In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel. Written by
Was the only movie at the Oscars in 2008 to receive more than one acting nomination - it received three. See more »
When Michael and Marty are having the conversation in Marty's home, the glass doors on the bookcase behind Marty change positions numerous times during the scene; probably to avoid reflecting the camera and crew in the glass with each new camera position. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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With previous works on similar subjects such as "The Firm," "A Civil Action" and "Erin Brockovich," how can this one pull it off better? No one would ever believe it can until they see it themselves. Tony Gilroy, the screenwriter of "The Bourne" trilogy, revisits the saint-or-sinner theme in "The Devil's Advocate" and brings an excellent script that is full of precise dialog and intense sequences.
Michael Clayton, the senior lawyer in his firm, has fixed up many troubling cases which might not be considered as justice methods. Until another senior partner of the firm, Arthur Edens, freaked out at a hearing, the turning point of his life comes along with it unexpectedly.
Just like any of us, Clayton has to deal with many difficulties in life. Besides the handful works, there are also the child support and the dept owed by his brother. His son, Henry, is a smart kid and fully realizes the way life is. On the contrary, Timmy, his younger brother, just couldn't know how to stay out of trouble despite of having an older brother, Gene, who happens to be an officer.
The case which makes Edens freak out or just pretend to is a lawsuit involves with billions of dollars and hundreds of lives. It's not a rare affair in the U.S. and also one of the bigger ones that makes law firms make profits by helping big industries. But do the lawyers can all manage the deals without their conscience? Yes is the more likely answer.
Unlike the conscience Edens discovers within himself, the executive spokesman, Karen Crowder, doesn't care anything else but the welfare of the firm and, of course, of herself. But she is in fact very diffident due to her position and her sex. The only way she can breakthrough these odds is to make her bosses impressive.
As many have said in their reviews, George Clooney gave his best performance to date. He portrayed this role which is the key to the success of the movie brilliantly with every look, every move and every line that he has to as also an executive producer. He's a strong Oscar contender already.
The acclaimed but overlooked actor Tom Wilkinson does another great job as Edens. The reason and insanity of the role can both be seen through his limited but powerful interpretation.
It's even more thrilling to see Tilda Swinton in the cast. Very different from her previous roles which are well-known as authoritative and neuter, she dealt with a feminine role which tries to act strong but actually weak this time.
Another executive producer and the director of "The firm," Sydney Pollack, took the part which is only bigger than a cameo, shows his interest in this genre once more and being an actor besides already an acclaimed film director. Along side is Steven Soderbergh, the old pal of Clooney and the director of "Erin Brokovich."
With the constant dialog, it might fail to satisfy action-flick fans easily which it seems like one in the trailer. But as a suspense thriller, it's possibly the best one of the year or even in years. The important topic of the downfall sense of justice is a very present message to the society which is filled with the value that measured by money and power. And the gripping storytelling and the dream-alike ensemble cast shows what a good movie is made of.
As the credit shows on the right, the face of Clayton is still shown on screen which tells more about his feeling after the immense scenes he has just been through. Gilroy added a touch of realism to the ending after the metaphor sequence with the horses in the mist.
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