IMDb > L'homme de sa vie (2006)

L'homme de sa vie (2006) More at IMDbPro »


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Overview

User Rating:
6.9/10   418 votes
MOVIEmeter: ?
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Director:
Writers:
Zabou Breitman (writer)
Agnès de Sacy (writer)
Contact:
View company contact information for The Man of My Life on IMDbPro.
Release Date:
21 September 2007 (USA) more
Genre:
Plot Keywords:
User Comments:
Enigmatic, Subtle, Well Thought Out, Though.... more (8 total)

Cast

  (Credited cast)
Bernard Campan ... Frédéric
Charles Berling ... Hugo
Léa Drucker ... Frédérique
Jacqueline Jehanneuf ... Jacqueline
Eric Prat ... Guillaume
Niels Lexcellent ... Arthur
Anna Chalon ... Capucine
Antonin Chalon ... Mathieu
Léocadia Rodriguez Henocq ... Jeanne (as Léocadia Rodriguez-Henocq)
Caroline Gonce ... Ilse
Aurélie Guichard ... Lucinda
Philippe Lefebvre ... Benoît
Angie David ... Anne-Sophie
Gabrielle Atger ... Pauline
rest of cast listed alphabetically:
Andy Gillet ... Jeune homme Hugo
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Additional Details

Also Known As:
The Man of My Life (International: English title)
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Runtime:
USA:114 min | Canada:114 min (Toronto International Film Festival)
Country:
Language:
Color:
Sound Mix:
Certification:
Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Singapore:R21
Filming Locations:

FAQ

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Enigmatic, Subtle, Well Thought Out, Though...., 17 October 2009
8/10
Author: ekeby from wisconsin

This film is so well photographed, produced, acted, scripted, etc., I feel a bit caddish for complaining about any aspect of it.

The photography is beautiful, lush at times, and often original. Much of the story takes place in dreams, or in a dream-like state, and the cinematographer does a good job conveying as much.

The film returns repeatedly to segments of an all night conversation between the two male leads, revealing nothing particularly extraordinary. Their dialog is the kind college kids have when they're talking about The Meaning of It All. But aspects of that discussion are played off against events occurring around them in the days that follow. It's a nice structure, one that lends itself to the dreamy photography.

I think the film could have been truly great if just a bit of the thematic and visual metaphors had been scaled back. This slight excess is noticeable, and that, I think, is a shame. Don't get me wrong--this is so far and away above the quality of most gay cinema it's definitely worth seeing, and thoroughly enjoyable.

I think Netflix has categorized this film as Foreign, rather than as Gay & Lesbian. It's French, so it clearly belongs to the former, but it is also a top tier example of the latter.

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