In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
When Chloe (Kristen Dalton) and Michael Carpenter rent out the cottage behind their house to charming romance novelist, Robert Mars (David Arquette) their American dream soon turns into a suburban nightmare.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
In this unsettling and creepy thriller, Karen (Ilona Elkin), a young nurse who works in a psychiatric ward, boards the last subway train of the night only to have it stop suddenly in the ... See full summary »
In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks loose. Written by
According to director Williams, Tracey was originally written as a 40-year-old character but, to get the finance, he was told to cast someone young. See more »
When David drives to the nearby village to make the phone call he parks his car facing the opposite direction he is to return. After the call and after his encounter with the village folks he returns to his car and drives off without reversing his car. The car was automatically reversed. See more »
British horror movies have always had a unique sense of humour, with "Severance" being a good recent example of savvy brit film-makers throwing laughs and gore together to great effect. This carries on that tradition, and in Reece Shearsmith they're blessed with an actor whose comic chops are well up to scratch. Andy Serkis is no slouch either, playing the straight man brilliantly as a mobster who's hard as nails but a little fuzzy on the inside.
The laughs are pretty reliable, and as the situation goes from bad to worse a lot of those laughs come from the (severe) misfortune of the poor souls on screen, and the blend of splatter and slapstick is well tuned. Jennifer Ellison does grate after a while, her constant use of swearing amusing at times but often a little irritating. Still, she has a fantastic body on her and that ball shrivellingly tough accent to fall back on, so her presence isn't entirely unwelcome. As a comedy it works extremely well, and as a gore movie there's some inventively wince-inducing moments, and with the balance just right "The Cottage" is well worth a visit.
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