Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
The choice to shoot the film in Hong Kong was inspired by the classic film Casablanca (1942). Indeed, director Paul McGuigan explains that in the thirties and forties, Casablanca was a den for scoundrels and the perfect place to hide as everyone could go there. To the makers of the film, Hong Kong was the 2000's equivalent to Casablanca. See more »
(at around 1h 06 mins) When they look at the building that is represented as a question sign on the drawing, there a helicopter to the left, in the next scene is the helicopter not to be seen again. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
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Best of the recent movies in this new sci-fi sub-genre
"Push" is the best movie from a recent new genre of science fiction movies. This new genre of movies, which includes "Jumper" and "Wanted", generally involves characters with psychic or psionic abilities, a conspiratorial shadow group, and an unlikely anti-hero, set against a banal or dystopian realism. "Push" blows these other two admittedly weak offerings out of the cinematic water.
Both the visuals and the action in "Push" are quite good. "Push" is set in Hong-Kong. The city has enough exotic flavor to be interesting and enough grit to provide a realistic backdrop for the more fanciful elements of the film. The filmmakers captured the feeling of a William Gibson novel without having to set the film at night in the rain for the entire movie.
The action sequences are excellent. "Push" does not suffer from the hyper-kinetic, shake-the-camera-until-the-viewer-is-confused action sequences of "Bourne Ultimatum" or "Quantum of Solace". In "Push", you know who is punching whom and you can tell who is winning.
Visual effects? Here is what sold me on this film and on this filmmaker's vision: When a "mover" (a person with telekinetic powers) uses his ability to push something away or to enhance the power of a punch (yes, I said TK-enhanced fight sequences...don't drool on your keyboard) the visual effects people were smart enough to consider the effect on the nearby air. The air gets...crimped, and as a result the light refracts in a split second rainbow pattern at the moment of impact. That level of forethought and detail is what "Jumper" and "Wanted" lacked.
Another element that this movie possesses that "Jumper" and "Wanted" doesn't is a focus on the characters. Any movie or show about psychic powers or "superpowers" lives or dies on the relationships between the characters. The male lead and Dakota Fanning are excellent together and quickly establish a rapport that gives the film more depth. Honorable mention goes to the enemy "watcher"--she is genuinely threatening, lollipop notwithstanding. I also loved the tip of the hat to the anime genre exhibited in Cassie's (Fanning) wardrobe.
This movie is worth every bit of the matinée price I paid. And I will probably watch it again.
A few points: One, this is not a superhero movie. While people who like "Heroes" and some of the Marvel films might enjoy this movie, one should not go in expecting that kind of experience.
Two, I do wish that the producers had about 15 million extra dollars. The extra money would have allowed them to show more of the story and neatly tie a couple of loose ends, rather than telling the audience. I sincerely hope this film does well enough to garner a more expansively budgeted sequel.
Three, this movie has some minor plot issues, especially a small deux ex machina cum Toyota, that might bother some. But, if you choose to buy into the experience, "Push" will take you on a fantastic ride.
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