When the accident-prone daughter of a French businessman disappears in Brazil and the detective sent down to find her returns empty-handed, the businessman's company psychologist comes up ... See full summary »
Pedro Armendáriz Jr.
Hubert Bonisseur de la Bath, aka OSS 117, is the French spy considered by his superiors to be the best in the business. The year is 1967 - he's been sent on a mission to Rio de Janeiro, to ... See full summary »
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
An homage to classic spy films. It's 1955 and after a fellow agent and close friend disappears, secret agent Hubert Bonisseur de la Bath, a.k.a. OSS 117, is ordered to take his place at the head of a poultry firm in Cairo. This is to be his cover while he is busy investigating, foiling Nazi holdouts, quelling a fundamentalist rebellion, and bedding local beauties. Written by
It is known from this movie which is partially set in Cairo/Egypt that Agent OSS 117 (Hubert Bonisseur de La Bath) played by Jean Dujardin is a spoof of Sean Connery's interpretation of James Bond seen predominantly during the 1960s. Connery though did not actually appear as James Bond in The Spy Who Loved Me (1977), the only James Bond movie set in Cairo, Egypt. See more »
Shortly after arriving in Egypt, while driving in a convertible, OSS 117's driver is smoking a cigarette whose smoke rises perfectly smoothly; this would be impossible in an actual open-top car driving at speed. See more »
Just saw the movie, it's actually pretty good. The trailers'd left me an impression of either yet another Dujardin one-man-show-turned-film (à la _Brice de Nice_) or an expensive, stupid French comedy. Surprisingly, it's neither. Secret agent OSS 117 is stupid, but at least he sort of knows it, whereas I've always found that James Bond was stupid but acted like a smart arse. Dialogue is witty with a lot of tongue-in-cheek humour that one would expect from a British rather than a French movie. The women and the music are beautiful. A refreshing trip into the past, when the bad guys were ex-Nazis or Soviet brutes, cars were shiny, and France had colonies!
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