Nine convicts escape from prison; most are convicted murders. They commandeer a van from a strip club. Their plan is to find a stash of counterfeit money that a deranged cell mate told them... See full summary »
Yuji Kotorida has become plastic surgeon to the rich and famous - almost over night transforming himself from nebbish to charismatic icon. His secret? He eats women. In a flashback, we ... See full summary »
Teenager Midori's family moves back to the city where she lived as a child and is relieved to discover that her old friend Ryusuke still lives there. Her terrifying nightmares begin ... See full summary »
Toshiyuki Tanishi (Mr Tanishi) is a 29-year-old chronic masturbator and toy vending machine salesman - he is socially awkward and down on his luck. Things change when he meets Chiharu a ... See full summary »
20 years ago, an elementary school student falls on an island in the northern tip of Hokkaido. A teacher and 6 students makes contact through songs. What happened to the student who fell? ... See full summary »
Police hunt for a killer who orphans a teenage girl suffering from a rare sensory disorder; she experiences one thing as another - clouds smell like daffodils, straw tastes like tomato sauce, that kind of thing. The potential of this idea, both in terms of plot and visuals, is immense, but unfortunately it is never realised due to a script that relies heavily on exposition and some ham-fisted direction by Matsuura. Eguchi gives his best performance since Swallowtail Butterfly, but his sidekick (Ando?) mugs it up in every scene he has. The guy playing Picasso thinks good acting is no acting, or no reacting. I mean, I don't think he even blinks. He's obviously trying to be Kitano, but fumbles it badly. The talented Ishida is under-used as one of a male-female detective duo whose only function seems to be to narrate the plot holes. Oh, and to smoke, and even the product placement on behalf of Japan Tobacco is ham-fisted. The camera is constantly slowly tracking right-to-left, but this seems less an aesthetic choice and more like a grip left the dolly on an incline and forgot to lock the wheels. I came to Gimmy Heaven after reading a favourable review in a usually reliable publication, so someone out there likes it. The one good thing was how the point-of-view of the girl is handled once we get to see things (specifically, rain) through her condition. Unfortunately, it is too little, too late.
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