Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Will Graham is a gangster who has left the life of crime and is living in the countryside. He comes out of hiding to investigate the death of his brother when he learns that he committed ... See full summary »
Jonathan Rhys Meyers
Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance. Written by
For the skydiving scenes (which were shot against green screen), Clive Owen essentially spent four 9 hour days strapped into a Cirque du Soleil harness up in the air. See more »
In the scene where Mr. Smith jumps off the bridge, he shoots a few holes in the top window of the car, but as you can see, in the scene where he actually jumps through the window, there are no bullet holes. See more »
Wow. Shoot 'Em Up is exactly what it claims to be. An action movie. Balls to the wall, no holds barred, but nothing more. And that's exactly what you get. Don't go expecting high art...SEU doesn't take itself seriously enough for that. But that's exactly what makes it work. It KNOWS it's over the top, and doesn't try to hide it. Clive Owen's Smith character is the Bugs Bunny to Paul Giamatti's Hurtz Elmer Fudd. The film takes the best cartoon elements, makes them flesh, and still kicks in that over the top craziness. Bad puns that are so bad they're good, action sequences that there just for the sake of having an action sequence, and the wildest sex scene ever...it's amazing. It's the funniest, coolest, most amazing mix of stunts, bad one liners and paper think plot lines.
You get everything you expect from Shoot 'Em Up...and it's all great.
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