An in-depth biopic of Princess Margaret from the days following her father's death in 1952 until the 1970s. She was known to be a flamboyant royal but she remained a stickler for protocol. ... See full summary »
The duke of York, nicknamed Bertie, was born as royal 'spare heir', younger brother to the prince of Wales, and thus expected to spend a relatively private life with his Scottish wife ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Presents the lives and loves of a family of cousins from 1939 to the present. Follows very closely the Mary Wesley novel. Begins with a funeral and uses the reminiscences of those gathered ... See full summary »
Elyot Chase (Toby Stephens) and Amanda Prynne (Anna Chancellor) are glamorous, rich and reckless divorcees. Five years later, whilst on their second honeymoons with their brand new spouses,... See full summary »
After painter Michael 'Mike' Sheldrake's failed suicide attempt, house-mate and life-long best friend Peter Tremaine, an antiques shop owner, reminisces their common past, like Mike does in... See full summary »
An in-depth biopic of Princess Margaret from the days following her father's death in 1952 until the 1970s. She was known to be a flamboyant royal but she remained a stickler for protocol. She had many controversial romances and also infamously kissed the daughter of the US ambassador. Also the film gives some focus on what others thought of Margaret, from normal people of the era to a backbench MP opposed to her 1961 wedding. Written by
The radio announcement following the death of George VI claims the Duke of Edinburgh will be made prince. Philip wouldn't be made a prince until 1957, five years later. See more »
Danny La Rue:
[Princess Margaret has seen Danny naked; he proceeds to cover himself up]
What are you doing here?
Don't worry, Danny, I've seen a queen's crown jewels before!
See more »
It is easy to see what Brian Appleyard from the Sunday Times meant when he wrote that The Queen's Sister is a Television Landmark. As he and other serious critics have noted, the raw material is not churned into a slavish biopic in which everyone speaks in newspaper headlines, but distilled into what Appleyard called a 'potent modern myth'. The filmmakers respected Margaret's story enough to grapple with its most essential values rather than grinding through a list of surface details (though details too appear expertly rendered), creating a powerful image of a woman trying to find her soul among the glittering objects of post-imperial Britain. The piece delivers a series of sharp and often funny scenes, showing the princess as a talented woman with too little to occupy her active mind, and deepens as Margaret loses her grip on a world that has only caused her pain. It is difficult to imagine a movie that would better, or more movingly, illustrate the predicament of modern royals. Roman Holiday was based loosely on the conflicts of Princess Margaret. The Queen's Sister is the first film in many years to further the discussion.
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