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In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Directors:
Mark Neveldine,
Brian Taylor
Stars:
Gerard Butler,
Amber Valletta,
Michael C. Hall
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Director:
Jonathan Mostow
Stars:
Bruce Willis,
Radha Mitchell,
Rosamund Pike
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
Director:
Bryan Singer
Stars:
Patrick Stewart,
Hugh Jackman,
Ian McKellen
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
A man wrongly convicted of conspiracy to commit espionage against the U.S. is offered his freedom if he can rescue the president's daughter from an outer space prison taken over by violent inmates.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
A man goes on the run after he discovers that he is actually a "harvestable being", and is being kept as a source of replacement parts, along with others, in a Utopian facility.
An ancient struggle between two extraterrestrial clans, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a young teenager.
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
Anonymous
A comic book mini-series prequel to the film was written by Marc Bernardin and Adam Freeman with art by Bruno Redondo. It is published by WildStorm, an imprint of DC Comics. See more »
Goofs
When Kira is on the bed with Nick in the hotel, she has her head facing up. She then turns her head to the side before Cassie enters the room. When the camera cuts back to Kira, her head is back in the same position. See more »
Quotes
[first lines]
Young Nick:
Dad, what's happening?
Nick's Father:
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
[Nick nods]
Nick's Father:
I love you. Know how I've said that you were special Nick? Turns out that I was right.
See more »
I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
106 of 162 people found this review helpful.
Was this review helpful to you?
I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.