An L.A. artist with everything seemingly going for him suddenly finds a change in his life when an art curator cancels his upcoming one-man show. His model girlfriend immediately leaves him... See full summary »
Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the ... See full summary »
Margaret centers on a 17-year-old New York City high-school student who feels certain that she inadvertently played a role in a traffic accident that has claimed a woman's life. In her attempts to set things right she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course against the realities and compromises of the adult world. Written by
Kenneth Lonergan was contractually obligated to deliver a cut of 150 minutes but his preferred version ran close to three hours. Martin Scorsese and his longtime editor Thelma Schoonmaker were drafted in to hone the film into shape but were unable to complete their assignment as the funds ran out. Eventually Fox Searchlight released the film in its 150 minute format in a very limited run. Much to their surprise, it generated huge waves of critical favor, appearing on many critics' Top 10 Films of the Year lists. See more »
On Lisa's geometry test, question 2 doesn't make sense. It should read "find WA" or "find WY". See more »
A red light case is a 50-50 proposition already.
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Margaret is a well written coming of age drama, but the protagonist is not a sympathetic character, which is going to alienate a lot of the audience right off the bat. The girl behind me as I left the theater didn't like it, telling her friend, "I just couldn't stand Anna Paquin's character." The screenplay is deft at shorthanding idiosyncratic, complicated personalities with naturalistic dialogue. It also helps that every role in the film, including almost every minor part, is cast with a top notch actor. But for all the big Hollywood names, my props go to J. Smith-Cameron for a theater-grade performance scaled down to fit the intimacy of a close up shot. The movie explores the milieu of affluent teenagers attending an upscale school in New York City, and one of the other reviewers here is right in saying it resembles a French film in that it takes an mature approach to depicting adolescents, showing them as smart, complicated, sexual, uncertain. Most mainstream reviewers seem puzzled as to what they should think about it. I think it's over their heads, the elliptical, dialogue heavy, character driven narrative style, as well as the lack of an easy, simple take-away moral, seems to have befuddled them. Maybe we should rope in some theater critics' opinions instead.
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