In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
The choice to shoot the film in Hong Kong was inspired by the classic film Casablanca (1942). Indeed, director Paul McGuigan explains that in the thirties and forties, Casablanca was a den for scoundrels and the perfect place to hide as everyone could go there. To the makers of the film, Hong Kong was the 2000's equivalent to Casablanca. See more »
After being freed from the trunk of a car during the shoot-out at the construction site, Nick picks up two guns. He is seen picking them up, holding them in the elevator, and still holding two when he presses against the wall, but as soon as he fires his first shot, he is only holding one gun with both hands. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
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Don't Think Too Hard If You Want to Enjoy This Movie
This little bit of cinematic junk food is moderately entertaining if you're not looking to exercise any brain cells. It's about a bunch of people -- some good, some bad -- with special powers in pursuit of a suitcase that contains something that everybody wants. I could go into what the suitcase actually contains, and why it's important, and why everyone wants it, but I don't have the energy, and it doesn't matter much anyway, because the film is more interested in its style than it is in its plot, which isn't in this case a criticism.
The film reminded me of a jacked up version of one of those 1940s crime thrillers, where everyone speaks in a hard-boiled patter and what happens isn't nearly as important as how it all looks happening. So what if this film's plot seems needlessly complicated, and so what if there are way too many narrative threads that don't ever get completely developed, and so what if the whole thing is edited to within an inch of its life? It's still pretty fun if you're in the mood for it.
Chris Evans and Dakota Fanning are the nominal stars, and Djimon Hounsou makes an appearance, proving yet again that what he really needs more than anything is a better dialect coach.
The crazy color palettes and art direction in this film reminded me as I was watching it of "Lucky Number Slevin," another bit of entertaining B pulp. How funny then that I look at this film's director's (Paul McGuigan) resume only to find that it includes....you guessed it....."Lucky Number Slevin." If nothing else, his films certainly have a visual style in common.
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