| Cast overview, first billed only: | |||
| Anna Paquin | ... | ||
| J. Smith-Cameron | ... | ||
| Mark Ruffalo | ... | ||
| Jeannie Berlin | ... | ||
| Jean Reno | ... | ||
| Sarah Steele | ... | ||
| John Gallagher Jr. | ... | ||
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Cyrus Hernstadt | ... | |
| Allison Janney | ... | ||
| Kieran Culkin | ... | ||
| Matt Damon | ... | ||
| Stephen Adly Guirgis | ... | ||
| Betsy Aidem | ... | ||
| Adam Rose | ... | ||
| Nick Grodin | ... | ||
Margaret centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world. Written by Anonymous
This movie showcases Lonergan's genius for dialog and his gift for articulating the human predicament. The story, centered around a girl who witnesses a horrible accident (Anna Paquin), is an operatic tour de force. Paquin a and J. Smith Cameron (her mother in the film)\ are absolutely brilliant, and the supporting cast is so strong that this movie should sweep multiple Oscars. Lonergan's pacing and tone are well suited to what is both a heartrending and funny complex drama.The sweeping grandeur of New York City comes across more realistically, and beautifully, than it has in any other recent film. So much of what makes us human is articulated in the movie that everything is real, everything is believable, and one can't help but to be moved to tears, to laughter, and back again. Margaret is a perfect follow up to Lonergan's superb first film You Can Count on Me.