A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and realizes that his younger brother Dayindi may try to steal away the youngest wife. So, over a few days and several trips to hunt and gather, Minygululu tells Dayindi a story set in the time of their ancestors when a stranger came to the village and disrupted the lives of a serious man named Ridjimiraril, his three wives, and his younger brother Yeeralparil who had no wife and liked to visit his youngest sister-in-law. Through stories, can values be taught and balance achieved? Written by
The canoes in the film were made according to original tribal methods, using directions from tribal elders who had not made them for some fifty years. See more »
[all walking in a line]
[all stop and turn]
That one is Djigirr. Djigirr talk too much, but maybe he heard something.
I refuse to walk at the end. Someone ahead keeps farting.
Not me. Not me.
It's you again. You're always so silent. Silent but deadly. Admit it.
Alright, it's me.
You're rotten inside.
I'm rotten inside.
[...] See more »
I encourage you to also read the other comments on this site for TEN CANOES as each also will add to the clear understanding of this astonishing Australian film by master film maker Rolf DeHeer. He is a Dutch immigrant to Australia whose unique look at this country has now produced a superb library of films each different, that contribute to a fascinating movie spectrum of impressions of Australian life. TEN CANOES is an Aboriginal parable set possibly ten thousand years ago. It has hilarious casual dialog and familiar situations depicting tribal family and community life that humanizes this people in a heightened way so accessible to audiences of 2007. At this time in a new century we are now blessed with a sequence of Australian aboriginal themed films I encourage you to find and view in their production order: JEDDA directed by Charles Chauvel in 1956, WALKABOUT d: Nicolas Roeg in 1970, STORM BOY in 1976, THE LAST WAVE d: Peter Weir in 1977, RABBIT PROOF FENCE d; Phil Noyce in 2003, THE TRACKER d Roldf De Heer, and now TEN CANOES. Incredibly and as a bonus celebrated Aboriginal actor David Gulpilil features in all of them except Jedda... and as a bonus in theme, his son Jamie is the lead actor in TEN CANOES with David narrating. TEN CANOES will take you to a reality and a community unlike anything ever depicted in any film ever. As alike those above, it is presented and magnificently filmed in cinemascope differently to any Australian (or 'primitive') feature I have ever had the fascinating engrossing pleasure of seeing. Just to study the timeless faces alone is a peep into history and often delivered with very funny and genuinely suspenseful and heartwarming results. De Heer is now a film maker par excellence now finally getting major recognition in this country with a broad range of different and arresting films unlike any other film maker I can name. just for starters, check out the comments for BAD BOY BUBBY, ALEXANDRA'S PROJECT, THE QUIET ROOM, alone for a jaw dropping range of themes. Even if you see TEN CANOES and find the journey into the Australian stone age initially difficult, you will be astonished at the visuals presented and in awe of the fact this was ever captured on film with such humor and accessible humanities.
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