| Chester Burnett | ... | Himself (archive footage) | |
| Hubert Sumlin | ... | Himself | |
| Barbra Marks | ... | Herself | |
| Bettye Kelly | ... | Herself | |
| Son House | ... | Himself (archive footage) | |
| Bukka White | ... | Himself (archive footage) | |
| Memphis Slim | ... | Himself (archive footage) | |
| Willie Dixon | ... | Himself (archive footage) | |
| Muddy Waters | ... | Himself (archive footage) | |
| Robert Gordon | ... | Himself -Muddy Waters biographer | |
| Mark Hoffman | ... | Himself - biographer | |
| Richard Shurman | ... | Himself | |
| Sam Phillips | ... | Himself | |
| Sonny Boy Williamson | ... | Himself (archive footage) | |
| Paul Burlison | ... | Himself | |
| Marshall Chess | ... | Himself | |
| Jody Williams | ... | Himself | |
| Evelyn Sumlin Goodwin | ... | Herself | |
| Bob Koester | ... | Himself | |
| Sam Lay | ... | Himself | |
| Billy Boy Arnold | ... | Himself | |
| Brian Jones | ... | Himself (archive footage) | |
| Jack Good | ... | Himself (archive footage) | |
| Mick Jagger | ... | Himself (archive footage) | |
| James Cotton | ... | Himself (archive footage) | |
| John Estes | ... | Himself (archive footage) (as Sleepy John Estes) | |
| Clifton James | ... | Himself (archive footage) | |
| Bob Dylan | ... | Himself (archive footage) | |
| Joan Baez | ... | Herself (archive footage) | |
| Mississippi John Hurt | ... | Himself (archive footage) | |
| Sunnyland Slim | ... | Himself | |
| Charlie Watts | ... | Himself (archive footage) | |
| The Beatles | ... | Themselves (archive footage) | |
| The Kinks | ... | Thenselves (archive footage) | |
| The Yardbirds | ... | Themselves (archive footage) | |
| Jimi Hendrix | ... | Himself (archive footage) | |
| Eric Clapton | ... | Himself (archive footage) | |
| Jimmy Page | ... | Himself (archive footage) | |
| Keith Richards | ... | Himself (archive footage) | |
| rest of cast listed alphabetically: | |||
| Bill Wyman | ... | Himself (archive footage) | |
Directed by | |||
| Don McGlynn | |||
Produced by | |||
| Joe Lauro | .... | producer | |
| Celia Zaentz | .... | executive producer (as Celia Mingus Zaentz) | |
Cinematography by | |||
| Frank Axelsen | |||
Film Editing by | |||
| Christian Moltke-Leth | |||
Sound Department | |||
| Nick Clemente | .... | sound | |
| Thomas Langballe | .... | post-production sound | |
| Joe Lauro | .... | sound | |
| Doug Mara | .... | sound | |
| Jacques Pedersen | .... | post-production sound | |
Camera and Electrical Department | |||
| Don McGlynn | .... | camera operator | |
Other crew | |||
| Marshall Chess | .... | archive footage | |
| Nick Clemente | .... | consultant | |
| Janis Garramone | .... | production secretary | |
| Peter Guralnick | .... | archival sound | |
| Mark Hoffman | .... | archival sound | |
| Mark Hoffman | .... | consultant | |
| Bob Koester | .... | archive footage | |
| Joe Lauro | .... | archive source | |
| Joe Lauro | .... | consultant | |
| Sam Lay | .... | archive footage | |
| Doug Mara | .... | consultant | |
| Jim O'Neal | .... | archival sound | |
Thanks | |||
| Wolfgang Behr | .... | special thanks | |
| Gene Casey | .... | special thanks | |
| Andy Cornet | .... | special thanks | |
| Henry Gray | .... | special thanks | |
| Peter Guralnick | .... | special thanks | |
| Mark Heidemann | .... | special thanks | |
| Norbett Hess | .... | special thanks | |
| Lise Skafte Jensen | .... | special thanks | |
| Bob Koester | .... | special thanks | |
| David Little | .... | special thanks | |
| Toni Ann Mamary | .... | special thanks | |
| Calvin Newborn | .... | special thanks | |
| Michael Ochs | .... | special thanks | |
| Dave Peck | .... | special thanks | |
| Judy Peiser | .... | special thanks | |
| Richard Schwegel | .... | special thanks | |
| Andrew Solt | .... | special thanks | |
| John Tefteller | .... | special thanks | |
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| American Hardcore | Out of the Loop | Electrified: The Story of the Maxwell Street Urban Blues | Falsifyin' | Living the Blues: The Story of Canned Heat |
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| Full cast and crew | Company credits | IMDb Documentary section |
| IMDb USA section |
Howlin' Wolf, aka Chester Burnett, came out of the deep south, out of the fields of Mississippi, out of a super-religious mother who stuck so firmly to her guns that Blues was "the devil's music" that she never spoke to her son for decades, out of racism and hardship, and made his own original, vibrant kind of music. He wasn't alone, as others like Muddy Waters came into prominence (and, according to a special feature on the DVD that should have been included with the rest of the doc, had a rivalry for some time), and shook up popular music first for black audiences and then slowly but firmly whites.
It's a remarkable journey, told with not a whole lot of style as a kind of direct-to-video approach, with a plethora of good facts and some humbling opinions (one of Wolf's closest musician friends and band-mates, Hubert Sumlin, provides the most entertaining anecdotes as a die-hard blues-man through and through). Plus, of course, the music, with some rare performances and even some home movies shot at Chicago clubs, of the Wolf's presence and magnetism coming out in strong forcefulness as he does crazy things on stage like lick his guitar and crawl on all fours. Whatever you want to say about his music it's inarguable that he doesn't get your attention, if only through that distinctive voice that's a sounds like it's been run-over and resurrected as an all-powerful bad-ass.
Thankfully, too, in such a short running time, there's a limit of how much drama there usually is in a musician-bio pic. Then again, Howlin' Wolf wasn't as naughty as other musicians: he didn't sleep around as a ladies's man (at least, from the doc's perspective, as much as say Muddy Waters), was a devoted husband and father, stayed away from drugs and most drink (he was so against it he openly criticized Son House during a performance), and only had his one real stinging problem being a lack of communication with his mother. While one wishes the movie was longer- more detailed, more infused with that pure air of rhythm and blues- what's here is enough to whet the appetite. At the least you'll want to put on some Wolf on the stereo right away or rush out to find some kind of record. He wasn't maybe the #1 best blues-man in America, but he certainly left his mark like only few others did. This doc is a good tribute to the Wolf's spirit.