Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
Gemini Division features NYPD undercover Detective Anna Diaz as a street wise and tough-as-nails New York cop forced to live dual lives. Diaz's deep undercover persona drives her to keep ... See full summary »
In the winter of her senior year, Maya talks to Jared at a frat party, accepts his invitation to dinner at a nice restaurant, then goes to his apartment, just to talk. He assaults her. Her personality changes, she's withdrawn; she graduates and takes a job at a clothing store, staying apart from co-workers. At night, she's someone else: a beauty at the club scene, dancing, seductive, sniffing cocaine, becoming the friend of a heavy hitter. She thinks about her racial identity. That fall, she's a grad student, and Jared is in an exam she proctors. She invites him to her apartment; he's certain she's stuck on him. Written by
I saw 'Descent' last night at the Stockholm Film Festival and it was one huge disappointment. Disappointment because the storyline was potentially powerful, the prospect of seeing Rosario Dawson in a smaller intimate movie was exciting and, being a fan (sounds pervy, I'm not!) of 'rape/revenge' flicks of the 70's, I was needless to say very curious to check this movie out. My conclusion: let's stick to the classics! Yes, the storyline has potential but the dialogs are flat, the actors unconvincing. Even Dawson is empty. Some would say that it's a right depiction of the college world in the US, that the emptiness of the characters serve a purpose and all that jazz but it just makes the whole movie unsubstantial. Just like the scene where Dawson gets raped: it seriously lacks intensity! I wasn't expecting anything 'Irreversible'-style but still, aren't we suppose to feel compassion for her? I didn't. Not for a minute, she was so lame all the way ;-) And I read that the photography was impressive. Well, it is good indeed but nothing ground-breaking either. I must admit that the screening at the festival wasn't so good so maybe I missed out something here but at the end of the movie, I couldn't help thinking 'I feel like watching Argento's 'Inferno' again. lol. More seriously, the first scene in the club is beautifully shot and all but I had the bitter sensation of watching a longer and more boring version of the scene in the filthy bar near the American-Canadian border in Lynch's 'Twin Peaks - Fire Walk with Me'... the crude red and blue lighting, the heavy bass music, the general lascivious/decadent atmosphere... No, I just couldn't get into this movie. Too bad.
44 of 80 people found this review helpful.
Was this review helpful to you?