A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and ... See full summary »
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
A story within a story. In Australia's Northern Territory, a man tells us one of the stories of his people and his land. It's a story of an older man, Minygululu, who has three wives and realizes that his younger brother Dayindi may try to steal away the youngest wife. So, over a few days and several trips to hunt and gather, Minygululu tells Dayindi a story set in the time of their ancestors when a stranger came to the village and disrupted the lives of a serious man named Ridjimiraril, his three wives, and his younger brother Yeeralparil who had no wife and liked to visit his youngest sister-in-law. Through stories, can values be taught and balance achieved? Written by
This will be the first ever major Australian feature film completely filmed in an Indigenous Aboriginal language. See more »
[all walking in a line]
[all stop and turn]
That one is Djigirr. Djigirr talk too much, but maybe he heard something.
I refuse to walk at the end. Someone ahead keeps farting.
Not me. Not me.
It's you again. You're always so silent. Silent but deadly. Admit it.
Alright, it's me.
You're rotten inside.
I'm rotten inside.
[...] See more »
Wow. If your main prior experience of Aboriginal film is with black and white documentary footage from the 50s and 60s or with the many films examining the impact of white culture on black society and the often tragic results of their interplay, this will turn it on its head. The movies worships nature and the land in the same way Aboriginal culture views the land not as backdrop or something to be exploited, but as almost human itself. Without qualification or embellishment, the camera marvels at the beauty of the landscape, and we do too. The story is set many generations ago, but there is no sense of time; it could be yesterday, or 40,000 years ago. Time hasn't changed the way of life of the people we are introduced to nor the lessons the young must learn to reach maturity, as our hero Yeeralpiril discovers. David Gulpilil's narration is so masterful it suggests he has another twenty stories up his sleeve just as beguiling to tell you as this one. Film-making like this is a rare experience. Let there be more.
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