In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in ... See full summary »
Paul Andrew Williams
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A man is abducted from the streets of London and transported via secret flights to an unknown country. Held in solitary confinement and cut off from the outside world, he is plunged into a ... See full summary »
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
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In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks loose. Written by
According to director Williams, Tracey was originally written as a 40-year-old character but, to get the finance, he was told to cast someone young. See more »
When David drives to the nearby village to make the phone call he parks his car facing the opposite direction he is to return. After the call and after his encounter with the village folks he returns to his car and drives off without reversing his car. The car was automatically reversed. See more »
Director Paul Andrew Williams wanted to "write a film that cost no money and was all set in one place". And the first sixty or so minutes stuck to this agenda pretty well; Two brothers kidnap the daughter (Jennifer Ellison) of a wealthy man, he sends out two crazy Chinese guys to kill them, nerdy brother Peter (Reece Shearsmith) looses the all important mobile phone and older hard-man brother David (Andy Serkis) swears a lot, all in the confines of a deserted cottage. The dialogue is just about snappy enough to keep this interesting. Not much to be said for the camera work but it does kinda add to the atmosphere. And then they end up in another cottage and the blood bath begins.
It's pretty obvious why they cast Ellison: she has big bouncy boobs and her harsh liverpoodlian accent is juxtaposed perfectly with her blonde hair and Barbie doll face. No one really cares that her script rarely ventures beyond words too rude to publish here the camera generally focuses on her chest/backside with the occasional headbut thrown in. Shame really; I was hoping she'd amaze us all with her diverse acting talent, but I guess it's a case of you can take the girl out of Brookside but you won't get an amazing actress out of a soap star.
Serkis in undeniably the star of this film. The perfect gangster with a heart, his sincerity and charm kept me watching throughout. I'm not entirely sure why he chose to do The Cottage perhaps, like me, he was hoping this would be one of those rare things; a funny independent British comedy. But unfortunately it just felt like Williams had taken The Chain Sore Massacre and Hot Fuzz, cut out the best bits, stuck the leftovers in a blender and then forgot to cook it properly.
By all means go see this if you like blood, guts and rolling heads, just don't expect any intellect in the script.
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