In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
The scene where Camilla Belle's character Kira is kidnapped in a crowded street at gunpoint was filmed with no visible crew around, the camera being hidden in a van, yet no passers-by reacted. See more »
Nick's flashback of Henry talking in the restaurant does not match up to the original scene. In original scene the floating gun is pressed to Henrys cheek however in the flashback the gun is pressed to his temple. Secondly Henry refers to the drug as "the stuff" in the flashback but he only referred to the drug as "it" during the original scene. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
See more »
When I saw the trailer of Push,I thought it was going to be one of those cheap movies made at low cost in order to getting a release during the low seasons of the cinematographic industry from the year.The fact that this movie went completely unnoticed when it was shown in cinemas from the United States confirmed my very low expectations with this movie.However,I won some enthusiasm for this movie when I knew its director was Paul McGuigan,whose previous movie Lucky Number Slevin,was an unmemorable but entertaining and dynamic rehash of the formula which was popularized by Lock,Stock and Two Smoking Barrels and its many imitators.When I finally saw Push,I took a very nice surprise with it.It's not a great film,but I found it to be a solid and very entertaining thriller with an ingenious screenplay and interesting characters.The story from this movie is developed on Hong Kong and it was an excellent decision to do that,because the exotic taste from that city makes the movie richer,not to mention the obvious possibilities of comparisons with the popular TV series Heroes go down.McGuigan's direction is perfect.He puts to this movie a good level of energy and dynamism,but he recognizes the moments in which the narrative requires a more subtle and controlled work.The direction is,by my point of view,the best element from this movie.I also appreciated the sober use of the special effects,because they only appear as authentic auxiliaries to the story.The cast is very competent.Chris Evans shows energy and conviction on his role; Dakota Fanning confirms she has left behind her past as a mini-adult,for becoming into an excellent juvenile actress; the great Djimon Hounsou brings a lot of style and energy to his character; and Ming Na is also pretty good on her role.The important fails from this movie appear on the ending.On that moment,the movie shows absurd exaggeration for finally concluding on an ambiguous and not too satisfactory note.But,in spite of that,I had a very good time watching this movie.I took a very nice surprise with Push and I recommend it because,although it is not a great movie at all,I found it very entertaining.
60 of 97 people found this review helpful.
Was this review helpful to you?