Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
28 Weeks Later picks up six months after the Rage Virus has decimated the city of London. The US Army has restored order and is repopulating the quarantined city, when a carrier of the Rage Virus enters London and unknowingly re-ignites the spread of the deadly infection and the nightmare begins... again. Written by
All of the night scenes involving Andy, Tammy, Scarlet, Doyle and Sam's journey across London to escape the bombs were shot day-for-night using a new technique created specifically for the film by director of photography Enrique Chediak. The scenes were shot day-for-night for three reasons. Firstly, because the filmmakers weren't allowed to use Mackintosh Muggleton (Andy) at night time. Secondly, because there is supposed to be a total shut down of all power in London, hence every building must appear light-less. However, if one were to actually shoot at night time in London, this would be impossible to capture photo-realistically and would hence involve complex post-production work removing all of the lights. By shooting during the day time however, there are few lights on in most buildings anyway, and as such, when the day-for-night treatment is applied to the film stock, everything in the image darkens equally, thus giving the impression that all of the buildings are in total darkness. Thirdly, director Juan Carlos Fresnadillo has always been a big fan of the 'ghostly' quality day-for-night shooting has, and he felt it would create the perfect sense of unease for the film. See more »
Just after the helicopter lifts off from Wembley Stadium, in the shot following the white-out transition, traffic can be seen moving in the roads in the bottom-right of the shot. See more »
I must immediately stress that critics who made the interpretation that this was a statement on the Iraq War seem to know as little about it as they do allegory. I'll write more on this later.
To put it succinctly, this movie has all that modern zombie movies are supposed to have. Incredible gore? Check. Virus zombies? Check. Biting zombies? Check. Soldiers shooting zombies? Check. A horror plot that has people falling to their own weaknesses? Check.
The shocks are there, the plot is excellent, and the acting is very, very good. My only issue with the movie, actually, was its use of some recognizable actors- casting semi-unknowns makes the movie more visceral, instead of having fans think, 'Oh, I saw that guy in...'.
Thankfully, fans of the first movie will notice that it doesn't try to ret-con anything, and the same action-focused, grainy camera work makes a welcome return. The movie moves along at a nice pace, never leaving you room to get bored.
Carina Chocano in the Los Angeles Times commented, "The director's message is less overtly political than it is allegorical -- that chaos breeds chaos and that force only serves to amplify it." Given that from the very first moment, without getting too specific, people abandoning their duties defines the movie (as it does virtually all zombie films), I would have to completely disagree. I even set upon another viewing of this movie simply for the purpose of finding an Iraq metaphor- and it's not really there; at this point, they would find a war metaphor in Disney's 'Dumbo'. Unfortunately, I'd have to say that this time, the critics are pretentiously political; so don't worry about getting preached to, as I did. If you're looking for military/force/war metaphors, look to the first film, 28 Days Later. If you're looking for an excellent, fun, gore-infested romp, watch this right afterwards.
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