Walter, 24, is a wrestler, competing for a spot on the national team when he learns of his sister's brutal death. He comes home to help his mother; he works out, takes a dead-end job, and ... See full summary »
Paul Miller, a self-described "failed actor," sets out for his final act and his ultimate role: the last two days of his life ending with his suicide on tape. He tries to reunite with old ... See full summary »
David loves his wife, Gillian. Unfortunately, she died two years ago. David deals with his grief by continuing his romance with Gillian during walks with her "ghost" on the beach at night. ... See full summary »
Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive in Dallas. ... See full summary »
Rosie (40), a divorced mother, produces the has-been TV comedy You Go Girl. Her boss no longer allows the show to tackle any vaguely controversial subjects, so it seems doomed. Then she meets at an audition Adam Perl (29), an attractive, spontaneously funny, single actor. She successfully casts him, which revives the show's ratings. She also dates him, but her pathological insecurity, focused on their age difference, compromises the relationship. That culminates when she suspects him of infidelity with the show's star, and the studio gives those two their own sitcom. Written by
Although the time allocated to do all the graphics work (head changes etc.) was just over two weeks, it was in fact completed in just under two days thanks to new software that had just came on the market. See more »
While calculating the age differences in an inner monologue, Rosie makes mention that her first writing job was for the sitcom Family Matters in 1986 when this show hadn't been developed yet. See more »
Pretty impressive, huh? People tend to think of me as that, uh, environmental nut. But whenever I get down to work they say, 'Mother Nature, you're such a destructive bitch'.
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A short series of outtakes appears before the closing credits. See more »
Slapstick, cerebral, puns, visual humor, industry in jokes, innuendo, and satire, even Woody Allenesque in Tracy Ullman's Mothe Nature running commentary; Amy Heckerling's writing skills here are at full force. We cannot remember that last time we watched a film and laughed out loud so often and at so many different types of comedy;
As other reviewers have noted this is a film of real sweetness - but even the sentimentality is handled well - but not saccharine. It handles the idea of older woman - younger man with a delicious sense of balance and farce; can it really be five years since Michelle Pfeiffer's last film? And Paul Rudd stamps his charm all over this.
The comedians, and there are a ton to spot here, especially British - a challenge to spot all of them - make up one of the better ensemble casts of the last few years.
'I could never be your woman' is quite simply one of the best comedies of 2007 in our opinion - romantic or otherwise. Neither of us could think on another comedy that comes close so far this year. It is difficult not to be enthusiastic given the wit and chemistry of the script, the actors, and the crew. Irreverent, yet old fashioned, trend setting, yet comfortably familiar, this really is one of the most enjoyable films to be seen: an outstanding comedy, and if I am raving about it, it is because it deserves it.
A real film and a real cinematic experience: kudos and thanks to all involved.
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