'Der kommer en dag' is a movie about an orphanage where violence and humiliations is a part of the everyday life. The history is based on real stories from a boy home called 'godhavn', ... See full summary »
Jesper W. Nielsen
Harald Kaiser Hermann
Four rogues, who were best friends as kids, have one big problem: they're sitting on both sides of the law. Martin is a policeman, while Nikolai, Ralf, and Timo can't distinguish between ... See full summary »
The end of the 19th century. A boat filled with Swedish emigrants comes to the Danish island of Bornholm. Among them are Lasse and his son Pelle who move to Denmark to find work. They find ... See full summary »
Max von Sydow,
Niels is invited to a 25 year reunion for his student years, and is given the task of holding the main speech. This comes at a bad time. He is troubled with his self consciousness, eyesight, Hemmoroids and age bothering him.
Niels Nørløv Hansen
Anders W. Berthelsen,
My Larsen is a documentarian in her early thirties. Self-centered and assertive, she likes to challenge and provoke her surroundings. She takes on an unusual assignment to make a film about... See full summary »
I saw this film on DVD with a group of friends. We wanted to see what a film only 2903 people went to see was like.
This could possibly be one of the biggest mistakes of my life. Everything in this film is wrong. From the cinematography (everything looks flat and dull, and the framing is off on every single frame), the acting (all of the actors seem like they can't believe what they're doing in this catastrophic picture), the dialogue (if written by a 5-year old, this would still be inexcusable), even the plot (there is no plot).
The director doesn't even comply to the simplest of cinematic rules. Take the scene where Poul and Arne are sitting in an empty room talking about reading people and using the information for their scam. When Poul starts talking about stereotypes the movie cuts to a public place with a large number of persons walking around. Poul mentions people in a way that implies that Arne is in Poul's head, e.g. "that guy is a rebel, he listens to punk". When he does this we the audience see a young "rebel" walking towards the camera, but Arne and Poul are sitting in an empty room, and therefore Poul would have to describe the person and not just go "that guy".
If you appreciate your mental health, and don't want all life to be sucked out of you, avoid this at all cost.
If possible I would give this zero stars.
10 of 18 people found this review helpful.
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