Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance.
Written by <jhailey@hotmail.com>
When writer/director Michael Davis found his original concept was being continually passed over by the movie studios, he put together a 17 minute reel of animated footage, consisting of 17,000 line drawings with the title card: "This is John Woo's wet dream".
See more »
Goofs
Continuity:
In the final scene at the café, a fat guy is sipping his milkshake having more than half of his glass empty. When Smith, angered by a row of irritants, starts shooting, a bullet breaks a fat guy's glass, which is surprisingly full. Also the type of glass is changed: the full glass, which exploded was not knurled, but smooth from the outside. (It also makes you wonder what the trajectory of the bullet was and where it ended up.)
See more »
Quotes
[first lines]
1st Killer:
You're dead, bitch!
[walks past Smith]
1st Killer:
What the hell you looking at? See more »
Crazy Credits
The closing credits feature animations, followed by a trickle of blood that wends its way through the cast list and finally pools on the word 'Stunts.' See more »