In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel. Written by
Release prints were shipped to some theaters under the fake title "State's Attorneys". See more »
The cop tells Michael Clayton about Arthur's death, "There were pills all over the place." This would not have been possible, whether they were scattered on the floor or, as the murder scene suggested, shaken into the sink, because the bathroom was flooded, presumably from the sink where the pills would have been taken. The water would have dissolved any pills in the time it would have taken to flood the downstairs. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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I have to say that I didn't expect much of Michael Clayton. But it has grown on me in such a way, reassuring me with it's decided desolate aura, that I owe a review to those in a doubtful measure.
Although it starts with some idle comings and goings, the first reaction we have is to alienate with Clayton. He is battered down, morally ambiguous, suffered. If one watches closely his eyes, one can discover within how a feeling of despair takes over. Clooney is a very happy, cheerful guy: you will appreciate his work, how he lets Clayton dominate Clooney.
In here, the lawyer of the title must decide which side to take in an important lawsuit after his friend changes sides and endangers himself. Is he helping the good guys? How can he tell, deep Inside? The film carries the moral dilemmas, the strangled fight between choosing the good and the correct. Gilroy commanded a brilliant, harrowing script. But Clooney is the definite star, with his sadness, empathy. His sorrow is deeply moving.
The Grey, moisturized environments, carefully veiled with a soft mist. Clooney's interior acting, arising within his foggy emotions.
This film is not cheerful, it's somehow depressing. But it's a must see.
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