Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Chloë Grace Moretz,
Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance. Written by
The actress who gets spanked by Mr Smith because he sees her spanking her child was very excited about the prospect of being spanked by Clive Owen. See more »
In the car scene where Smith shoots out the windshield of his car and the van full of assassins the glass breaks into a few large pieces which easily fall out of his way. Car (and van) windshields are made out of two pieces of glass with a sheet of polymer or laminate between. This means that when broken (even if shot) the windshield will break into many small pieces, but these pieces will be held in position by the laminate. The glass used in the two vehicles for this scene are obviously not 'real' windshields. Furthermore, in a head-on collision of two vehicles traveling at the depicted speed, Smith should have been propelled all the way through the van's cabin, probably hitting his head against the back door. See more »
Wow. Shoot 'Em Up is exactly what it claims to be. An action movie. Balls to the wall, no holds barred, but nothing more. And that's exactly what you get. Don't go expecting high art...SEU doesn't take itself seriously enough for that. But that's exactly what makes it work. It KNOWS it's over the top, and doesn't try to hide it. Clive Owen's Smith character is the Bugs Bunny to Paul Giamatti's Hurtz Elmer Fudd. The film takes the best cartoon elements, makes them flesh, and still kicks in that over the top craziness. Bad puns that are so bad they're good, action sequences that there just for the sake of having an action sequence, and the wildest sex scene ever...it's amazing. It's the funniest, coolest, most amazing mix of stunts, bad one liners and paper think plot lines.
You get everything you expect from Shoot 'Em Up...and it's all great.
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