Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
28 Weeks Later picks up six months after the Rage Virus has decimated the city of London. The US Army has restored order and is repopulating the quarantined city, when a carrier of the Rage Virus enters London and unknowingly re-ignites the spread of the deadly infection and the nightmare begins... again. Written by
All of the night scenes involving Andy, Tammy, Scarlet, Doyle and Sam's journey across London to escape the bombs were shot day-for-night using a new technique created specifically for the film by director of photography Enrique Chediak. The scenes were shot day-for-night for three reasons. Firstly, because the filmmakers weren't allowed to use Mackintosh Muggleton (Andy) at night time. Secondly, because there is supposed to be a total shut down of all power in London, hence every building must appear light-less. However, if one were to actually shoot at night time in London, this would be impossible to capture photo-realistically and would hence involve complex post-production work removing all of the lights. By shooting during the day time however, there are few lights on in most buildings anyway, and as such, when the day-for-night treatment is applied to the film stock, everything in the image darkens equally, thus giving the impression that all of the buildings are in total darkness. Thirdly, director Juan Carlos Fresnadillo has always been a big fan of the 'ghostly' quality day-for-night shooting has, and he felt it would create the perfect sense of unease for the film. See more »
(12:53-13:54) A plane is shown landing at London City Airport. Many of the buildings and equipment seen are unique to London Stansted Airport. See more »
The best damn horror movie I've seen in a long time.
This I can honestly say is not an overstatement. The movie contained everything it needed to be become a classic horror movie. It had gore, emotion,a few jumps,and action all the way through. The movie starts off well with the jumps and the pulse pounding action. Then all calms for a second, only to pick up again and faster.
First off the gore was not as bad as some movies, which are overly gory for no reason. Don't get me wrong there was gore and lots of it, but for some reason it seemed to fit within the movie so well that your not really bothered by it. I'm no gore hound but I honestly couldn't turn away from the screen.
The emotion is excellent for a horror film. Normally you get one dimensional characters, that do things that would never make sense whether panic stricken or not. In this film the emotions were well placed and not cheesy at all. There may have been one scene that went a little overboard but it didn't ruin a thing.
The jumps were slight, and if your not a jumpy person you may not jump at all. But with all the action you'll still be on the edge of your seat, and the jumps to tell you truth are an added incentive.
Finally the action was full on pulse pounding. It was incredible for a horror film. Think of the beginning scene of the Dawn of the Dead remake, but put it in the whole film, with a few chill spots with well placed acting. Honestly this movie deserves a 10 and has restored my faith in horror movies. I will be getting it on DVD and any directors cuts that may come out as well.
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