Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
28 Weeks Later picks up six months after the Rage Virus has decimated the city of London. The US Army has restored order and is repopulating the quarantined city, when a carrier of the Rage Virus enters London and unknowingly re-ignites the spread of the deadly infection and the nightmare begins... again. Written by
All of the night scenes involving Andy, Tammy, Scarlet, Doyle and Sam's journey across London to escape the bombs were shot day-for-night using a new technique created specifically for the film by director of photography Enrique Chediak. The scenes were shot day-for-night for three reasons. Firstly, because the filmmakers weren't allowed to use Mackintosh Muggleton (Andy) at night time. Secondly, because there is supposed to be a total shut down of all power in London, hence every building must appear light-less. However, if one were to actually shoot at night time in London, this would be impossible to capture photo-realistically and would hence involve complex post-production work removing all of the lights. By shooting during the day time however, there are few lights on in most buildings anyway, and as such, when the day-for-night treatment is applied to the film stock, everything in the image darkens equally, thus giving the impression that all of the buildings are in total darkness. Thirdly, director Juan Carlos Fresnadillo has always been a big fan of the 'ghostly' quality day-for-night shooting has, and he felt it would create the perfect sense of unease for the film. See more »
Right after the virus breaks out again and the medical officer grabs the two kids from isolation she is trying to get them out of the building when a soldier stops them. The soldier keeps calling her "sir" when in fact female officers in the US armed forces are addressed as "ma'am" by those of lesser rank, not "sir". See more »
Having seen 28 Days Later I thought I was prepared for this, but I was not. Somewhere near the beginning of the film is a scene that goes from zero to psycho in about 2 seconds flat. The beginning of 2004's Dawn of the Dead also had a wildly chaotic kick-off scene, but unlike that film, which was a great film to laugh through while chomping your popcorn, this film is no laughing matter.
When there's no violence, there's fear and tension.
When there is on-screen violence, there is absolute shock and horror. Scene after scene shows ordinary people placed in impossible situations from which they cannot escape. This time, of course, there now two implacable predators out there hunting them down: the rage virus from the first film, and the military which is attempting to maintain control of any outbreak, but is willing to visit unspeakable horrors upon innocent people if they cannot keep that control. The horror and scale of the virus is so severe, that the plans the military implements are completely plausible.
The actions scenes are masterfully done, effectively placing the viewer in the points of view of both the victims and the crazed, but still scarily human, zombies. The portrayal of the violence pulls no punches; people of all age groups and walks of life are destroyed without remorse. No attempt is made to soft-pedal it. The fragility of human life on Earth and its vulnerability to just the right nasty virus are thoughts that stay with you after you've left the theater, and add a nice "after taste" of fear. The soundtrack, as with the first film, is amazing in conveying the tension and dread and sadness of the scenes. The story is fairly tight, as well. My only complaints might be with the acting of some of the soldiers, which just didn't feel authentic to me for some reason.
Overall I'd say this is one of the best zombie films I've ever seen, in fact, one of the most effective thrillers I've seen, as well.
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