Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
At a time of international incident, the body of a young female staffer is found in a White House wash room. Homicide detective Harlan Regis is called in to investigate the murder only to ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
Three years ago, NYPD detective Max Payne's wife and baby were murdered. Max gets himself transferred to the cold case office where he can continue searching for the killer who got away. He's a loner, but two people reach out to him during a fateful week: Alex, his ex-partner who may have found a clue, and BB, the security chief at the pharmaceutical company where Max's wife worked. Meanwhile, bodies are piling up, some as a result of a drug on the street that is highly addictive and, for many who take it, brings hideous hallucinations. When one of the bodies is a woman Payne was the last to see alive, her sister comes looking for him armed to the teeth; Max must move fast. Written by
The NYPD precinct where Max works is the "55th", also the name given to the fictional NYPD precinct and fire station used in TV series Third Watch (1999). See more »
As Max walks towards Alex's car, streetcar tracks appear in the road. New York City has no streetcar tracks, but Toronto, where the the film was shot, does. See more »
I don't believe in heaven. I believe in pain. I believe in fear. I believe in death.
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Stay watching after the credits for an extra scene, in which Max is reunited with Mona at a bar to be shown further developments involving Aesir, implying both have more to do (setting the scene for a possible sequel). See more »
"I don't believe in angels, but I believe in pain..." Those opening lines of the movie can only mean one thing, trite bull****. I don't know what the people over at Fox Studios were doing when the subject of making a movie out of one of the best shoot 'em up, film noir inspired, and heart racing video game franchises came up for discussion. It certainly wasn't "Hey, we should play the game to see what this thing is all about." Nope. It was more like "Hey! This game made a lot of money. Someone quickly tell me what the back of the box says about the game and we'll write a crappy screenplay around it and miscast the whole thing." Mark Wahlberg plays Max Payne, the brutal, no holds barred and out for revenge cop from the video game of the same name... but wait! They rewrote nearly the whole character. He couldn't seem to give a rats ass about his murdered wife and child except for a few bland flashbacks. The acting is so misplaced and frozen in this movie and adding the likes of Mila Kunis, Chris O'Donnell, Ludicrous (holy crap what were they thinking?), and Beau Bridges didn't really give them much of a leg to stand on.
To sum it all up, I felt like falling asleep during the film (a feat not so easily accomplished for me). This was an action movie turned into a long boring drama with a few shooting sequences.
Don't waste your money. Rent 'Shoot Em Up' instead
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