IMDb > The Bear Tamer (1912)

The Bear Tamer (1912) More at IMDbPro »Bjørnetæmmeren (original title)


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Release Date:
8 May 1912 (Denmark) See more »
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Seconds See more (3 total) »

Cast

 
Lili Beck ... Ula-Kiri-Maja (as Lili Bech)
Peter Fjelstrup
Holger-Madsen
Richard Jensen
Alfred Lind ... The Bear Tamer

Directed by
Alfred Lind 
 
Writing credits
(in alphabetical order)
Alfred Lind 

Cinematography by
Alfred Lind 
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Bjørnetæmmeren" - Denmark (original title)
"The Bear Tamer from the Flying Circus" - International (English title)
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Runtime:
50 min | Denmark:41 min (DVD edition)
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Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Rasmus Ottesen was originally cast as the bear tamer, but the bear gave him a nasty bite in the arm and he had to be replaced.See more »
Movie Connections:
Follows The Flying Circus (1912)See more »

FAQ

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1 out of 3 people found the following review useful.
Seconds, 3 November 2007
Author: Cineanalyst

"The Bear Tamer" is the sequel to "The Flying Circus" (Den Flyvende circus), made the same year. Both are circus films, which was a popular genre in Danish cinema at the time. Denmark was then one of the world leaders in film production. Including this film, I've seen and commented on at least five Danish circus films from this early period. Unfortunately, I haven't liked any of them. They're all quite similar, including in their flaws. This one isn't quite as sensational as the others, but it's as melodramatic, if not more so. The interest in them is supposed to come from the stories of jealousy and temptations and the situations surrounding circus performers. In this one, there aren't circus acts, but there are several trained animals, plus a stage act. That's just not interesting to me, or to most modern audiences, I suspect, especially because of its dated execution.

In one scene on the stage, low-key lighting is prominent, with a spotlight, but the static camera detracts from it. Similar lighting effects were one of the more endearing traits of many of these early Danish films, along with their use of mirrors (absent in this film). As well, there are many slight pans here, and there's some intercutting, but, overall, the camera positioning is stagy. This becomes most obvious during the stage play sequence. Moreover, the filmmakers return to using the same camera position for every shot they film at that same location. It makes for a boring film experience. Don't think it's entirely because it was made all the way back in 1912, either. D.W. Griffith and others were making much better films before and around the same time as this. Fellow Dane August Blom made some more interesting films than this, and Benjamin Christensen and Carl Dreyer weren't that far around the corner. Just like today, they made good movies and bad movies back then. "The Bear Tamer" is one of the bad ones.

(Note: Deterioration has faded the DFI print, and there's a lot of mottling.)

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