A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Laura, a former orphan, raises her adopted son Simón together with her husband Carlos in an old house and former orphanage where she was raised. While at the orphanage Simón tells Laura that he has five invisible friends which she believes are a product of his active imagination. Laura decides to reopen the orphanage to cater for disabled children and throws a party. During the party Simón tries to persuade Laura to go and take a look at his friends cabin but she's too busy. Later on she sees a mysterious masked boy and realizes that Simón has also disappeared. Laura feels the presence of other people in the house and months later Laura invites a team of parapsychologists to try to unravel the mystery. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Overawed at being in the company of acting veteran Geraldine Chaplin, J.A. Bayona broke the ice on her first day by hiding under a bed and grabbing her leg when she knelt down in the dark. Chaplin's scream in the film is one of genuine surprise. See more »
After Laura is in the shed outside the house and she finds Benigna with a shovel hiding, and after Laura then tells Carlos to come down and check again with her, Carlos' torch shines onto the camera several times, and the reflection of the camera and the torch is in the background on the window. See more »
Pieces of wallpaper are peeled off to reveal each of the opening credits. See more »
Let me begin by saying I DON'T like horror movies. I don't enjoy jumping in my seat. I don't like being afraid of the dark for the next 2 days, and I usually HATE Spanish movies. So usually I only see the big horror classics, and that is because I've read enough spoilers to confront the movie in a laid-back way.
Having said this, I was dragged to see this movie against my will. And I was right! I have never, EVER, been more uneasy, uncomfortable on any movie, from the Exorcist to the Prophecy, from Psycho to Halloween. The story seems obvious; the cliché-horror themes are there, and while I saw them coming, I was comfortable enough. But then comes the movie, the script, the score, the acting, all in perfect harmony... and you jump, and you chill and you shout and you wish you had never entered that dammed cinema.
It is good. It is great.It is moving and horrifying. It does not need CGI, sound effects or unreal characters. Its there. Its real. Its haunting. It WILL be a classic.
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