| Photos (See all 10 | slideshow) | Videos (see all 5) |
| Jamie Bell | ... | Hallam | |
| Ruth Milne | ... | Jenny (as Ruthie Milne) | |
| John Paul Lawler | ... | Carl | |
| Claire Forlani | ... | Verity | |
| Lucy Holt | ... | Lucy | |
| Ciarán Hinds | ... | Julius | |
| Malcolm Shields | ... | Kilt Man | |
| John Comerford | ... | Grumpy Glaswegian | |
| Gerry Cleary | ... | Grumpy Glaswegian | |
| Paul Blair | ... | Raincoat Man | |
| Neil McKinven | ... | Police Officer | |
| Sophia Myles | ... | Kate | |
| Jamie Sives | ... | Alasdair | |
| Maurice Roëves | ... | Raymond (as Maurice Roeves) | |
| Stuart Hepburn | ... | Police Inspector | |
| Kirsty Shepherd | ... | Alasdair's Wife | |
| Ewen Bremner | ... | Andy | |
| rest of cast listed alphabetically: | |||
| Colin Kennedy | ... | Arty Guy (uncredited) | |
| Alan Marsh | ... | Walk On (uncredited) | |
| Adam Smith | ... | Bar Customer (uncredited) | |
Directed by | |||
| David Mackenzie | |||
Writing credits(in alphabetical order) | ||
| Peter Jinks | novel | |
| David Mackenzie | screenplay | |
| Ed Whitmore | screenplay | |
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Kahleen Crawford | |||
| Des Hamilton | |||
Production Design by | |||
| Tom Sayer | |||
Art Direction by | |||
| Caroline Grebbell | |||
Costume Design by | |||
| Trisha Biggar | |||
Makeup Department | |||
| Sarita Allison | .... | hair stylist: underwater unit | |
| Sarita Allison | .... | makeup artist: underwater unit | |
| Nikki Brannan | .... | makeup designer: Pick-up unit | |
| Konnie Daniel | .... | hair designer | |
| Konnie Daniel | .... | makeup designer | |
| Peta Dunstall | .... | hair stylist | |
| Peta Dunstall | .... | makeup artist | |
| Jacqueline Fowler | .... | hair stylist | |
| Jacqueline Fowler | .... | makeup artist | |
| Gill Little | .... | wig maker: pick-up unit | |
| Jane Logan | .... | hair stylist | |
| Jane Logan | .... | makeup artist | |
Production Management | |||
| Shirley Brodie | .... | unit manager | |
| Tracey Josephs | .... | head of production: Film4 | |
| Naomi Liston | .... | additional unit manager | |
| Tim Wellspring | .... | unit production manager | |
| Emma Zee | .... | post-production supervisor | |
Art Department | |||
| Jenny Alexander | .... | petty cash buyer: daily | |
| Bob Barclay | .... | construction manager | |
| Paul Barrie | .... | carpenter | |
| Jamie Baxter | .... | construction manager | |
| Mat Bergel | .... | stand-by props | |
| Michael 'Hagar' Cawley | .... | stage carpenter | |
| Stewart Cunningham | .... | dressing props: pick-up unit | |
| Paul Curran | .... | painter | |
| Sammy Curran | .... | painter | |
| Max Davidson | .... | stand-by chippie: pick-up unit | |
| Roddy Dolan | .... | dressing props | |
| Jake Drummond | .... | carpenter | |
| Jim Elliott | .... | property master: pick-up unit | |
| Caroline Fearon | .... | scenic artist | |
| Fiona Gavin | .... | stand-by art director | |
| Bobby Gee | .... | stand-by painter | |
| Rab Gemmill | .... | stage carpenter (as Rab Gemmell) | |
| Derek Gray | .... | storyboard artist | |
| Jane Harvey | .... | painter | |
| Roddy Hogg | .... | stand-by carpenter | |
| Fiona Hutchison | .... | art director: pick-up unit (as Fiona Hutchinson) | |
| Paul Lambie | .... | stand-by props | |
| Janice Macrae | .... | production buyer | |
| Caroline McDonald | .... | art department assistant | |
| Kevin McGuinness | .... | stage carpenter | |
| Paul McNamara | .... | stand-by props: pick-up unit | |
| Matt Mooney | .... | stand-by props: pick-up unit | |
| Dave More | .... | stage carpenter | |
| Andy Neilson | .... | dressing props | |
| Danny Oji | .... | plasterer | |
| Luke Oldale | .... | painter | |
| Carly Parris | .... | petty cash buyer | |
| David Pollok | .... | apprentice plasterer | |
| Bobby Raeburn | .... | carpenter | |
| Derek Reid | .... | painter | |
| David Richmond | .... | carpenter | |
| Dan Roberts | .... | dressing props | |
| Mark Robertson | .... | painter | |
| David Roy | .... | daily laborer: props | |
| Anna Sheard | .... | art department assistant | |
| Tony Sheridan | .... | property master | |
| Jacqueline Smith | .... | production designer: pick-up unit | |
| Johnny Smith | .... | carpenter | |
| Laurel Wear | .... | painter | |
| Dawn Youll | .... | plasterer | |
| Todd Zonderman | .... | stage carpenter | |
| Martin Kelly | .... | set dresser (uncredited) | |
Sound Department | |||
| Iain Anderson | .... | sound assistant | |
| Peter Brill | .... | sound mixer | |
| Tony Cook | .... | sound maintenance engineer | |
| Rob Edwards | .... | adr assistant recordist | |
| Howard Halsall | .... | dialogue editor | |
| Kahl Henderson | .... | sound re-recording mixer | |
| Lorraine Keiller | .... | foley editor | |
| Louis Kramer | .... | sound recordist: pick-up unit | |
| Douglas MacDougall | .... | sound designer | |
| Matthew McKenzie | .... | adr recordist | |
| Thayna McLaughlin | .... | sound assistant | |
| Jamie Roden | .... | adr recordist | |
| Chris Sinclair | .... | sound re-recording mixer | |
| Simon Trundle | .... | foley recordist | |
| Ian Waggott | .... | foley artist | |
Special Effects by | |||
| Perry Costello | .... | rigging supplier | |
Visual Effects by | |||
| Kieran Belshaw | .... | film recordist: MPC | |
| Matthew Bristowe | .... | digital film mastering producer: MPC | |
| Helen Clare | .... | film recordist: MPC | |
| Michael Elson | .... | head of production: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Per Karefelt | .... | research & development: baseblack | |
| John Kozak | .... | research & development: Baseblack | |
| Toby Langley | .... | film recordist: MPC | |
| Pierson Lippard | .... | 3D technical director: Baseblack | |
| Begoña Lopez | .... | digital film mastering producer: MPC | |
| Donal Nolan | .... | digital effects | |
| Chris Panton | .... | visual effects supervisor: Baseblack | |
| Alexandra Papavramides | .... | digital artist: Baseblack | |
| Tristan Porter | .... | digital artist: Baseblack | |
| Caroline Rowlands | .... | film recordist: MPC | |
| Petra Schwane | .... | digital artist: Baseblack | |
| Val Wardlaw | .... | 3D supervisor: Baseblack | |
| Stephen Bearman | .... | scanning supervisor (uncredited) | |
| Elysia Greening | .... | digital compositor: Baseblack (uncredited) | |
| Paul Shore | .... | scanning supervisor (uncredited) | |
Stunts | |||
| Richard Carlin | .... | rope access technician | |
| Marc Cass | .... | stunt coordinator | |
| Mick Jones | .... | stunt driver: action vehicle | |
| Crispin Layfield | .... | stunt artist | |
| Grant Morrison | .... | stunt driver: action vehicle | |
| Ronnie Morrison | .... | stunt driver: action vehicle | |
| Heather Phillips | .... | stunt artist | |
| Bob Wiesinger | .... | wire man (as Bob Weisinger) | |
| Grant Wiesinger | .... | assistant wire man (as Grant Weisinger) | |
Animation Department | |||
| Siren Halvorsen | .... | animator: Slinky Pictures | |
| Rory Lowe | .... | animator: Once Were Farmers | |
| Maria Manton | .... | animation producer: titles, SlinkyPictures | |
| James Newport | .... | animator: Slinky Pictures | |
Costume and Wardrobe Department | |||
| Karen Bertellotti | .... | costume assistant: daily | |
| F.E. Biggar | .... | costume assistant: daily | |
| Alex Carey | .... | costume painter | |
| Kathryn Donaldson | .... | costume supervisor | |
| Sophie Doncaster | .... | costume assistant: daily | |
| Harriet Edmonds | .... | costume assistant: Pick-up unit | |
| Alison Guy | .... | costume assistant: underwater unit | |
| Barbara Harrington | .... | stand-by costumer | |
| Dani Miller | .... | costume assistant: daily (as Dani Millar) | |
| Marnie Ormiston | .... | costume assistant: daily | |
| Anna Robbins | .... | costume trainee | |
Editorial Department | |||
| Melissa Agate | .... | film scanner: MPC | |
| Giles Burgess | .... | first assistant editor | |
| Brian Coffey | .... | post-production coordinator | |
| Kennedy Dawson | .... | film scanner: MPC | |
| Richard Etchells | .... | digital intermediate editor | |
| Alec Gibson | .... | color grader | |
| Ruth Hodgson | .... | post-production executive: Film Finances | |
| Max Horton | .... | colorist | |
| Beth Hourston | .... | trainee editor | |
| Katie Jackson | .... | film scanner: MPC | |
| Matthew Lee-Redman | .... | film scanner: MPC | |
| Thomas Urbye | .... | on-line film editor: MPC | |
| Jason Wheeler | .... | negative cutter | |
| Pat Wintersgill | .... | on-line editor (as Patrick Wintersgill) | |
| Greg Barrett | .... | scanning producer (uncredited) | |
| Rebecca Budds | .... | film scanning coordinator (uncredited) | |
Music Department | |||
| Matt Biffa | .... | music researcher: piano | |
| Alice Hary | .... | musician: piano | |
| Giles Lamb | .... | music editor | |
| Stuart Young | .... | musician: piano | |
Transportation Department | |||
| Tommy Bryce | .... | driver: dining bus | |
| Jim Cardy | .... | driver: costume | |
| Gerry Connely | .... | unit driver: pick-up unit | |
| Sean Deakin | .... | additional unit driver | |
| Alex Devine | .... | unit driver: daily | |
| Paul Dunphy | .... | unit driver: pick-up unit | |
| Tim Dyer | .... | driver: facilities | |
| Peter Flynn | .... | unit driver: daily | |
| Stephen Harrop | .... | unit driver (as Stephen 'Happy' Harrop) | |
| David Hutton | .... | driver: daily minibus | |
| J.J. Lowe | .... | driver: camera car (as JJ Lowe) | |
| John Malarky | .... | driver: makeup truck | |
| Ian McGreath | .... | driver: minibus | |
| Neil McLaughlan | .... | driver: camera car, pick-up unit | |
| Matthew Mooney | .... | driver: daily props | |
| Les Quinn | .... | additional driver | |
| Wayne Wright | .... | unit driver | |
Other crew | |||
| Lisa Maria Baruffati | .... | floor runner | |
| Lisa Maria Baruffati | .... | stand-in | |
| Ilka Becker | .... | chef: Reel Food | |
| Nik Bower | .... | legal & business affairs: Ingenious Film Partners | |
| Mary Brehony | .... | legal affairs: Scottish Screen | |
| Katherine Butler | .... | head of development: Film4 | |
| Neil Cairns | .... | production accountant | |
| Jo Cameron Brown | .... | adr voice | |
| Jo Cameron Brown | .... | dialogue coach | |
| Brian Coffey | .... | production assistant | |
| Giovannina Cotroneo | .... | production coordinator | |
| Guy Cowan | .... | chef: Reel Food | |
| Anita Cox | .... | business affairs: Scottish Screen | |
| Bob Downie | .... | armorer | |
| Bob Downie | .... | safety advisor | |
| Paul Dray | .... | laboratory contact: Deluxe | |
| Anna Duffield | .... | assistant: Gillian Berrie | |
| Scott Dunlop | .... | location assistant | |
| Lloret Dunn | .... | location manager: pick-up unit | |
| Yvonne Dunn | .... | representative: Glasgow Film Finance | |
| Lisa Engelhardt | .... | product placement | |
| Lorraine Faulds | .... | side chef: Spice of Life | |
| Lorna Ferguson | .... | production coordinator | |
| Mark Fielding | .... | accountant: Ingenious Film Partners | |
| Stephen Foster | .... | representative: Glasgow Film Finance | |
| Hannah Frankham | .... | animal handler | |
| Ellen Fraser | .... | legal & business affairs: Ingenious Media Services | |
| Guv Gakhal | .... | head chef: Spice of Life | |
| Kidj Gakhal | .... | catering assistant: Spice of Life | |
| Seema Gakhal | .... | side chef: Spice of Life | |
| Jeremy Gawade | .... | legal services: Lee & Thompson | |
| Hugh Gourlay | .... | location manager | |
| Paul Grindey | .... | business affairs: Film4 | |
| Matthew Grycuk | .... | location assistant | |
| Peter Harcourt | .... | diver: underwater unit | |
| Derek Henderson | .... | location assistant: pick-up unit | |
| Derek Henderson | .... | location scout: daily | |
| Brian Horsburgh | .... | additional location manager | |
| Paul Imrie | .... | accountant trainee | |
| Chris Irvine | .... | business affairs: Film4 | |
| Paula Jalfon | .... | head of physical production: Ingenious Film Partners | |
| Tom Jenkins | .... | location assistant | |
| Karen Jones | .... | additional script supervisor | |
| Matt Jones | .... | additional location manager | |
| Colin Kennedy | .... | assistant: David Mackenzie | |
| Colin Kennedy | .... | blogger: Hallam | |
| Robbie Kirkpatrick | .... | location scout: daily | |
| Clem Leneghan | .... | health & safety supervisor (as Clement Leneghan) | |
| Richard Lever | .... | representative: Glasgow Film Finance | |
| Louise Long | .... | business affairs: Film4 | |
| Jacqui McBride | .... | assistant accountant | |
| David McKinnon | .... | production assistant: pick-up unit | |
| Gerry McLeod | .... | facilities manager | |
| Andrew McPherson | .... | location runner | |
| John McVeigh | .... | assistant to chef: Reel Food | |
| Marc Mills | .... | production runner | |
| Sheila Fraser Milne | .... | production executive: Film Finances | |
| Jane Moore | .... | distribution: Ingenious Media Services | |
| Mike Morgan | .... | diving supervisor | |
| Zoe Morgan | .... | script supervisor | |
| Amy Munro | .... | production secretary: pick-up unit | |
| Pete Murphy | .... | additional location runner (as Peter Murphy) | |
| Pete Murphy | .... | location assistant (as Peter Murphy) | |
| Simon Nicol | .... | additional location runner | |
| John O'Sullivan | .... | insurance: Media Insurance Brokers | |
| Adam Guy Parker | .... | floor runner | |
| Adam Guy Parker | .... | stand-in | |
| Linda Pather | .... | monitoring coordinator: Film Finances | |
| Malcolm Pearce | .... | health & safety supervisor | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Norman Campbell Rees | .... | additional floor runner (as Norman Rees) | |
| Suzanne Reid | .... | production coordinator: pick-up unit | |
| Phoebe Rudomino | .... | diver: underwater unit | |
| Jonathan Rutter | .... | publicist: Prermier PR | |
| Matthew Sanders | .... | publicist: Premier PR | |
| Dave Shaw | .... | diving supervisor: underwater unit | |
| David Shrigley | .... | title designer | |
| Dilian Singh | .... | catering assistant: Spice of Life | |
| Sue Bruce Smith | .... | head of commercial development: Film4 (as Sue Bruce-Smith) | |
| Lee Stone | .... | legal services: Lee & Thompson | |
| Brian Strange | .... | production runner: underwater unit | |
| Miriam Sturdee | .... | location runner: pick-up unit | |
| Peter Swan | .... | unit nurse: underwater unit | |
| Lee Thomas | .... | assistant: Matthew Justice | |
| Shirley-Anne Tulloch | .... | production assistant | |
| Hamish Walker | .... | representative: Glasgow Film Finance | |
| Sarah Wells | .... | company accountant: Sigma Films | |
| Jenny Williams | .... | representative: Glasgow Film Finance | |
| Paul Zieleniec | .... | assistant production accountant: pick-up unit | |
| Piers Gielgud | .... | choreographer (uncredited) | |
Thanks | |||
| Jessica Weetch | .... | thanks | |
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| So Sweet, So Dead | Little Ashes | All Good Things | The Witnesses | Mother |
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| Full cast and crew | Company credits | External reviews |
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A prime example of a 'small' (or 'wee' as we say in Scotland) film. It deals exclusively with one family and their particular quirks. This film could be French - they are the masters of this particular genre. Not a lot really happens and some of what does is extremely implausible. To say the family members are dysfunctional is an understatement. Much of their behavior bears no resemblance to the lives of people I know. The strengths of 'Hallam Foe' are the performances, the soundtrack and the cinematography. Action shifts between a large country estate and the beautiful city of Edinburgh (very strangely, though, there are no shots of the world-famous Castle - like panoramic views of the Paris skyline that omit the Eiffel Tower!). Jamie Bell is excellent as the eponymous Hallam - he even gets to do a couple of runs and jumps that hark back to 'Billy Elliot'! Sophia Myles is convincing as a hotel manager with an inability to sustain fulfilling relationships. The central theme revolves around sexual confusion/obsession and much of the plot concerns Hallam's turbulent attitude to sex. Overall, this is an unremarkable film but not without merit.