Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance.
Written by <jhailey@hotmail.com>
"Baby Oliver" was cast before he was even born. The producers chose a woman who was pregnant with twin boys who would deliver about the time filming began so the baby would genuinely be a newborn baby, as his character is.
See more »
Goofs
Revealing mistakes:
When the Lone Man reloads his S&W Model 629 revolver in the bathroom, the primers in the shells are dented, indicating they're dummy rounds with no gunpowder.
See more »
Quotes
[first lines]
1st Killer:
You're dead, bitch!
[walks past Smith]
1st Killer:
What the hell you looking at? See more »
Crazy Credits
The closing credits feature animations, followed by a trickle of blood that wends its way through the cast list and finally pools on the word 'Stunts.' See more »