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Storyline
In Edgemont, Montana, the teenager Christy Wescot is very connected to her beloved sister Vanessa Locke. On her fourteenth birthday, Christy asks Vanessa to drive her convertible car, but she has a car accident, hits a rock and is thrown off the seat; however Vanessa is trapped in the car that explodes and she survives disfigured and totally burnt. Christy is sent to Pine Bluff Psychiatric Care Center for treatment while her sister is treated by her husband Dr. John Locke at home with the assistance of the nurse Claire Wells. When Vanessa has a heart attack and dies, Christy has a breakdown in the funeral service telling that her sister is alive in the coffin. Then she moves to California for the pre-med, but is haunted by nightmares and weird visions. When the caretaker of the family Joseph dies six years later, Christy returns to Edgemont for the funeral and has a cold reception by John and his mother. However, her niece Amy that is afraid of "dark things" behind the walls of the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
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Terror lives below
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Goofs
When Christy Wescot (Nora Zehetner) goes to Amy Locke (Jessica Amlee)'s room for the first night, a camera takes her picture, it's clearly a compact digital camera on a tripod, but it sounds like an SLR camera. Then Amy tells Christy that she has set the camera to take picture every half an hour to picture the dark thing. Later Amy is showing Christy photos taken with the camera from two nights ago, and although earlier we saw the camera was on a tripod, but the frame in the photos change in each picture.
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Quotes
[
first lines]
Christy - 14 years:
Why do we celebrate them dying?
Vanessa:
We're not celebrating. We're honoring them. It's our responsibility.
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Crazy Credits
The end credits go down rather than up (as is usual).
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Horror flick: girl returns home after traumatic accident earlier in her life and is she possessed and crazy due to the trauma of that accident or is it those around her who are mad? The girl is either a psycho or the only sane one in the asylum. A feast of weird characters are in this play quite apart from the lead. There is the Bett Davis type housekeeper, the child who sees dead people or something like that; there is the sinister male in the house and lets' not forget the deformed and deceased ugly sister who may still be with us....etc Throw in the illusions being suffered by our main star and add in multi layers of other complications then beneath goes even deeper. I almost turned this off a few times only because it had become too confusing, though ultimately all is mostly explained and there are some decent moments. 5/10