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Hitman (I) (2007)

 -  Action | Crime | Drama  -  21 November 2007 (USA)
6.3
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Ratings: 6.3/10 from 117,150 users   Metascore: 35/100
Reviews: 362 user | 180 critic | 22 from Metacritic.com

A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.

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Title: Hitman (2007)

Hitman (2007) on IMDb 6.3/10

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Hitman I (2012)
Action
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Seven years after his failed assassination and murder of his family, Ben (Cesar Montano) seeks revenge on Mando (Ricky Davao), master of drug syndicate and white slavery. Mando has ordered ... See full summary »

Director: Cesar Montano
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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Michael Offei ...
Christian Erickson ...
...
Joe Sheridan ...
...
Jean-Marc Bellu ...
Hitman #2
...
Hitman #3 (as Nicky Naude)
Abdou Sagna ...
Hitman #4
Ilya Nikitenko ...
Hitman #5
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Storyline

A gun-for-hire "Hitman" is a genetically-engineered, elite assassin known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Eastern Europe. But even 47 couldn't anticipate a "random equation" in his life exactitude: the unexpected stirrings of his conscience and the unfamiliar emotions aroused in him by a mysterious Russian woman. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language and some sexuality/nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

21 November 2007 (USA)  »

Also Known As:

Hitman - Agente 47  »

Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend:

£1,240,698 (UK) (30 November 2007)

Gross:

$39,687,528 (USA) (7 March 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Xavier Gens was originally asked by the studio to make the movie PG-13, which he refused to do because of the source material. He was allowed to shoot the movie aiming for an R, however in the final stages, he was removed and Nicolas De Toth was brought in to re-edit the movie for commercial purposes, as he did with Live Free or Die Hard (2007) (he is thanked in the credits for this editing). See more »

Goofs

The highest dome of the Alexander Nevsky Cathedral in Sofia is not the bishops office as depicted in the movie but simply part of the church's ceiling. See more »

Quotes

Nika Boronina: These articles are full of shit, why do you buy these magazines?
Agent 47: For the advertisements.
See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

As Vezez Amanha
Written and Performed by Gilberto Candido
Courtesy of Extreme Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Clones and Orphans
22 October 2011 | by (Virginia Beach) – See all my reviews

I found this solid and competent. The curious thing is that what it did well, it did not because of what it is, but because it did not stick closely to the world of the video game. This is also why the fan base rejected it.

Apparently, the agent in the game is one of the 47th generation of clones, where the movie has him as the best of a collection of specially trained orphans. Instead of a name, he simply has the number 47.

I also liked the mashup, conventional as it is: Russian mafia, secret supercapable murder enterprise, worldwide conspiracy of priests. Its the spice of the priests that matters, after the Dan Brown conspiracy to make it seem ridiculous and taking the style out of it. It is easier somehow to believe a cabal lead by a Moscow Patriarch instead of the inept Rome.

The girl does what the girl is supposed to do: claim that she is sexually exploited, and then proceed to be exploited by us in much the same way. The assassin does what he is supposed to and does it well: show us unexpected ways that he can manipulate the world, anticipating coincidences and odd subplots. Our designated watcher, the typical American detective, also does his job: watching at a distance.

Why this film deserves a comment and others I see do not, is the way it ends. The form here is reverse noir. In noir, we have a hero, an everyman, who is manipulated by the world of the viewer. He is subject to cosmic coincidences that come not from any natural unfolding, but from our need to have a structured narrative. The watcher unconsciously manipulates the character.

In reverse noir, the character somehow can control the world, so that minor coincidences are anticipated, even controlled by a plan he has that we do not know. We, the viewer, are placed in the thing to be befuddled as we end up as the manipulated soul. I am not sure when this reversed form first appeared; I am hoping a reader can advise. But the form is common enough now to have some endemic problems, the most challenging of which is how to end the film.

This film does that admirably, and it can be said that all the automatic stuff in the middle of the film is arranged to set up this satisfactory ending. The film starts with the beginning of that ending, with the remainder an implicit flashback (meaning only that the story is recalled and not repeated aloud). The ending is set up emotionally as our hit man is incapable of controlling the world so far as a mate, a family. We see him tortured about this. Yes, it is a juvenile portrayal of such an emptiness, but we get it.

So the only way he can get the pleasure of a family is the same way we get the pleasure of killing scads of bad guys: by watching. So while for 90 minutes our detective has been our surrogate watcher, giving us expected thrills and surprises, we reverse once again at the end: now the hit man is the watcher of love and family. We know he will never approach 'the girl' or the detective again, but that he will watch, which we see him doing through the only instrument available, a rifle sight.

This is good writing my friends, where the screenwriter understands the form well enough to manipulate it and us. He was able to give the fanboys something; he was able to give the studio bosses their key elements (boobs, explosions, creation myth, societal anchoring); and yet he was able to give himself a cleverly well ended story. Of how many films can you say that? I see he is working on the next Bruce Willis 'Die Hard.' Bet it is well written too.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


12 of 16 people found this review helpful.  Was this review helpful to you?

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Recent Posts
Turkey does not border Russia Boromir007
Actor to play 47 if they did a sequel strangerfromuk
Am I the only person who enjoyed this? jeffy-babe
so, what's with the black clone? murdoc47
WHY NO SEX Bahu
Billy Zane should have been the Hitman SuperSide69
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