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Paul Andrew Williams
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A team-building weekend in the mountains of Eastern Europe goes horribly wrong for the sales division of the multi-national weapons company Palisade Defence when they become the victims of a group of crazed killers who will stop at nothing to see them dead. Written by
Tomius J. Barnard
Written and Composed by Caroline Lost & Christian Henson
Performed by Caroline Lost & Elio Pace
Guitar by Tony Ayiotou
Published by Untouchable Songs Limited
Administered by Sanctuary Music Publishing Ltd & Air-Edel Associates Ltd See more »
Enjoyable British comedy/horror from the director of Creep.
Severance is a pitch-black comedy/horror that successfully blends laughs with outrageous scenes of extreme violence to tell the tale of a group of employees for a weapons company who, whilst on a team-building weekend in Eastern Europe, run into trouble when they are attacked by masked assailants.
I found the film to be both highly amusing and also rather creepy, although how much you enjoy the film will depend on how warped your sense of humour is. I liked it a lot, but then my sense of humour has always been rather questionable.
The story, which bears some resemblance in places to the extremely over-rated Hostel, allows some conjecture on the audience's part as to exactly who the killers aresomething I particularly liked. Theories are bandied about by the film's characters, but the issue is never resolved absolutely, allowing the audience to decide for themselves.
The likable cast give sterling performances and manage both the comedic and horrific elements with ease. Director Christopher Smith, who also made the rather humdrum Creep, handles the action well, and the film moves at a brisk pace delivering plenty of chills and thrills along the way.
And to cap it all, Smith makes sure that the gore-hounds get their quota of blood 'n' guts, and even finds time to throw in a couple of topless escort girls for good measure.
I give Severance a very respectable 7 out of 10.
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