In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Dr. Bruce Banner, thanks to a gamma ray experiment gone wrong, transforms into a giant green-skinned hulk whenever his pulse rate gets too high. Meanwhile, a soldier uses the same technology to become an evil version of the original.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
When Kira is on the bed with Nick in the hotel, she has her head facing up. She then turns her head to the side before Cassie enters the room. When the camera cuts back to Kira, her head is back in the same position. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
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While there have been superhero genre films, there is something about the way that Push takes you through the back alleys, fish markets and pint-sized hotel rooms of Hong Kong that sets it apart and makes it palpably exciting. It is exotic, but this is no fantasy world, it is a dirty reality that the characters inhabit.
Fitting perfectly with this is the lack of a clear hierarchy of super powers. In most superhero films, there are clear levels of powers, and you know exactly which characters should be stronger than others, but Push has a perfectly muddied picture we're on the edge of our seats, because we don't know who should win. It feels oddly realistic.
Chris Evans rises to the occasion as usual as the semi-powerful protagonist, Nick, mixing in his trademark cocky funny attitude with a subtle melancholy outlook. Dakota Fanning is definitely growing up, and she is highly likable as the adolescent future teller. Camilla Belle is gorgeous, and Djimon Hounsou is as intimidating as ever as the primary villain.
It's weird to see people compare this to Jumper, because while Jumper was filled with cheap tricks, Push has you talking about the movie when you leave theaters, and thinking about its concept long after. I really like the universe it created, so I really hope we'll get to see it again with a sequel!
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