In 1980s Britain, a group of young men at Cutlers' Grammar School all have the brains, and the will to earn the chance of getting accepted in the finest universities in the nation, Oxford and Cambridge. Despite the fine teaching by excellent professionals like Mrs Lintott in history and the intellectually enthusiastic Hector in General Studies, the Headmaster is not satisfied. He signs on the young Irwin to polish the students' style to give them the best chance. In this mix of intellectualism and creative spirit that guides a rigorous preparation regime for that ultimate educational brass ring, the lives of the randy students and the ostensibly restrained faculty intertwine that would change their lives forever. Written by
Kenneth Chisholm (email@example.com)
Samuel Barnett was nominated for the 2005 Tony Award (New York City) for Supporting or Features Actor in a Drama for "The History Boys" and recreated the role in this production. See more »
When Posner and Hector are discussing the poem "Drummer Hodge" by Thomas Hardy, Posner references Rupert Brooke's poem "The Soldier" by mentioning the line "There's some corner of a foreign field... in that dust a richer dust concealed." The line is actually "in that rich earth a richer dust concealed." See more »
[Dakin is annoyed because he thinks Irwin doesn't like him]
But he doesn't understand, Irwin *does* like him. He seldom looks at anyone else.
How do you know?
Because nor do I. Our eyes meet looking at Dakin.
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At the beginning of the film, the title - "The History Boys" - is taken letter by letter from random parts of an essay on the dissolution of the monasteries, a common history topic, which the History Boys themselves write later on in the film. See more »
A very good film - not setting black against white but looking at flawed people and complex arguments. Also brilliantly funny.
Not quite as good as the play because some balance was lost - I think this was due to pressure of time, A lot of the classroom debate and argument was shortened, the glimpses into the present were omitted so that Irwin's descent into pure spin was not seen and a couple of the boys characters weren't fleshed out enough. This combined to throw the obviously shocking scenes, such as Hector's behaviour, too much into the centre of the film. The classroom performances also jarred as a bit too theatrical, whereas on stage they were believable, apt and very funny.
Worryingly realistic sets I thought I'd put the smell of school classrooms well behind me - and memorable performances from the entire cast. Jamie Parker, Andrew Knott, Samuel Barnett and Frances de la Tour were the standouts for me, but I still can't decide whether it was their performances or the characters they played.
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