Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no ... See full summary »

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Cast

Cast overview, first billed only:
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Sharman Douglas
Al Barclay ...
Billy Wallace (as Alex Barclay)
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Cecil Beaton (as Edward Tudor Pole)
James Wallace ...
Sunny Blandford
Aden Gillett ...
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Horace Featherstonehaugh
Felicity Montagu ...
Gillian Fleming
Peggy Batchelor ...
Mile End Flat Woman
Peter Gordon ...
Mile End Flat Man
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Archbishop Fisher
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French Newsagent
Robert Fitch ...
Piers Waldron
Jonathan Hansler ...
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Storyline

Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no money. Throughout her life she is criticized by the anti-Royalist MP Willie Hamilton. She pursues a hedonistic life-style more suited to a wealthy upper class woman than a royal but in 1960 she meets and marries the photographer Anthony Armstrong-Jones and they have two children. However Margaret's insistence on being a party girl puts a strain on the marriage and they drift apart, each having affairs. Depressed when one of her lovers Robin Douglas-Home kills himself Margaret finds unexpected solace with the much younger Roddy Llewellyn, an aspiring singer who lives on a commune and whop shelters her from publicity. However they are snapped kissing and are emblazoned across the gutter press. For Armstrong-Jones and the royal family this is the final straw. Margaret is last seen on the Caribbean island... Written by don @ minifie-1

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5 March 2006 (USA)  »

Also Known As:

A királynő nővére  »

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Did You Know?

Goofs

Lillebet and Margaret Rose ALWAYS referred to their uncle as "Uncle David", which was his given name. The idea that Princess Margaret, years later in conversation with Prince Philip, would call him "Uncle Edward" is totally preposterous. At her coronation, Queen Elizabeth II had 2 children (Charles and Anne). That would make her only sister third in line to the throne (not fifth, as claimed by the bogus announcer). Yes, years later 2 further children pushed Margaret back to fifth in line - - but certainly NOT at the time of the coronation. See more »

Quotes

Danny La Rue: [Princess Margaret has seen Danny naked; he proceeds to cover himself up] What are you doing here?
Princess Margaret: Don't worry, Danny, I've seen a queen's crown jewels before!
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Sprited performance, but a sad tale
19 November 2006 | by (Sydney, Australia) – See all my reviews

This show advises us at the outset –"some of the following is true, some is not". So we have been warned. Princess Margaret, the Queen's sister, kept the voracious British tabloids fed for many years. A high spirited personality, she found life as a minor royal boring and frustrating and deep down she probably agreed with her stern critic, Labour MP Willie Hamilton, seen here as a kind of Greek chorus. Her early love for an older divorced man war hero Peter Townsend was smothered by the royal establishment (personified here, in an unlikely fashion, by Prince Philip – neither the Queen nor her mother appear). She preferred jazz singing and nightclubs to opening schools and visiting the sick and her marriage in 1960 to the society photographer Tony Armstrong Jones was initially a happy one, but as much as she liked their semi-bohemian lifestyle Margaret never forgot she was royal. Although no saint himself, Tony eventually walked out when she was photographed in the arms of society hippie and landscape gardener Roddy Llewellyn, who was 20 years younger than Margaret.

There real strength of this production is Lucy Cohu's performance as Margaret. Not only does she look the part, she somehow conveys the strange mixture of immature, impulsive brat and dignified personage that Margaret seems to have been. She is not only believable but she evokes our sympathy, much as Princess Diana did later in the century. Margaret however was too abrasive to ever become really popular with the British public, despite royal household efforts to polish her image. In a classic instance, royal minders go round the audience at the theatre to make sure Margaret gets a round of applause when she enters the Royal Box. The audience does not seem too keen since she's kept them waiting for half an hour, but the applause is forthcoming.

Given Lucy Cohu's stellar performance, the question of what is fact and what is fiction doesn't matter much, but the affair with Roddy, shown here as a brief dalliance, actually went on for 8 years, and only ended when Roddy found someone else to marry. The divorce from Tony is shown having occurred years earlier than it actually did (1978). Apart from a shot on the beach at Mustique, her Caribbean hideaway, a veil is drawn over Margaret's later years, the last few of which were truly wretched after a series of strokes confined her to a wheelchair, As mentioned, Prince Philip carries the flag for the royal establishment. As impersonated by David Threfal, he is an almost creepy character, quite unlike Philip's blunt, bumbling but forthright public persona. He is affable enough, but strangely condescending, as if he is real royalty and she is the interloper. It has been suggested that Threfal had Charles rather than Philip in mind, which if this is fiction is fair enough, but rather confusing if we are sticking to history.

It's a sad little story but Lucy Cohu makes it interesting. Toby Stephens does a believable and likable Tony but most of the other characters have little to do. One can see why the producers decided not to bring in the Queen and the Queen Mum, but leaving them diminishes the portrait of Margaret, whatever the state of their relationships. It is possible to portray the Queen in an interesting and non-offensive manner, as Alan Bennett did via Prunella Scales in "A Question of Attribution", where she is seem in conversation with the keeper of her pictures and former soviet agent Anthony Blunt (superbly played by James Fox). Anyway, this is not bad television, and I predict it will do well in the US where there is an insatiable demand for royal fairy tales.


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