Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no ... See full summary »



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Cast overview, first billed only:
Sharman Douglas
Al Barclay ...
Billy Wallace (as Alex Barclay)
Cecil Beaton (as Edward Tudor Pole)
James Wallace ...
Sunny Blandford
Aden Gillett ...
Horace Featherstonehaugh
Felicity Montagu ...
Gillian Fleming
Peggy Batchelor ...
Mile End Flat Woman
Peter Gordon ...
Mile End Flat Man
Archbishop Fisher
French Newsagent
Robert Fitch ...
Piers Waldron
Jonathan Hansler ...


Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no money. Throughout her life she is criticized by the anti-Royalist MP Willie Hamilton. She pursues a hedonistic life-style more suited to a wealthy upper class woman than a royal but in 1960 she meets and marries the photographer Anthony Armstrong-Jones and they have two children. However Margaret's insistence on being a party girl puts a strain on the marriage and they drift apart, each having affairs. Depressed when one of her lovers Robin Douglas-Home kills himself Margaret finds unexpected solace with the much younger Roddy Llewellyn, an aspiring singer who lives on a commune and whop shelters her from publicity. However they are snapped kissing and are emblazoned across the gutter press. For Armstrong-Jones and the royal family this is the final straw. Margaret is last seen on the Caribbean island... Written by don @ minifie-1

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Release Date:

5 March 2006 (USA)  »

Also Known As:

A királynő nővére  »

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Did You Know?


The newsreel announcer states that at the coronation Elizabeth will enter Westminster Abbey as Princess and leave as Queen. In fact Queen Elizabeth took that title immediately upon the death of her father, the coronation being a symbolic affirmation. See more »


Danny La Rue: [Princess Margaret has seen Danny naked; he proceeds to cover himself up] What are you doing here?
Princess Margaret: Don't worry, Danny, I've seen a queen's crown jewels before!
See more »

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User Reviews

Boho-aristo clash
24 November 2013 | by (United Kingdom) – See all my reviews

This is the story of a princess who could not reconcile her royal status with her bohemian tendencies, resulting in a split personality that she never managed to shake off.

We meet her at twenty-one, receiving the news that she can't marry the divorcée she loves without forfeiting her privileges, and pressure comes down from high places to stay in the job. She seems to realise that she will never find happiness (and never does), so she might as well compensate with some high living.

This becomes the theme of the film, aptly introduced with a throaty chorus of 'That Old Time Religion', and if the partying seems too giddy and hysterical, it is no more so than the real thing was.

Lucy Cohu is triumphant in the title-role, having to age twenty years in the course of the story, so perhaps we can forgive her for not carrying full conviction at the most youthful stage. Best of all is the way she captures the petulance and sheer wilful mischief of the princess, who turns out to be hard work indeed for those she chooses to favour. Intriguingly, just once, she slips into a Northern accent, with her pronunciation of the word 'subject', while the person who ought to be talking Yorkshire, anti-royal MP Willie Hamilton, is mistakenly cast as a Scot.

We're warned that some incidents are not historical. The rumour of a lesbian affair sounds made up, though she would have loved the shock-value. Any idea of Prince Philip giving helpful advice to her new husband Tony Armstrong-Jones is right out: some say she chose Tony because he was the opposite of Philip, who simply couldn't stand the man. And when Tony is showing her round London's backstreets for the first time, the pub-brawl (involving Margaret) takes the slumming agenda a bit further than is credible.

One historically accurate scene shows Margaret watching Tony on TV, announcing their forthcoming divorce in a solemn spirit of regret. But they missed their chance to follow-up with her significant riposte "Best acting I ever saw."

As this film was made with at least half an eye on America, there had to be some rather obvious signalling of who's who in the zoo, and this can threaten the quality of the dialogue. Her confidante would normally have broken the news of her lover's suicide by just saying "Robin's dead", without having to provide a surname. Also the timelining of the story with newsreel clips and pictures of the moon-landings is as contrived as it is unnecessary.

If the male characters tend to deliver a wooden performance, it may just have been lack of opportunity. The plot largely reflects the boredom of royal life, and Margaret's circle was notably short of masterful and commanding males anyway. There were certainly some wooden performances by those men who were pretending to play the piano, with their hands conveniently out of shot. Viewers are used to this cheap trick, but they do expect to see some realistic mimicking, with the arms moving in rhythm, somewhere near the right end of the keyboard, at least. Not this time around. A pity, because the piano was a big part of Margaret's life, and many of her happiest hours were spent strumming or singing or both. Indeed, her doomed lover Robin was a jazz-pianist by profession. If they couldn't find a piano-playing actress for the star-role, they could at least have found one or two proper musicians to make up numbers.

Like all treatments of Princess Margaret, this film tries to conjure a woman of mystery and fascination out of basically ordinary clay. It may convince the young, who don't remember her. To others, it's just an agreeable piece of period wallpaper.

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