Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
Damien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys, Gene & Karen York. When Karen realizes her baby was born under suspicious... See full summary »
A seemingly ordinary day ends up changing the lives of three youngsters: Beem, Dan, and Big, who work in a magazine art department. Ending this particular day with a quarrel, each storms ... See full summary »
The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
Years before Father Lancaster Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
Omen has been redefining the boundaries of graffiti with his singular style of painting, both on and off the streets. Using spray cans as his primary medium, he has been leading the aerosol... See full summary »
When the Vatican observatory priest sees the appearance of a comet, the Church is sure that it confirms the eve of the Armageddon. Meanwhile, the USA President's godson Robert Thorn is informed in the maternity in Rome by Father Spiletto that his wife Katherine has just lost her baby and she had troubles with her uterus and would not have another pregnancy. Spiletto suggests Robert that another just born child that lost his mother could be the substituted for his son, and Robert accepts the child and gives the name of Damien. Robert is promoted to ambassador in London after a tragic accident. When Damien's nanny commits suicide in his birthday party, a substitute, Mrs. Baylock, comes to work and live with the family. Along the years, Katherine realizes that Damien is evil, while Robert is contacted by Father Brennan, who tells him that Damien is the son of devil. When the priest dies in a bizarre accident, the photographer Keith Jennings shows evidences to Robert that the boy is the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Throughout the movie, director John Moore uses the color red to signal a supernatural event, much like 'M. Knight Shyamalan' (although more proliferative) in The Sixth Sense (1999). See more »
When Thorn and the photographer arrive in Megido they're stopped at an Israeli check point, but the Israeli army doesn't use the German style helmets used by the US Army and other armies. See more »
When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
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Names of crew in main title are animated, so some of their letters become crosses or "6". See more »
A re-make of the original horror classic of 1976, this film offers nothing more than the original film has already given us, besides some admittedly impressive death scenes. This re-make is far below the standard set by the original film. The acting is stiff and stilted, with Liev Schreiber (as Robert Thorne) giving a thoroughly one-noted performance which proved to be quite frustrating to watch for over two hours. Even when he finds out about the incredibly terrible events that consistently occur throughout the film, Schreiber keeps an indifferent expression on his face. This undoubtedly makes many problems arise; how can the audience get involved in a movie if the actors are unconvincing in their roles? Julia Stiles does well, but she doesn't work in her role as Robert Thorne's wife, but Mia Farrow as Mrs. Baylock gives the film a bit of a spark in an otherwise dull film. The main thing is, is it scary? Damien is creepy enough, and there are some OK dream sequences that offer a couple of good jump scares. But this is all it offers in scares. The film is basically just a re-shooting of the original scenes, except they lack the energy and tension. There is no sense of foreboding, and it's almost as if the film makers and actors were just bored and wanting to get it over and done with; it's as if they hardly cared about making a good film. What was meant to be a gripping, horrific and intense viewing experience right up to the stunning climax becomes a boring and plodding time, and you just about lose interest in the whole story, and the characters. Overall, a very disappointing re-make, which begs the question: Why did they re-make it in the first place?
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