Laura, a former orphan, raises her adopted son Simón together with her husband Carlos in an old house and former orphanage where she was raised. While at the orphanage Simón tells Laura that he has five invisible friends which she believes are a product of his active imagination. Laura decides to reopen the orphanage to cater for disabled children and throws a party. During the party Simón tries to persuade Laura to go and take a look at his friends cabin but she's too busy. Later on she sees a mysterious masked boy and realizes that Simón has also disappeared. Laura feels the presence of other people in the house and months later Laura invites a team of parapsychologists to try to unravel the mystery. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of the orphaned children Laura identifies in the photo she is shown she calls "Guillermo", an obvious nod to the Producer of the film. You also see his name during the scene where the window behind Laura smashes and she reveals the names of the old orphans and the dolls. See more »
During the séance, as Aurora regresses into a trance, her arms slip off the arms of the chair on which she is sitting. The next shot of her, looking from the other direction, shows her arms still resting on the chair again. See more »
Seeing is not believing. It's the other way around. Believe, and you will see.
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Pieces of wallpaper are peeled off to reveal each of the opening credits. See more »
Attended the first commercial screening of The Orphanage (El Orfanato) last night at FrightFest, London.
Juan Antonio Bayona and writer Sergio G. Sanchez have delivered something really special for their first feature.
I have never jumped out of my seat like I did last night, nor my partner, nor most of the audience it seemed. Apart from the terrific scares, there are solid performances from the whole cast, stunning cinematography, and the editing is flawless. If I had to criticise one element, it is that the music swells just a little too much a couple of times, but it is a good score nonetheless.
See this one at the cinema.
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