| Zoe Moore | ... | Nelly Sue Edelmeister | |
| Emil Reinke | ... | Max Minsky | |
| Adriana Altaras | ... | Lucy Bloom Edelmeister | |
| Jan Josef Liefers | ... | Benny Edelmeister | |
| Monica Bleibtreu | ... | Risa Ginsberg | |
| Susanna Simon | ... | Melissa Minsky | |
| Rosemarie Fendel | ... | Frau Goldfarb | |
| Hildegard Alex | ... | Frau Lewi | |
| Wladimir Tarasjanz | ... | Wladimir Kasarov | |
| Ralph Misske | ... | Schuldirektor | |
| Kay Becker | ... | Prinz Edouard | |
| Carina N. Wiese | ... | Sportlehrerin (as Carina Wiese) | |
| Maxime Foerste | ... | Yvonne | |
| Geraldine Raths | ... | Nicole | |
| Laura Berking | ... | Caroline | |
| Rainer Reiners | ... | Älterer Polizist | |
| Axel Buchholz | ... | Junger Polizist | |
| Avitall Gerstetter | ... | Kantorin | |
| Lili Zahavi | ... | Agnes | |
| Peggy Lukac | ... | Ruth | |
| Margarita Broich | ... | Sarah | |
| Dennis Habedank | ... | Junge im Bus | |
| Julian Maas | ... | Akkordeon Bennys Band | |
| Christoph Kaiser | ... | Gitarrist Bennys Band (as Christoph M. Kaiser) | |
| Helga Marx | ... | Kontrabass Bennys Band | |
| Tim Lorenz | ... | Schlagzeug Bennys Band | |
| rest of cast listed alphabetically: | |||
| Walter Hötte | ... | Security Guard (uncredited) | |
| Amelie Litwin | ... | (uncredited) | |
| Andreas Schumacher | ... | Verleger (uncredited) | |
Directed by | |||
| Anna Justice | |||
Writing credits(in alphabetical order) | ||
| Holly-Jane Rahlens | novel "Prince William, Maximilian Minsky & Me" | |
| Holly-Jane Rahlens | screenplay | |
Produced by | |||
| Stefan Gärtner | .... | co-producer | |
| Maria Köpf | .... | producer | |
| Ulli Neumann | .... | line producer | |
| Kerstin Wiedé | .... | producer: sat.1 | |
Original Music by | |||
| Christoph Kaiser | (as Christoph M. Kaiser) | ||
| Julian Maas | |||
Cinematography by | |||
| The Chau Ngo | (as Ngo the Chau) | ||
Film Editing by | |||
| Uta Schmidt | |||
Casting by | |||
| Simone Bär | |||
Production Design by | |||
| Andreas Olshausen | (as Andreas 'Ebbi' Olshausen) | ||
Costume Design by | |||
| Beate Scheel | |||
Makeup Department | |||
| Kerstin Gaecklein | .... | makeup artist | |
| Heiko Schmidt | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Sven Fehrensen | .... | additional assistant director | |
| Katharina Hofmann | .... | second second assistant director | |
Art Department | |||
| Malte Euler | .... | storyboard artist | |
| Philipp Hübner | .... | swing gang | |
Sound Department | |||
| Adrian Baumeister | .... | dialogue editor | |
| Martin Gleitze | .... | adr recordist | |
| Dirk Jacob | .... | supervising sound editor | |
| Matthias Lempert | .... | sound re-recording mixer | |
| Carsten Richter | .... | foley artist | |
| Martin Rogalski | .... | foley editor | |
| Oliver Schnug | .... | boom operator | |
| Hanse Warns | .... | foley mixer | |
Visual Effects by | |||
| Jan Burda | .... | digital artist | |
| Mira Djovcos | .... | visual effects producer | |
| Paul Dreisen | .... | lighting technical director | |
| Andreas Frickinger | .... | layout compositor | |
| Andreas Frickinger | .... | visual effects set supervisor | |
| Volker Heisterberg | .... | matchmove artist | |
| Jan Maroske | .... | digital compositor | |
| Sven Martin | .... | associate visual effects supervisor | |
| Eva Matthes | .... | digital compositor | |
| Benjamin Seide | .... | visual effects set supervisor | |
| Juri Stanossek | .... | visual effects supervisor | |
| Jonas Stuckenbrock | .... | junior compositor | |
| Sebastian von Overheidt | .... | digital compositor | |
| Michael Wortmann | .... | technical director | |
Stunts | |||
| Alister Mazzotti | .... | stunt coordinator | |
| Wojtek Prygel | .... | stunt driver | |
| Wolfgang Stegemann | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Gregor Grieshaber | .... | second assistant camera | |
| Glenn König | .... | key grip | |
Casting Department | |||
| Marcel Dykiert | .... | extras casting assistant | |
| Iris Müller | .... | extras casting | |
| Kirstin Plotz | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Barbara Koeppl | .... | wardrobe | |
Other crew | |||
| Brian Cordray | .... | script doctor | |
| Frank Kusche | .... | set manager | |
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| Der zehnte Sommer | Herr Lehmann | Robert Zimmermann wundert sich über die Liebe | Liegen lernen | The Rules of Attraction |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Germany section | Add this title to MyMovies |
This is a pleasant if little film about a young girl who, while awkward and friendless, has a secret crush on the prince of Luxembourg, and hopes to impress him by trying out for the high school basketball team. I don't know how ridiculous that sounds if you haven't seen the movie, but it's not the film's plot line that's charming, but rather the great performances of the young cast, especially Zoe Moore. Moore stars as Nelly Sue Edelmeister, a half German, half Jewish-American girl who belongs to Berlin's growing Jewish population. She doesn't care much for religion, though, and spends much of the film trying to get out of having a Bat Mitzvah. Her real interest is science. She dreams of one day being an astronomer and the movie has a few great special effects shots in which Nelly imagines she's walking among the stars, forming new constellations that uncannily resemble her unattainable dreamboat, Prince Edoard. Later in the film she realizes that the prince is for the birds, when she slowly falls for new-kid-in-town (and basketball expert) Max Minsky. Though the performances were nice, the movie still felt really derivative at times. The whole "genius nerd tries out for sports team to impress an older member of the opposite sex" was perfectly captured in 1986's LUCAS. I also must wonder why the filmmakers chose to cast Adriana Altaras as the "American" mom. According to the IMDb, she is Croatian and grew up in Italy and Germany. The scenes where she had to speak English were extremely hard to buy. She's probably a fine actress, but why cast somebody as a New Yorker if they can't even really speak English? Another gripe I had with the film was the film's soundtrack. At first I thought it was really nice. I then realized that I enjoyed the soundtrack a little TOO much, and now I know why: It's melodically and instrumentally similar to Mark Mothersbaugh's work for Wes Anderson and Yann Thiersen's work in "Good-bye Lenin", both two of my favorite composers. The melodies were just different enough to avoid plagiarism, but the similarities were uncanny. Overall, a cute little movie with a star in the making, but not the most original piece to come along. It is indeed quite nice to see a modern depiction of Jewish families in Germany, and the family friendly tone of the movie makes it one foreign film worth bringing the kids to see.