The genre of the film DUST could be called fantastic realism or existential drama with elements of the fantastic. Dust means the haste in which people live. Dust is a common misconception, ... See full summary »
A former dancer returns for the first time in years to his childhood country village to attend his mother's funeral. The man discovers that the love of his youth still lives there, trapped ... See full summary »
Based on actual events, "La Voz" is the story of Olga, a young deaf woman from Central America, who receives what appears to be a scholarship to a faith-based sign language school located in Brooklyn, New York.
Janeva Adena Calderon Zentz,
19 year old Bert sits in the shade of a tree in Yo Park. Cassandra Warrior feeds her daughter Diamond Rose. Daniel Runs Close sweats under the sun at Wounded Knee Memorial site. Kassel Sky ... See full summary »
Erika has it all: a good job, lots of friends and a secure relationship. Until the day it all falls apart. Suddenly this perfect life means nothing, and the feelings she once was able to ... See full summary »
We are Mari Pepa was born of the need to make a tribute to my grandmother, the neighborhood where I grow up, my friends and my multiple failed rock bands. Is a letter to my adolescence, to ... See full summary »
In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last ... See full summary »
The genre of the film DUST could be called fantastic realism or existential drama with elements of the fantastic. Dust means the haste in which people live. Dust is a common misconception, the natural clogging up of the brain. Specks of dust how scientists perceive people, scientists who think they know more than anyone else about the universe. Written by
SVOI 2000 Press Department
This sci-fi take on present-day Russia was made on a shoe-string budget by a group of video and performance artists SVOI 2000, known for their situationist antics. After its release, it didn't take long to send ripples of enthusiastic talk throughout the Russian alternative scene. The cast consists almost entirely of little-known but talented and well-placed actors, the big exception being Pyotr Mamonov, lead singer of the legendary band Zvuki Mu and one of the major Russian counter-culture icons of the past two decades, who brilliantly plays a sullen and mysterious professor involved in secret scientific research conducted by the FSB (post-Soviet KGB).
The main character (the term "protagonist" doesn't quite fit), Alyosha, a toy-factory worker who lives under the supervision of his grandmother, is recruited as a subject in the research, and this brief experience sends his dreary, sedate life into turmoil. A chase ensues as Alyosha finds himself wandering around Moscow in pursuit of a fleeting glimpse of something that he is unable and unwilling to let go, while the FSB staff, annoyed at this unforeseen complication, chase him.
This trippy, dark, existential, confrontational and quintessentially Russian gem combines hilarious and mind-cringing characters and situations with surrealist dream and hallucinatory sequences, and is thickly layered with cultural and social references of varying depth and subtlety. It is greatly enhanced by a masterful score of experimental electronic music.
A must for anybody interested in the contemporary Russian underground cinema.
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