After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.
When a serial killer interrupts the fun at the swanky Coconut Pete's Coconut Beach Resort -- a hedonistic island paradise for swingers --- it's up to the club's staff to stop the violence ... or at least hide it!
A team-building weekend in the mountains of Eastern Europe goes horribly wrong for the sales division of the multi-national weapons company Palisade Defence when they become the victims of a group of crazed killers who will stop at nothing to see them dead. Written by
Tomius J. Barnard
I recently saw this film premiere in Manchester as part of the Sky Festival and I have to say, I was impressed. I went in expecting nothing much, having read the comments and other info on IMDb before I went. However, these do not do this film justice.
It was witty, clever, well written but managed to balance this perfectly with it's horror elements. The idea behind the story is seemingly unique within cinema, and therefore was interesting and kept the viewer gripped. The acting was of a high standard in particular, Andy Nyman. I would say that Danny Dyer's role was well-played etc etc, but I met him afterwards, (and there was also a Q+A session) and he was rather obnoxious, I didn't like him (think Moff from Human Traffic... that wasn't method acting).
As for the direction, it is very commendable, in fact, the director Chris Smith, held a Q+A after the film and he definitely knew what he was talking about, as a big horror fan/geek, that was refreshing to see, particularly since none of his other films have approached this genre with any gusto. The film is reminiscent of Calvaire (the ordeal) and you can definitely see this in the direction - (he did say that Calvaire was one of his favourite films when I questioned him about the similarities).
Overall the film is definitely worth your hard earned £6. A wonderful example of GOOD contemporary British cinema, something which is difficult to find these days. However, I can't help wondering whether or not it's all an allegory to British rave culture...?!?!
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