| Ahmad Razvi | ... | Ahmad | |
| Leticia Dolera | ... | Noemi | |
| Charles Daniel Sandoval | ... | Mohammad | |
| Ali Reza | ... | Manish | |
| Farooq 'Duke' Muhammad | ... | Duke | |
| Panicker Upendran | ... | Noori (as Upendran K. Panicker) | |
| Arun Lal | ... | Father-in-Law | |
| Razia Mujahid | ... | Mother-in-Law | |
| Hassan Razvi | ... | Ahmad's son | |
| Mustafa Razvi | ... | Pakistani Driver | |
| Altaf Houssein | ... | Altaf | |
| Bill Lewis | ... | Final Customer | |
| Abdelrahma Abdelaziz | ... | Friend at Bar | |
| Ronak Ricky Patel | ... | Newstand Worker | |
| Shaana Diya | ... | Club Worker | |
| Bhavna Toor | ... | Ahmad's Wife | |
| Adrian Quezada | ... | Ahmad's Baby | |
| Atif Muhammad Mirza | ... | Atif the Stab Victim | |
| Rao Rampilla | ... | Veterinarian (as R.N. Rao) | |
| Issam Abdelkader | ... | Push Cart Garage Owner | |
| Qamar Bukhari | ... | Guy in Karaoke | |
| Asim Mujahid | ... | Guy in Karaoke | |
| Mousa Kraish | ... | Guy in Karaoke | |
| Mariam Sologashvili | ... | Customer | |
| Thomas Russo | ... | Customer | |
| Marc Bonnée | ... | Customer (as Marcus Bonnée) | |
| Paul Ross | ... | Customer | |
| Darryl Meadows | ... | Customer | |
| Linda K. Alexis | ... | Customer | |
| Damita Spencer | ... | Customer | |
| Katherine Boyle | ... | Customer | |
| David Boyle | ... | Customer | |
| Edward Harper | ... | Customer | |
| Ana Brzova | ... | Girl Outside Club | |
| Katharyn Yew | ... | Karaoke Waitress | |
| Cynthia Martín | ... | Girl in Limo | |
| Sybil Prince | ... | Girl in Limo | |
| Nicholas Elliott | ... | Falafel Customer | |
| rest of cast listed alphabetically: | |||
| Bandar Albuliwi | ... | Street Pedestrian | |
| Afroz Hafeez | ... | Customer | |
| Kal Parekh | ... | Club Patron (uncredited) | |
| Jesus A. Del Rosario Jr. | ... | P.O. Bentley (uncredited) | |
Directed by | |||
| Ramin Bahrani | |||
Writing credits(in alphabetical order) | ||
| Ramin Bahrani | ||
Produced by | |||
| Ramin Bahrani | .... | producer | |
| Brian Bell | .... | co-producer | |
| Bedford T. Bentley | .... | producer (as Bradford T. Bentley III) | |
| Scott Booth | .... | executive producer | |
| Tom Donahue | .... | co-producer | |
| Pradip Ghosh | .... | producer | |
| Anura Idupuganti | .... | co-producer | |
| Vinay Jayaram | .... | executive producer | |
| Sanjay Motwani | .... | executive producer | |
| Lisa Muskat | .... | executive producer | |
| Steve Sabba | .... | executive producer | |
Original Music by | |||
| Peyman Yazdanian | |||
Cinematography by | |||
| Michael Simmonds | (director of photography) | ||
Film Editing by | |||
| Ramin Bahrani | |||
Art Direction by | |||
| Charles Dafler | |||
Costume Design by | |||
| Elena Kouvaros | |||
Production Management | |||
| Nicholas Frayn | .... | production manager | |
| John Freund | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas Elliott | .... | assistant director | |
Sound Department | |||
| Greg Bittar | .... | sound assistant | |
| David Crabb | .... | additional foley editor | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| Christof Gebert | .... | production sound mixer | |
| Christof Gebert | .... | sound mixer | |
| John Moros | .... | assistant sound editor | |
| Abigail Savage | .... | sound designer | |
| Nicholas Schenck | .... | adr editor | |
| Brian Vancho | .... | foley artist | |
Camera and Electrical Department | |||
| Jon Higgins | .... | still photographer | |
| Mark Koenig | .... | key gaffer | |
| Katharina Rohrer | .... | assistant camera | |
Casting Department | |||
| Kimberly Hope | .... | casting associate (uncredited) | |
Editorial Department | |||
| Ed Beyer | .... | film timer | |
| Christina Kelly | .... | assistant editor | |
| Mike Maguire | .... | color corrector: high definition | |
| John Rehberger | .... | on-line editor: high definition | |
| Benjamin Stark | .... | assistant editor | |
| Jane Tolmachyov | .... | color timer | |
| John Wu | .... | first assistant editor | |
Music Department | |||
| Dual | .... | composer: additional original music | |
| Sandra Trujillo | .... | music supervisor | |
Other crew | |||
| Hooman Bahrani | .... | manager: Noruz Films | |
| David Frisco | .... | title designer | |
| Aden Hakimi | .... | production assistant | |
| Jesse Lehrhoff | .... | production assistant | |
| Matt Luxenberg | .... | account executive: DuArt | |
| Joe Monge | .... | vice president of video operations: DuArt | |
| Sybil Prince | .... | intern | |
| Himkar Tak | .... | intern | |
Thanks | |||
| Aravind Adiga | .... | special thanks | |
| Bahareh Azimi | .... | special thanks | |
| Patrick Haischer | .... | thanks | |
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| Kings & Queen | Giant | Spider-Man 3 | New York, I Love You | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Reaching out with meaning far beyond its melancholy central story, this is an excellent film. It is, in simple terms, the tale of Ahmed, former rock star from Pakistan who finds himself, by way of domestic misfortune, pushing his coffee-and-donuts cart through the streets of NYC to make a living. Opportunities to escape his lonely lot come his way. Will he/won't he take them? But it's more than that: it's a story of the gulf between rich and poor; of the sensitive and the brutish; the pecking order of immigrants in the so-called Melting Pot; and of course the position in particular of Muslim immigrants post 9/11. In the end, Ahmed's cart becomes a symbol of the burdens that we give ourselves, that we don't know how to let go of, even when the chance comes to do so. It's beautifully photographed, superbly acted. A true independent.