| Photos (See all 22 | slideshow) | Videos (see all 3) |
| Belén Rueda | ... | Laura | |
| Fernando Cayo | ... | Carlos | |
| Roger Príncep | ... | Simón | |
| Mabel Rivera | ... | Pilar | |
| Montserrat Carulla | ... | Benigna | |
| Andrés Gertrúdix | ... | Enrique | |
| Edgar Vivar | ... | Prof. Leo Bálaban | |
| Óscar Casas | ... | Tomás | |
| Mireia Renau | ... | Laura niña | |
| Georgina Avellaneda | ... | Rita | |
| Carla Gordillo | ... | Martín | |
| Alejandro Camps | ... | Víctor | |
| Carmen López | ... | Alicia | |
| Óscar Lara | ... | Guillermo | |
| Geraldine Chaplin | ... | Aurora | |
| Enric Arquimbau | ... | Jefe Grupo Terapia | |
| Blanca Martínez | ... | Mujer Grupo Terapia | |
| Carol Suárez | ... | Benigna joven | |
| Isabel Friera | ... | Antonia cuidadora | |
| Fernando Marrot | ... | Doctor (as Fernando Marriot) | |
| Jordi Cardus | ... | Niño ciego (as Jordi Cardús) | |
| Pedro Morales | ... | Padre 2 |
Directed by | |||
| Juan Antonio Bayona | (as J.A. Bayona) | ||
Writing credits(in alphabetical order) | ||
| Sergio G. Sánchez | screenplay | |
Produced by | |||
| Belén Atienza | .... | line producer | |
| Álvaro Augustín | .... | producer | |
| Guillermo del Toro | .... | executive producer | |
| Elena Manrique | .... | line producer | |
| Joaquín Padró | .... | producer | |
| Mar Targarona | .... | producer | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Óscar Faura | |||
Film Editing by | |||
| Elena Ruiz | |||
Casting by | |||
| Geli Albaladejo | |||
Production Design by | |||
| Josep Rosell | |||
Art Direction by | |||
| Iñigo Navarro | |||
Set Decoration by | |||
| Iñigo Navarro | |||
Costume Design by | |||
| Maria Reyes | |||
Makeup Department | |||
| Itziar Arrieta | .... | hair stylist | |
| Lola López | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Montse Ribé | .... | special makeup effects artist | |
Production Management | |||
| Sandra Hermida | .... | production manager | |
| Marta Sánchez | .... | production manager | |
Art Department | |||
| Pau Albin | .... | set dresser | |
| Sol Caramilloni | .... | set decoration | |
| Paula de la Fuente | .... | set designer | |
| Blanca Francolí | .... | set designer | |
| Carlos Grané | .... | props (uncredited) | |
| Guy Pérez | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jordi Bosch | .... | sound effects editor | |
| Juan Carlos Cid | .... | sound consultant: DTS | |
| Manel López | .... | boom operator (dailies) | |
| Virgilio Martínez | .... | mixing assistant | |
| Xavier Mas | .... | dialogue editor (as Xavi Mas) | |
| Xavier Mas | .... | sound recordist (as Xavi Mas) | |
| Yvonne Miralles | .... | recording operator | |
| Marc Orts | .... | sound mixer | |
| Jaume Puig | .... | stereo sound consultant: Dolby | |
| Filippo Restelli | .... | boom operator | |
| Jordi Ribas | .... | sound edit assistant (as Jordi Riba) | |
| Oriol Tarragó | .... | sound designer | |
| Oriol Tarragó | .... | sound post-production supervisor | |
| Edgar Vidal | .... | sound effects designer | |
| Kiku Vidal | .... | sound effects technician | |
Special Effects by | |||
| Xavi Bastida | .... | special effects makeup | |
| Lluís Castells | .... | special effects | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Pau Costa | .... | special effects technician | |
| Ismael Ferrer | .... | special effects makeup | |
| Raquel Guirro | .... | special effects makeup: DDT SFX | |
| Javier Jal | .... | special effects technician | |
| Enric Masip | .... | special effects technician | |
| Jordi Morera | .... | special effects makeup: DDT SFX | |
| Joan Mosull | .... | special effects technician | |
| Pablo Perona Navarro | .... | special effects makeup (as Pablo Perona) | |
| Josep Olivé | .... | special effects technician | |
| Juan Serrano | .... | special effects makeup | |
Visual Effects by | |||
| Jesús Luque | .... | visual effects | |
| Quico Noizeux | .... | digital compositor | |
| Sandra Picher | .... | visual effects coordinator | |
| Lucas Pigliacampo | .... | digital artist | |
| Lucas Pigliacampo | .... | digital compositor | |
| Jordi San Agustín | .... | visual effects supervisor | |
Stunts | |||
| Marina de Mendialdúa | .... | stunts | |
| Laura Dursi | .... | stunt double | |
| Marian Elshove | .... | stunts | |
| Sergio G. Sánchez | .... | stunt double | |
| Desirée Guirao | .... | stunt double | |
| Antonio Higueruelo | .... | stunt coordinator | |
| Juan Antonio López | .... | stunts | |
| Marta Vilajoana | .... | stunt double | |
Camera and Electrical Department | |||
| Eduardo Bonilla | .... | gaffer | |
| Albert Carreras | .... | camera operator | |
| Francesc Carreras | .... | first assistant camera | |
| Beatriz Delgado | .... | assistant camera | |
| Llúcia Faraig | .... | still photographer | |
| Javier González Leonardo | .... | key grip | |
| Juan Carlos Gorriz | .... | first assistant camera | |
| Javier Guerrero | .... | electrician | |
| José Manuel Herrero | .... | underwater camera operator | |
| Gris Jordana | .... | second unit: camera assistant | |
| José Ángel Manrique | .... | key grip | |
| Roger Martínez | .... | additional first assistant camera | |
| Pablo Montesinos | .... | video assist | |
| Ferran Rial | .... | still photographer | |
| Bet Rourich | .... | cinematographer: second unit | |
| Ramón Sánchez | .... | steadicam | |
| Debora Witte | .... | electrician | |
Casting Department | |||
| Cristina Baeza | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Adolfo Domínguez | .... | wardrobe: Fernando Cayo | |
| Desirée Guirao | .... | costume assistant | |
| Aurora Pedredo | .... | tailor | |
Editorial Department | |||
| Quique Cañadas | .... | digital intermediate colorist | |
| Guillermo de la Cal | .... | first assistant editor | |
| Jorge Ortiz Yus | .... | colorist: dailies | |
| Marta Ramírez | .... | post-production coordinator | |
| Laura Sanchez | .... | digital intermediate editor | |
| Marga Villalonga | .... | digital intermediate coordinator | |
| Javier Ugarte | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Félix Divar | .... | musician: percussion | |
| Asen Kanchev | .... | music production manager | |
| Juan Antonio Ros | .... | music producer (as Juanan Ros) | |
Other crew | |||
| Glòria Blanes | .... | script supervisor | |
| Núria Costa | .... | press | |
| Raúl Díaz | .... | production assistant | |
| Sergio G. Sánchez | .... | making-of | |
| Goyo Gámez | .... | first production assistant | |
| Laura Jou | .... | child acting coach | |
| Rubén Lardín | .... | script supervisor | |
| Kike Maíllo | .... | script supervisor | |
| George Nicholis | .... | film publicist | |
| Jaime Ortiz de Artiñano | .... | business affairs | |
| Trini Solano | .... | press | |
| Francesc Talavera | .... | making-of | |
| Sonia Uría | .... | press | |
Thanks | |||
| Dolors Arena | .... | thanks | |
| Inés Barber | .... | thanks | |
| Ángeles Blanco | .... | thanks | |
| Desirée de Fez | .... | thanks (as La Desi) | |
| Christian Moyès | .... | thanks | |
| Maribel Robles | .... | thanks | |
| Luis Segura | .... | thanks (as Lluis Segura) | |
| Juanjo Sáez | .... | thanks | |
| Pere Torrebadella | .... | thanks | |
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| The Innocents | Stir of Echoes | Deep Red | Don't Look Now | The Devil's Backbone |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
Laura (Belen Rueda) returns to the orphanage she spent time in as a child with her husband Carlos (Fernando Cayo) and little boy Simon (Roger Princep) in hopes of re-establishing it as seaside retreat for children with disabilities only to find there may be some former residents who never left. In Juan Antonio Bayona's tightly wound "The Orphanage" nothing is as it seems and child's play takes on sinister overtones.
Bayona belongs to this new wave of Spanish-language directors (most notably Del Torro and Amenabar) who excel when it comes to creating moody atmospheric tales of the supernatural with Catholic overtones. Whereas "Pan's Labyrinth" took a dark fantasy approach to a Passion Play, "The Orphanage" is closer to the classic haunted house themes of "The Others" as it attempts to give a sentimental view of life after death. Be warned, "The Orphanage" is often more sad than scary, and those not familiar with Catholic mysticism might find things a bit hard to believe. As goes the film's mantra...Believe, Then You Will See. Those with the patience and the heart will be greatly rewarded as the audience doesn't necessarily have to Believe to relate to the characters who do.
Working from refined "less is more" psychological horror templates, Bayona delivers the formulaic goods. There will be a simplistic but heartfelt exploration of grief. There will be allusions to classic literature (in this case a very nicely done "Peter Pan" as Catholic allegory motif). There will be uncovering dark secrets from the past. There will be precocious children with spooky imaginary friends. There will be creaking set designs and manipulative sound effects to create "gotcha!" moments. There will be a creepy medium (an excellent Geraldine Chaplin) brought in for a séance. And there will be a twist at the end.
Thankfully, there is also a great performance from Belen Rueda as Laura. She gives a compelling portrayal of a woman devoured by her loss and achingly desperate for the truth no matter how horrific that truth might be. One must have a cold heart not to find sympathy with her, and even the most hardened audience member will find it hard not to feel that stray tear form in the corner of their trembling eye when all is revealed. "The Orphanage" offers nothing terribly new, but sometimes the same old ghost story presented in a beautiful way makes for the best type of cold-rainy-day entertainment.