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Ye yan (2006)
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Overview
User Rating:
Release Date:
14 September 2006 (Hong Kong) morePlot:
A loose adaptation of Hamlet, "The Night Banquet" is set in an empire in chaos. The Emperor, the Empress, the Crown Prince, the Minister and the General all have their own enemies they would like to finish off at a night banquet. full summary | add synopsisAwards:
7 wins & 10 nominations moreUser Comments:
America Needs Feng Xiaogang's Movies!!! moreCast
(Credited cast)| Ziyi Zhang | ... | Empress Wan | |
| You Ge | ... | Emperor Li | |
| Daniel Wu | ... | Prince Wu Luan | |
| Xun Zhou | ... | Qing Nu | |
| Jingwu Ma | ... | Minister Yin Taichang | |
| Xiaoming Huang | ... | General Yin Sun | |
| Zhonghe Zhou | ... | Chamberlain | |
| Zeng Qiusheng | ... | Governor Pei Hong | |
| Xu Xiyan | ... | Ling | |
| Liu Yanbin | ... | Messenger | |
| Ma Lun | ... | Pharmacist | |
| Xiang Bin | ... | Imperial Guard | |
| Chunyu Zheng | ... | Imperial Guard |
Additional Details
Also Known As:
Legend of the Black Scorpion (USA) (DVD title)The Banquet (International: English title)
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Parents Guide:
Add content advisory for parentsRuntime:
131 minCountry:
ChinaLanguage:
MandarinColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Singapore:NC-16 | Hong Kong:IIB | Australia:MA | Portugal:M/12 (Qualidade) | Brazil:14 | South Korea:15 | Japan:PG-12 | Finland:K-15 | UK:15 | USA:Not RatedFun Stuff
Trivia:
Both 'Li Gong (I)' and Maggie Cheung were originally considered playing the queen's role. When Ziyi Zhang took over the part, the script was rewritten to make the character younger. moreFAQ
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It has long bothered me that Feng Xiaogang's movies don't get U.S. releases...and so I have had to make a habit of getting them sent to me from overseas or other equally inconvenient means. Having discovered his movies while living in China several years ago, I have been eagerly awaiting the release of Ye Yan and watching its progress through "pre-production" notes on IMDb. I was a little intrepid--one of the elements I love about Feng Xiaogang's movies is their ability to create inordinate beauty in contemporary settings that many would not see the beauty in...and I knew this was to be a film of another era. (In truth, I feared a little that Feng was going the way of Zhang YiMou--from the extraordinary into the traditional, beautiful, but traditional.) But I also love Feng's cultural, historical, and linguistic layering--and what better basis for that can their be but Hamlet? (Noting for fairness sake that I am an English Professor, and love Hamlet above all other Elizabethan dramas.) However, this film is, while traditional in setting, still extraordinary. The use of masks and movement play with Shakespearean notions of the play within the play/all the world's a stage. And, for me at least, this is the most impressive layer of the film. The story is well done; though one should not watch it as a "version" of Hamlet, but rather as "inspired by" Hamlet. Both Ye Yan and Hamlet address political, cultural and social issues through the story, but their issues are not identical. At this point, I would say this is my second favorite Feng Xiaogang film--only behind Tian Xia Wu Zei--but oh how I wish they would all be released in America. I read in the trivia of this web page that Ye Yan will be nominated for the Oscars and I hope this is true......mostly on the off chance that if it wins--despite the American public not seeing it--that it will lead to some of Feng Xiaogang's movies getting an American release.