Margaret (I) (2011)

A young woman witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people's lives.

Director:

Kenneth Lonergan

Writer:

Kenneth Lonergan

Stars:

Anna Paquin, J. Smith-Cameron, Mark Ruffalo

7 wins & 2 nominations.

Cast

Cast overview, first billed only:
Anna Paquin	...	Lisa Cohen
J. Smith-Cameron	...	Joan
Mark Ruffalo	...	Maretti
Jeannie Berlin	...	Emily
Jean Reno	...	Ramon
Sarah Steele	...	Becky
John Gallagher Jr.	...	Darren
Cyrus Hernstadt	...	Curtis
Allison Janney	...	Monica Patterson
Kieran Culkin	...	Paul
Matt Damon	...	Mr. Aaron
Stephen Adly Guirgis	...	Mitchell
Betsy Aidem	...	Abigail
Adam Rose	...	Anthony
Nicholas Theodore Grodin	...	Matthew (as Nick Grodin)

Storyline

Margaret centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world.

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Plot Keywords:

accident | new york city | bus | one word title | opera | 

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for strong language, sexuality, some drug use and disturbing images

Details

Official Sites:

Official Facebook Official site

Country:

USA

Language:

English

Release Date:

1 June 2012 (Italy)

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$7,525 (USA) (30 September 2011)

Gross:

$46,495 (USA) (21 October 2011)

Company Credits

Production Co:

Fox Searchlight Pictures, Gilbert Films, Mirage Enterprises

Technical Specs

Runtime:

150 min 186 min (extended cut)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The lengthy editing process of the movie sparked two lawsuits. Studio Fox Searchlight sued financier Gary Gilbert, because he failed to pay the studio half of the film's production costs. Gilbert followed by suing Searchlight and director Kenneth Lonergan, because he felt that they refused all of Gilbert's help to finally finish the movie during the editing process with the help of producers, directors and editors like Scott Rudin, Martin Scorsese, Thelma Schoonmaker and Sydney Pollack.

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Goofs

When Paul is at her home, his sleeves are rolled up, and when the camera is in front of him the sleeves are down.

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Quotes

Joan: You know what? You're a little cunt.
Lisa Cohen: [scoffs] You're a big cunt.

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Connections

Featured in Maltin on Movies: Ice Age: Continental Drift (2012)

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Soundtracks

"Walking On The Moon"
Written and performed by Daniel May
Courtesy of Narc Ferrari/MasterSource

User Reviews

'Margaret, are you grieving?...It is Margaret you mourn for.' Gerald Manley Hopkins

MARGARET is and has been a troubled movie - sophisticated examination of one girl's post- traumatic transformation as part of a larger point about how one's notion of importance is dwarfed by the larger worldview. Written and directed by Kenneth Lonergan and shot in 2005 as a three-hour film, the movie has remained on the shelves since its completion in 2007 over legal problems and finally is available for viewing in a 150-minute version. Though it has flaws it contains some of the most sophisticated dialogue and philosophical points about where we are in our society today that the editing glitches become secondary background noise in a compelling film. The title (no one in the film is named Margaret) references the Gerald Manley Hopkins poem 'Spring and Fall: to a young child' which is quoted at the top of this review.

MARGARET focuses on a 17-year-old New York City high-school student Lisa (Anna Paquin) who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life, Monica (Allison Janney): Lisa was chasing a bus whose driver Maretti (Mark Ruffalo) ran a red light because of Lisa's distraction trying to discover where the Maretti bought his cowboy hat. Monica dies in Lisa's arms while asking for her daughter also named Lisa (we later learn Monica's daughter died at age 12 from leukemia). Lisa at first feels sorry for Maretti, thinking that if she tells the truth Maretti will loose his job and his family support. Lisa's actress mother Joan (J. Smith-Cameron) encourages her to not give accurate testimony to the police, a decision Lisa follows and spends the rest of the film regretting, and in making attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world.

The world that Lisa occupies includes teachers - played by Matt Damon (who crosses a forbidden line when Lisa seeks his advice as the only truly adult man she knows, Matthew Broderick whose class discussions over literature are brittle and acerbic and deeply disturbing - her introduction to adolescent needs and physical incidents at the hands of John Gallagher, Jr. (now of The Newsroom fame), Paul (Kieran Culkin) - her relationship with her needy single mother Joan whose newly dating Ramon (Jean Reno), her contact with the deceased's friend Emily (Jeannie Berlin - brilliant), and the deceased's only family - all in an attempt to somehow set things right but Lisa admitting that she is as responsible for Monica's death as is Maretti. But the world outside can't cope with anything but financial compensation as the resolution to Lisa's angst.

There are many other characters brought to life by some VERY fine actors and the stunning musical score by Nico Muhly includes moments at the Metropolitan Opera where we actually get to see and hear Christine Goerke as Bellini's Norma singing 'Casta Diva' and Renée Fleming and Susan Graham singing the Barcarolle from Offenbach's Tales of Hoffman, allowing the opening and closing of the film to be accompanied by a quiet guitar piece, as well as proving Muhly's very highly accomplished music to underscore the moods of the film. The cinematography by Ryszard Lenczewski underlines the tension - form the imagery of slow motion crowd movement in New York during the opening sequences to the stabilization of important encounters between the characters. A lot is said and screamed and the level of communication and actions by Anna Paquin's Lisa alienate the audience at times, but the film makes some very solid statements about how we are acidly interacting or not connecting in our current state of society. That deserves attention. The film requires a lot form the audience, but in this viewer's mind it is well worth the time.

Grady Harp