Moving Picture Company | |
| Ben Ward | .... | production assistant | |
| Rebecca Wolf | .... | assistant accountant | |
| Jack Yiokoumi | .... | chef | |
| Alexander Zweig | .... | assistant: Mr. Rudin | |
| Lorraine Bagshaw | .... | locations runner (uncredited) | |
| Linzi Baltrunas | .... | location scout (uncredited) | |
| Samantha Barber | .... | script supervisor: second unit (uncredited) | |
| Mona Benjamin | .... | production coordinator: additional shooting (uncredited) | |
| Charles Bodycomb | .... | armorer (uncredited) | |
| Finlay Bradbury | .... | assistant location manager: additional photography (uncredited) | |
| Vicky Chapman | .... | location assistant (uncredited) | |
| Jonah Coombes | .... | location manager: pre-production (uncredited) | |
| Rebecca Davis | .... | daily location assistant (uncredited) | |
| Farnaz Donovan | .... | assistant accountant (uncredited) | |
| Isabelle Duvoisin | .... | press attache: France (uncredited) | |
| Paul Fischer | .... | utility stand-in (uncredited) | |
| Tania Gordon | .... | crowd runner: dailies (uncredited) | |
| Tanya Gordon | .... | production assistant (uncredited) | |
| Will Haynes | .... | runner (uncredited) | |
| Dan Hillsdon | .... | assistant accountant (uncredited) | |
| Jérôme Jouneaux | .... | press attache: France (uncredited) | |
| Jen Lambert | .... | nurse (uncredited) | |
| Jamie Lengyel | .... | location manager: additional photography (uncredited) | |
| Sandrine Loisy | .... | set production assistant: Dailies (uncredited) | |
| James McGrady | .... | floor runner: additional photography (uncredited) | |
| Louise Melzack | .... | locations runner (uncredited) | |
| Alex Molden | .... | production runner: additional photography (uncredited) | |
| Gerard Naprous | .... | horse master (uncredited) | |
| Michael Northern | .... | location runner (uncredited) | |
| Ali Paterson | .... | runner (uncredited) | |
| Holly Pullinger | .... | accommodation coordinator (uncredited) | |
| Matthieu Rey | .... | press attache: France (uncredited) | |
| Keleigh Slaight | .... | production coordinator: Studio (uncredited) | |
| Kelly Taylor-Dias | .... | assistant production coordinator: additional photography (uncredited) | |
| Anna Turner | .... | locations runner (uncredited) | |
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The Tudors are very chic at the moment. If it isn't "Elizabeth: The Golden Age" (awful) or the television series, "The Tudors" (soft-pornographic trash), then it is "The Other Boleyn Girl", the latest film written by the Oscar nominated screenwriter, Peter Morgan. After his work on the Golden Globe winning TV film "Longford" and the Oscar winning (for its lead actors) "The Queen" and "The Last King of Scotland", his scripts must be in demand by actors across the globe. Little wonder then that this film attracts a stellar cast, including Eric Bana, Scarlett Johansson and Natalie Portman. So, why is it that this film, which is filled with great talent and potential, delivers only satisfaction? This was originally slated for release late last year, right in the middle of the awards season. Yet, for some reason, it was moved back. Why this was done is not widely known, but, as the IMDb had the film listed as completed last autumn, I should think that the decision was taken that this film would draw more attention outside of the congested awards season. Watching the film, you are aware of the ambition and lavish costumes that would draw the gaze of Oscar. But the film lacks punch, depth and the power to grip you the whole way through.
That's not to say that it isn't entertaining. Far from it, the film is, for an hour and a quarter, perfectly pleasant, with intrigue, scheming and romance aplenty. A lot of the credit must go to the performances, which range from accomplished to fantastically enjoyable to watch. Natalie Portman is impressive as Anne Boleyn. She ranges from scheming and nasty to genuinely sympathetic. It is her most notable work to date. Scarlett Johansson is fine, but everybody is still waiting for her to realise the potential she showed when she announced herself on the scene in "Lost in Translation" and "The Girl with the Pearl Earring". The supporting cast are a joy to watch. Eric Bana is excellent as Henry VIII, but it is the schemers in the background who provide the best entertainment. David Morrissey is having a lot of fun, whilst Mark Rylance and Kristin Scott Thomas are great as the Boleyn parents.
It is a perfectly bearable watch, but unfulfilling. There's an awful lot crammed into the hour and fifty minutes. As year after year of history is skipped through, the film's focus continually shifts, failing to allow certain characters from gaining appropriate intensity. Henry VIII is not as proactive as he might, or should, be. He is more driven then driving, whilst his first wife, Catherine of Aragon (Ana Torrent), is given very little time on screen, thus sidelining a character which should be a figure of great interest. But your expectations are dashed mainly because the film reaches its climax with half-an-hour to go, with an emotional pinnacle being reached and never again surpassed. A rape scene, which seems to be the start of the culmination, with so many points of interest going on in it, proves to be the end of it. The last thirty minutes, whilst quite stylish, are drawn out and slow, and end with a final scene that can only be described as cheesy.
It's a shame that this film is nothing more than admirable in places. But it is a good film for this time of year (that springtime lull between the quality of Winter and the bombast entertainment of Summer). It is an entertaining and satisfying way to pass an afternoon, but it won't live long in the memory.