Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
Damien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys, Gene & Karen York. When Karen realizes her baby was born under suspicious... See full summary »
The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
When the Vatican observatory priest sees the appearance of a comet, the Church is sure that it confirms the eve of the Armageddon. Meanwhile, the USA President's godson Robert Thorn is informed in the maternity in Rome by Father Spiletto that his wife Katherine has just lost her baby and she had troubles with her uterus and would not have another pregnancy. Spiletto suggests Robert that another just born child that lost his mother could be the substituted for his son, and Robert accepts the child and gives the name of Damien. Robert is promoted to ambassador in London after a tragic accident. When Damien's nanny commits suicide in his birthday party, a substitute, Mrs. Baylock, comes to work and live with the family. Along the years, Katherine realizes that Damien is evil, while Robert is contacted by Father Brennan, who tells him that Damien is the son of devil. When the priest dies in a bizarre accident, the photographer Keith Jennings shows evidences to Robert that the boy is the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The telescope at the start of the film is a double refractor by Zeiss, at the Stefánik Observatory in central Prague. See more »
At the start, we see a Vatican astronomer looking through a telescope. He has a bright white lamp pointing directly into his face. No astronomer, professional or amateur would work like this. See more »
I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.
The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.
The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.
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