Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance.
Written by <jhailey@hotmail.com>
The bus that Donna and Smith leave town on says its destination is "wherever".
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Goofs
Continuity:
The hammer on Smith's Sig-Sauer is up and down through out the scene in which he holds Senator Rutledge hostage on the plane.
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Quotes
[first lines]
1st Killer:
You're dead, bitch!
[walks past Smith]
1st Killer:
What the hell you looking at? See more »
Crazy Credits
During the opening credits the New Line logo, a film frame, initially appears without its sprocket holes. The holes then appear one by one to the sound of gunshots. See more »
"Switch On"
Written by Ian Green, Paul Oakenfold and Ryan Tedder Performed by Paul Oakenfold Courtesy of Maverick Recording Company By Arrangement with Warner Music Group Film & TV Licensing and Perfecto Records UK
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