In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel. Written by
Committed to a fully developed back story, director Tony Gilroy spent a good deal of time establishing the details of "Realm and Conquest" with production designer Kevin Thompson. The director explains that right from the beginning, when he first read the script, he could tell that "Realm and Conquest" was going to be a key prop. In the movie it's a metaphor for truth and justice. In creating the details of the fictional novel, Thompson generated original visuals inspired by German Expressionistic images cut from wood blocks, and Gilroy wrote the first two pages for three chapters of the book. They even went as far as designing a "Realm and Conquest" card game for a scene between Henry and Michael. Thompson offers, "This detail was important to Tony because, in his own life, novels and games similar to 'Realm and Conquest' allow him to connect with his son in a meaningful way." See more »
In the early part of the film, during a drive in Manhattan, a tree can clearly be seen in vivid bloom, which occurs in Spring. However, the rest of the scenes take place in a Christmas Season time frame, evidenced by the numerous shots with lit trees, and decorations. As well, the grass is dead in most rural New York scenes, and actors' breath is clearly visible, once again suggesting late Autumn, or early winter. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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A satisfying flick, but you have to pay attention.
Saw this at a screening at the Toronto Int'l Film Festival.
This movie is appropriately titled "Michael Clayton" because in it we are introduced to the man in his many life roles; father, ex-husband, brother, son, friend and businessman. Some things he's good at, others not so much.
Terry Gilroy's debut directing showed a controlled and restrained hand, allowing the multi-tracked storyline to expand and grow, but always with a pull back to the core. For a fairly busy plot with numerous sub-characters, he did a good job of turning over pieces of the puzzle to bring the audience back full circle to the opening scene.
Michael Clayton fixes things, but we see in his own personal life there are a trail of problems he's dealing with. It's when he works alone that he seems to do his best work. Once those close to him come into his decision-making process, he lets emotions rule rather than his head.
George Clooney always seems to have a message in his movies, wanting us to be aware of the evil-doers out in the world. His boyish charm and general likability makes you root for him. We can relate to him.
Michael Clayton is a flawed individual who has good intentions but often gets beaten by the world and the people around him. Can't we all relate to that too? This was a satisfying suspense flick. Key to enjoying it is to pay attention.
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