2 items from 2014
Feature James Clayton 31 Jan 2014 - 07:30
"We belong dead." Frankenstein's Monster in Bride Of Frankenstein (1935).
No, friend, you don’t belong dead. The masses definitely disagree with the Monster. (Ignore the mob of parochial peasants bearing pitchforks and flaming torches, because they're only film extras and their opinion on anything doesn't matter.)
Time has proved that Frankenstein's Monster (a.k.a. The Creature) is eternally popular and ever- relevant and, thus, should never be allowed to just die.
He's easy to revive. A few zaps of electricity and some dramatic lighting and, oh God! It's alive! It's alive! He is, indeed, alive again, shaped like Aaron Eckhart and gracing the big screen now that fresh release I, Frankenstein has found its way into theatres. You needn't worry if you don't get a chance »
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing, »
- Jeff Beck
2 items from 2014
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