Hubert Bonisseur de la Bath, aka OSS 117, is the French spy considered by his superiors to be the best in the business. The year is 1967 - he's been sent on a mission to Rio de Janeiro, to ... See full summary »
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Three half-brothers are reunited at their mother's funeral. After being told of their inheritance they quickly spend the money, only to find out that they will not receive it after all. The... See full summary »
Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
George Abitbol, "the Most Classy Man on Earth", dies sputtering his famous last words: "cr*ppy world!" What the heck did he mean? Reporters Steven, Peter and Dave investigate. La Classe ... See full summary »
Eric and Ramzy are working as window washers at the Montparnasse skyscraper in Paris. Thinking that he has a date set up with beautiful executive Marie-Joelle (who in reality hates his guts... See full summary »
An homage to classic spy films. It's 1955 and after a fellow agent and close friend disappears, secret agent Hubert Bonisseur de la Bath, a.k.a. OSS 117, is ordered to take his place at the head of a poultry firm in Cairo. This is to be his cover while he is busy investigating, foiling Nazi holdouts, quelling a fundamentalist rebellion, and bedding local beauties. Written by
The opening title animation is an homage to the work of Saul Bass, a titles designer noted for his animated titles. The striking of the gong is likely an homage to the trademark opening titles of J. Arthur Rank films, where a large gong is struck. See more »
When OSS 117 learns to count in Arabic, Larmina coaches him: "Wahed, Jouj...". She should be counting in Egyptian Arabic, but instead she uses Moroccan Arabic. An Egyptian would not use (or understand) "Jouj" for two. The word is "Itnayn". See more »
Seems like M.Hazanavicius is back!The man behind "la classe américaine" comes back with a really fun and clever sequel to those old-fashioned OSS-117...Whereas directors tend to "over-actualize" sequels of old classics (remember the avengers,urk), Hazanavicius chose to work on a really cheap hero, OSS-117, a kind of low-budget french 007, and decides to do it in a old-school way...The photography, the body attitudes, the fights choreography and the FX, everything is like an homage to the way films were made back in the 50s.And it works, as the tone and jokes of the movie are really good! Jean Dujardin embodies perfectly this stupid-arrogant-macho-selfish french spy, lost in a country he understands only in terms of folklore and inferiority.Yes, that's it, just the way the occident uses to consider its colonies back then (and, oh no, I won't say it has anything to do with what happens nowadays in the very same area...ah ah)...He just looks like an unfrozen Lino Ventura, with something like 40 pounds less, which is perfect for the role.The other members of the cast fit perfectly as well, with all you can dream of Russian spies, Egyptian independantists and former Nazis.And of course, the women, as there has to be "femmes fatales" in any good spy-movies... The plot is good (maybe not brilliant but really good enough...), taking place between actual historical facts, and remembering us in a funny way how France (and the others) treated its colonies back in those days. It all starts in 1955 with a British spy disappearing while tracking a Russian cargo full of weapons in Suez.Then France sends his best friend, agent OSS-117, to discover what happened to both the shipment and the agent... The fact is that this agent is really as dumb as can be, and he slips through the story without even understanding it, solving it in a very clouseau-esquire way. I have to say I had a bad feeling about the movie, as the publicity made around it was quite frightening, and as french humor tends to be quite populist and flat (forget about les bronzés 3 or camping...) but I was really surprised, and in the good way! I highly recommend it, whether you want a good parody of Bond-esquire movies (much more fun than in D.E.B.S. for example, but less skirts) or you're a fan of that genuine and candid way of filming they had back in the 5Os. Yes, that's it clever and (really!) funny, you've got the point once again Mr Hazanavicius!
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