After serving sixteen years in prison, Romell is released on parole and reports to his parole officer. There he is offered an opportunity for employment at the House of David, an assisted ... See full summary »
1970s roller-skate jams fuel this coming-of-age comedy, as X and his friends, who rule their local rink, are shocked when their home base goes out of business. Heading over to the ... See full summary »
A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player ... See full summary »
A documentary that chronicles the life of young college professor Angela Davis, and how her social activism implicates her in a botched kidnapping attempt that ends with a shootout, four dead, and her name on the FBI's 10 most wanted list.
Leon T. Garr was born in March 23, 1914, in Ruston, Louisiana. He endured and witnessed unspeakable horrors as a young man growing up in America's deep south. After serving in the U.S. Army... See full summary »
Git Up, Git Out
Written by André Benjamin, Patrick Brown, Thomas Calloway, Big Gipp, Raymon Murray,
Antwan Patton and Rico Wade
Performed by Outkast
Courtesy of LaFace Records/Zomba Label Group
By Arrangement with Sony BMG Music Entertainment See more »
Surprisingly strong film shows the flipside of the dirty dirty
I just got back from an advance screening of ATL--the movie that cannot be marketed as a roller skating flick because Roll Bounce "didn't make money."
OK, so I guess that's a major spoiler in Warner Brother's eyes. But I think it's kinda cool to see a PG-13 movie set in current times that shows young men and women battling with the process of growing up. If you've seen lots of movies like me, you'll know where ATL borrows it's cues from--the friendships of Juice, the house party from House Party, the fat girl from Cooley High a dash of Purple Rain the broad tapestry of Last Picture Show or American Graffiti and the swagger of Saturday Night Fever. It also owes a lot to John Hughes' early work. That being said, director Chris Robinson, in his feature debut, delivers strong visuals and an excellent soundtrack/score that constantly reminds you that these are real places, people and problems. He gets excellent performances from his cast--a mix of veteran actors and musicians in their film debuts.
The big plot twist in the story (which I won't give away) raises a very interesting question that the movie with as broad a scope as ATL has no way to answer--do these young girls project a "grown-up" attitude because it's fashionable or is it the only way to find love and attention from these young boys who are, in their own way, desperately in search of their own manhood without the guidance of true role models? ATL tels a very familiar story but with interesting hues and nuances that defy the typical "hood" flick. I encourage you to check it out in theaters.
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